Ladies and gentlemen, light up, Blondie’s back. While “The Curse of Blondie”, their previous release from 2003 was a return to their roots and a more rocking approach – and it only peaked at no.36 in the U.K. charts – , the ninth studio album by the American Blondie bring us back to the care-free, relaxed 80s. Quite surprisingly they included for instance “Girlie Girlie”, a cover of Jamaican singer Sophia George, a Top-10 hit in the UK in 1985 and one song of Gilles Riberolles called “Le Bleu à l’âme” (“Blue In The Soul”), a homage to Jacques Brel and Serge Gainsbourg.
“Panic Of Girls” kicking off pretty cool with “D-Day”, an almost classic new wave track with all the good Blondie traditions incorporated, but that spirit it’s left aside, maybe only “Mother”, the lead single, have some charming left-overs of the glorious days. Still, I don’t believe Blondie managed to deliver another “Heart of Glass”, “Hanging on the Telephone”, “The Tide Is High” or “Maria”. Read more Blondie – Panic Of Girls (2011)
I knew this will be one of my favorite albums of 2011 even before I’ve been listening into it. I saw them live back in 1999 and since I’m a follower. Playing an explosive mixture of rapcore, dub, dancehall and raggae, using rock instruments and including punk and hardcore influences, ADF are one of the killer acts of Great Britain beside The Prodigy and much recently Subsource. Intense and speeding serious social and political messages, live they will smash off any scene and move the audience, their studio albums maybe do not capture all that energy and explosion, but still they are much heavier than most of the other bands and even heavier than some of the so-called “modern”, alternative or post-metal bands. They unique style of blending hardcore energy, punk rawness, electronics and dub inspired many other artists, but not so many managed to get even closer, not to mention the issue of credibility. 













