The The – Ensoulment (2024)

Is there anybody listening to the lyrics anymore?
Many people I know never do. They consider the vocals just another instrument and the song lyrics neglectable.
For me, the message is important. I learned English by listening to songs and translating the lyrics from the inlay of the records word by word using a dictionary. Especially in a world where “everything you thought you knew is wrong”, words become treasures. Or weapons.
True words were hard to find before 1989, left behind the Iron Curtain. Words meant freedom and carried the flavour of hope.
To our bitterness and disappointment, in 2024, true words only seem like a lost memory from an imaginary world or parallel reality. Yet, the scariest thing is “We can deny reality – but not its consequences”. Read more The The – Ensoulment (2024)

Jabba – Vice (2017)

JABBA-Vice-2017

JABBA-Vice-2017 Thundering drums and heavy distorted bass, these are the basic ingredients of Jabba. Sometimes sounds like Motörhead on an acid trip. ‘Mathlete’ might have been a missing track from ‘Ace of Spades’.
Working over a decade on the material of this debut album, must worth something. Still, I’m unsettled with the idea of a punk band with Facebook page. But it’s only my own personal concern! “Vice” is a consistent, restless, literally heavy and noisy garage rock album and if the fans will don’t have to wait another ten years for the next album, Jabba might mean something for a more larger audience. Energy and roll. If you’ll see their name on a poster, don’t miss their gig! And buy their album!! Read more Jabba – Vice (2017)

Komara – Komara (2015)

Komara – Komara (2015)

Komara – Komara (2015) I started listening this material totally blind. Did not have a clue who these guys are and what kind of experimental/progressive rock they will deliver. The cover art work kind of make me think of Tool (the videos for “Sober” and “Prison Sex” from their brilliantly wicked 93’s “Undertow” album) – but in a bad way. I almost skip the album because this horrible cover. Glad I didn’t!
“Dirty Smelly” have a kind of healthy, driven Faust flavour and starts just like a Nine Inch Nails song left off from the “With Teeth” album or like “Driver Down” from the “Lost Highway” soundtrack. It’s pure alchemy and unleashed Magick! From the second track on I was intensively haunted by the feeling of the Miles Davis/Marcus Miller collaboration “Music from Siesta” (1987). With the last but one track, “Afterbirth” the Faust/Nine Inch Nails feeling it’s back. The best 47 minutes I spend lately and I admit, it’s the only record I’m spinning around ever since. And most probably it will be hard to change it with something else in the near future.
“Komara” it’s an intense, refreshing experience and the living proof that the music it’s not as dead as we might think while we’re listening to the radio.
Then I read the info and I find out who are the guys playing in Komara. Read more Komara – Komara (2015)

Therapy? – Disquiet (2015)

Therapy? - Disquiet (2015)

Therapy? - Disquiet (2015) Believe it or not, but “Disquiet” is the fourteenth studio album by Therapy?. “Teethgrinder” it’s still ringing in my ears like it was yesterday and their 94’s “Troublegum” it’s probably one of the best punk-rock albums ever. Between their fourth and fourteenth album lot of things was going on, but the only thing it’s really matter is that Therapy? are still alive and kicking.
Co-founder drummer Fyfe Ewing left the band in 1996 and he was replaced by Graham Hopkins. Hopkins left the band in 2001 and was replaced next year with Neil Cooper. Although they never delivered a “Troublegum 2” type of success album, Therapy? had a couple of great songs and some really good albums in between. Just for the record, their previous album, the 2012’s “A Brief Crack of Light” it’s a solid, modern rock album. But there’s one thing that kept the band going: the love and the support of their fans.
“Disquiet” it’s definitively a perfect gift for them. And another killer album from a quite under-rated band! Read more Therapy? – Disquiet (2015)

L’Effondras – L’Effondras (2014)

L'Effondras - L'Effondras (2014)

L'Effondras - L'Effondras (2014) Post-rock it’s a vast and vague space and definition, fancy sometimes, abstract and elitist/exclusivist, but unfortunately mostly shallow, quite selfish and meaningless. Instrumental bands and albums scar me as David Bowie is afraid of Americans.
L’Effondras – actually ☉ – it’s a French instrumental trio and when I first watch a recording of one of their live performances posted on YouTube my first thought was early (Barrett era) Pink Floyd. So, it’s not really that “thing” called “djent” – or whatever – and – fortunately – it’s not that bored to death thing called quite elegantly shoegaze (or shoegazing). Although, there’s a little bit of both worlds in their music, but they manage to combine all those elements smartly and efficiently. Read more L’Effondras – L’Effondras (2014)

Faith No More – Motherfucker, 5000 copies 7-inch single (2014)

Faith No More - Motherfucker

Keyboardist Roddy Bottum says in a statement: “It feels apt that the first track we’re releasing is ‘Motherfucker,’ a song about accountability. Basically we’ve created, recorded and mixed a new body of work by ourselves and we’re releasing it on our own label. It’s a huge deal for us to only have ourselves to answer to at this point in our career and the song is about that, where the buck stops via the basic imagery of foie gras production, bondage. . .y’know, stuff like that.”
And here we go, we have the very first brand new Faith No More recording since…. Since 1997? Holly cow! And this is so not Faith No More like that it is exactly Faith No More! Read more Faith No More – Motherfucker, 5000 copies 7-inch single (2014)

Emigrate – Silent So Long (2014)

Emigrate - Silent So Long (2014)

Emigrate - Silent So Long (2014) If the name do not ring any bell, I tell you this: Emigrate is a New York based metal band, led by Richard Z. Kruspe, the lead guitarist of the leading Neue Deutsche Härte band Rammstein. Their sound is a mixture of rock and metal elements with some different resonances and the most exciting thing about their second album it’s the presence of some famous and infamous guest artists such as Marilyn Manson, Lemmy Kilmister (Motorhead), Jonathan Davis (Korn), Peaches, Frank Dellé (Seeed) and Margaux Bossieux (bassist of the all-girl NY punk band Dirty Mary). Bossieux was involved also in the recording of Emigrate’s debut album. She and Kruspe have a daughter and they have an on-again, off-again relationship over the years. Read more Emigrate – Silent So Long (2014)