When the market is full-filed with millions of same look-like, sound-like, taste-like products – not quite artists I’m afraid – sometimes (pre) judging a CD by its cover, might be a pretty strong argument. First the cover, then the title – “I Loved I Hated I Destroyed I Created” – grabbed my attention.
Dan – Vocals, Michael – Vocals, Guitar, Sean – Guitar, Orchestration, Sam – Bass, and Jakub – Drums managed to explore a quite unique path somewhere between Sigur Rós and At the Drive-In, a disturbing place where ambiental, cinematic soundscapes and turbulent, furious (Post) Hardcore collide and make an actually nice pair as only opposites are capable of. Read more The Elijah – I Loved I Hated I Destroyed I Created (2012)
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Marcus Miller – Renaissance (2012)
After last years fabulous “Tutu Revisited”, the bass-killer Marcus Miller (age 53) are back with “Renaissance”, 13 tracks of groovy Jazz and bass slappin’ where hard and smooth parts are merged into one as not too many musicians are capable to do. The shade of Miles Davis are constant and discretely present all over, but this is definitively and unmistakably Marcus Miller. Although “Renaissance” is – surprisingly – only his eighth studio project since his 1983 debut, “Suddenly”, Miller spent approximately 15 years performing as a sideman or session musician and he has played bass on over 500 recording on albums across different musical styles from Rock (Donald Fagen and Eric Clapton), to Jazz (George Benson, Dizzy Gillespie, Joe Sample, Wayne Shorter and Grover Washington, Jr.), Pop (Roberta Flack, Paul Simon and Mariah Carey), R&B (Aretha Franklin and Chaka Khan), Hip Hop (Jay-Z and Snoop Dogg), blues (Z.Z. Hill), New Wave (Billy Idol), Smooth Jazz (Al Jarreau and Dave Koz) and opera (collaborations with tenor Kenn Hicks and soprano Kathleen Battle). Also, as a film music pro, Miller rose from writing the go-go party classic ‘Da Butt’ for Spike Lee’s ‘School Daze’ to becoming the go-to composer for 20+ films (from the documentary 1 Love to the animated children’s fable The Trumpet and The Swan to the Eddie Murphy/Halle Berry classic Boomerang. In the 80’s he had collaborate with Miles Davis on 6 consecutive albums, he produced and wrote wrote “Tutu” for Miles Davis. Read more Marcus Miller – Renaissance (2012)
Dementio13 – El Lissitzky (2012)
“Sick”, “dope” and FREE (name your price) !! Exactly as the people expect to be nowadays. Still, as I often said, art and artists need to be supported, otherwise it will fade out and we will only have the mainstream plastic BS, perfectly packed, consumer-friendly, but meaningless and tasteless. I’m kind of dependent of independent music, too old to expect or believe in “revolutions”, but still willing to take the hard way and prefer to explore the unknown and unexpected, then accept the comfortable. And Dementio13 it’s definitively genderless, experimental, boundaries breaker music ready for open minds and ears.
So, if you’re not afraid to take a trip into the wide open unknown without having a clue where it’s gonna take you, “El Lissitzky” is your ticket to ride – and get free. Read more Dementio13 – El Lissitzky (2012)
Kreator – Phantom Antichrist (2012)
It’s almost an irony, or eventually the reward of hard years of work and stubbornness, although Kreator was founded as Tyrant in 1982 in Essen, Germany, they released their murderous debut album “Endless Pain” in 1985, many of their previous albums were quite popular in Europe, Japan and even in the United States, the commercial success came only with the 2009 release of their twelfth studio album, “Hordes of Chaos”, which peaked at number 165 on the Billboard 200 and debuted at #16 on the Media Control Charts, the band’s highest ever chart position in Germany.
So, both, expectations and hopes are pretty high regarding their 13th studio album, “Phantom Antichrist” released through Nuclear Blast in June 2012. Read more Kreator – Phantom Antichrist (2012)
The Smashing Pumpkins – Oceania (2012)
“Quasar” sounds extremely alive, intense and rocking, it’s surprisingly fresh and powerful, almost anthematic, have the nerve and rawness, positive energy of the 90’s and “Panopticon” follows pounding as well.
Although Billy Corgan argued that albums are a dead medium and experimented the “one-song-at-a-time” releasing recipe instead the classic format of 12–15 songs in one package with the previous tracks of the concept album “Teargarden by Kaleidyscope”, after releasing the first 10 songs as free downloads at the band’s official site, Corgan changed his mind and released the tracks compiled eight of them in two box sets.
Produced by Billy Corgan and Bjorn Thorsrud, “Oceania”, ninth studio album of the band is also part of the band’s ongoing 44-song concept album, “Teargarden by Kaleidyscope”, adding 13 new songs to the project. Corgan admitted that they switched back to the album format because – “I just saw we weren’t getting the penetration in to everybody that I would have hoped.”
Well, we’re living pretty strange times and nothing is what it seems, nothing is what it used to be and music became only secondary sub-product, accessory of the so-called “music” business which eat itself up and sell exclusively fakes packed and labeled originals.
In this conditions and state of fact, kind of difficult to predict which audience is targeted by The Smashing Pumpkins because “Oceania” is a pretty classy album for old fashioned listeners. Read more The Smashing Pumpkins – Oceania (2012)
Neneh Cherry and The Thing – The Cherry Thing (2012)
Do you remember “7 Seconds”? It was a hit single back in 1996 and received a Grammy nomination, won the Best Song title at the MTV Europe Music Awards. The album was entitled “Man”, “7 Seconds” featuring Youssou N’Dour, the track “Woman” is Neneh Cherry take on James Brown’s 1966 track “It’s a Man’s Man’s Man’s World”, “Trouble Man” a cover of a Marvin Gaye track, while another track, “Together Now”, featured Tricky.
In 2006, Cherry announced the formation of a new band, cirKus, releasing two albums “Laylow” in 2006, respectively “Medicine” in 2009.
Mats Gustafsson (saxophones), Ingebrigt Håker Flaten (double bass), and Paal Nilssen-Love (drums), knowned as The Thing, are one of the most incisive experimental/free Jazz bands of the contemporary Jazz scene.
This four artist together delivering the eight tracks of “The Cherry Thing”. Album will be released in June 2012. Read more Neneh Cherry and The Thing – The Cherry Thing (2012)
I See Stars – Digital Renegade (2012)
Merging the so-called Post-Hardcore with electronic layers and build-ups with influences from Trance and House seems to be the most fashionable recipe lately for a new generation of headbangers growing up on bands such as Linkin Park. I’m not a huge fan of this new trends, but definitively there are a few excellent bands. And I See Stars are definitively much better then 8 out of 10 of these bands.
“Digital Renegade” (stylized as [digital_renegade]) is the third studio album by the band formed in 2006, in Warren, Michigan. Their debut album entitled “3-D”, released in 2009 and featured a guest appearance from Bizzy Bone of Bone Thugs-n-Harmony, has peaked at #176 on the Billboard 200. It was followed by “The End of the World Party” released in 2011.
“Digital Renegade” was released on March 13, 2012 and this time the boys take their music on a much aggressive, abrasive way, the grinding Metal rooted elements are overwhelming the electronic-melodic moments. Read more I See Stars – Digital Renegade (2012)
Reserve de Marche – The Last Twenty Years (2012)
7 tracks – 50 minutes, the debut album by this three-piece instrumental rock band from Moscow, Russia, is an excellent and colorful mixture of (Rock) genres and styles from classic, Progressive Rock to Post-Rock, Match Rock, Sludge and Shoegaze. Atmospheric, dark passages and heavy riffs, intense moments are combined and the merge of the different elements make the… difference.
If you’re looking for a groovy, still emotional, dark, but contorted and sometimes intense and heavy, modern, instrumental Rock album, “The Last Twenty Years” worth your attention. “Name your price” means you can downloaded even for free, or you can order the CD from Mals Records. Read more Reserve de Marche – The Last Twenty Years (2012)
The Offspring – Days Go By (2012)
Years go by… Actually four years since the release of “Rise and Fall, Rage and Grace” in 2008 and Dexter Holland and his band mates are back now with their ninth studio album due for release on June 26, 2012. 12 tracks, Punk Rock throughout, just like “Smash”, 1994 and selling 12 million copies worldwide was yesterday. But this is not “Americana”, “Days Go By” have a much darker vibe and approach, sounds more like “Ignition” (eventually “Conspiracy of One”), this is pretty heavy in a very rocking (Metal) sense.
Still, we’ve got lighter, funnier – sarcastic? – moments like “OC Guns” or the summer taste-like, possible hit single, teenage anthem “Cruising California (Bumpin’ In My Trunk)” which might be the favorite tracks for those who are looking exclusively for the follow up of “Pretty Fly (for a White Guy)” and “Why Don’t You Get a Job”. Life is easy! 😆 Read more The Offspring – Days Go By (2012)
Ihsahn – Eremita (2012)
Ihsahn – Vegard Sverre Tveitan, born in 1975, in the town of Notodden, Norway, began playing piano at seven and guitar at ten and began recording songs shortly thereafter. He began his career at age thirteen as a member of what would become fledgling black metal crew Emperor. As a band, Emperor would both define and refine metal, pushing the boundaries of what was considered possible within the most arcane of art forms and taking some of the most adventurous and extreme music of all time to a huge global audience. With albums like seminal “In The Nightside Eclipse” – recorded when Ihsahn was only seventeen, and “Anthems To The Welkin At Dusk”, Emperor obliterated all-comers and became one of the most revered metal bands in history. After the release of their final masterpiece, “Prometheus: The Discipline Of Fire & Demise” in 2001, Ihsahn announced that the band were to part ways to enable himself and his colleagues to pursue new creative avenues.
He also played in Peccatum with his wife Ihriel (real name Heidi S. Tveitan) until 2006 and has appeared in Thou Shalt Suffer, Zyklon-B and Hardingrock, and now devotes himself to his solo project, Ihsahn. “Eremita” – the latin for hermit – is the anticipated fourth solo album, which was released on June 18 by Candlelight Records.
Recorded and produced at Telemark’s Ivory Shoulder Studios, with additional tracking completed at Notodden’s Juke Joint Studio and Seattle’s Envisage Audio, Eremita was mixed by Jens Bogren (Opeth) at Fascination Street Studios in rebro, Sweden. Alongside Ihsahn, the album features performances from drummer Tobias rnes Andersen (Leprous), saxophonist Jrgen Munkeby (Shining-Norway), guitarist Jeff Loomis (ex-Nevermore), and vocalists Devin Townsend, Einar Solberg (Leprous) and Heidi S. Tveitan (Starofash). The album’s packaging has been created by award-winning Spanish designer Ritxi Ostariz. Read more Ihsahn – Eremita (2012)
