Two years after its acclaimed debut effort “Like a coffee” released through M&O Music & Mosaic Music Distribution, Kursed returns with a new album entitled “Miaow” and filled-up with the same Brit indie rock and post-punk revival flavored music in the vein of Arctic Monkeys, Bloc Party, The Fratellis, Kaiser Chiefs, and blended with dirty American, blues rooted indie rock in the footsteps of The Black Keys, Black Rebel Motorcycle Club, Modest Mouse, The Killers, and Interpol.
This mixture of sounds and aromas might be odd or at least unusual for a French band, but Kursed proved that in music there is no boundaries, on the other hand they proved a vivid ability to turn those “foreign” genres into their own and finally giving to the music their own identity. Read more Kursed – Miaow (2012)
So, this is one of the sickest metal s*it I heard lately, and definitively one of the best releases of the genre in 2012! Anyway, for sure one of my favorites! It’s damn shame this band it’s not world-wide famous yet!! This is much-much better then 99.9% of the s*it that the media and the record labels pushing and selling lately under any (sometimes fake) metal moniker!
“Nu Doar Bas” – meaning, Not Only Bass, it’s a free album with some of the best romanian producers (Vlad Onu, Alien Pimp, Dudawles, Archer, Dyl, Fane, Mighty Boogie, and Beepo) in drum and bass and dubstep, plus as a bonus a tune from Marginal (featuring Datacode and Alien Pimp). We’ve got 9 tracks, 51 minutes of pumping Glitch-Hop with some contorted wobbling and drops, a chilled, smooth, but electrifying mixture of subtle IDM textures and noisier, drum’n’bass flavored and sometimes dub and drumstep fueled, nowadays fancy contortions. All the tracks have their own sound and taste, although the compilation flows smoothly and flawless. This young producers managed to stay close to the trend with the sound, but simultaneously being creative and adding their own identity to these tracks.
Norwegian musician and producer Aleksander Vinter, aka Savant, has a long history experimenting with sound, from playing a Yamaha electric organ at age 4 to composing music with such computer programs as eJay and FastTracker. With no formal musical training, he discovered an uncanny ability to spontaneously imagine and then compose original music, oftentimes writing and finishing up to an astonishing 3 songs per day while his personal catalog exceeds 10,000, and he’s only 25. As impressive as his output is his diversity, his Soundcloud page filled with 99 unique songs, from the classical “_Obscurite_” to the 70’s soundtrack styles of “The Christopher Walkens” to the electro-metal “Overkill” and super-bass-filled, Glitch Hop “Shake the Room”.
Think of Down and Zakk Wylde’s Black Label Society with even more and more intense stoner infusion, add some weight from Kyuss/Queens Of the Stone Age and the right amount of Alice In Chains/Soundgarden flavor to got the essence of what really The Black Widow’s Project it’s about.
Make the last preparation for the New Year’s Eve Party? Get blasted with the long-awaited Annihilating Rhythm 4 mix by DJ 2rip! The mix featured an onslaught of bass with influence from hard & nasty drumstep and electro provided by artists like Figure, Calvertron, Will Bailey, Receptor, Skream, Lazy Rich, and Bloody Beetroots.
The CNK started as a raw black metal group, named Count Nosferatu in 1996 by Nicolas St Morand (aka Mr Hreidmarr) and Jean-Sébastien Ogilvy (aka Heinrich Von B). They shortly changed their name into Count Nosferatu Kommando. Hreidmarr joined symphonic black metal act Anorexia Nervosa in 1998 and due to he’s busy schedule with his new band, the project was put aside in 1999.
Born and raised in Tel Aviv, Israel, Avishai Cohen began performing in public in 1988 at age 10, playing his first solos with a big band and eventually touring with the Young Israeli Philharmonic Orchestra to perform under the likes of maestros Zubin Mehta, Kurt Masur and Kent Nagano. Having worked with Israeli folk and pop artists in his native country and appeared on television early on, Avishai arrived as an experienced professional musician when he took up a full scholarship at Berklee College of Music in Boston.
Metallers start getting familiar, comfortable with Ethnic infusions in the 90s with the colorful sounds built in the Metal genre by Sepultura. More recently, System Of A Down introduced Oriental and Arab flavored shades into Metal and conquered the whole world with their music. Somewhere between the Thrash/Death gravity of Sepultura and the modern intensity of System Of A Down and revealing the beauty and mystic flavor of Arab music, the Paris, France, based Acyl delivered a brilliant debut album. One of the best and most exciting Metal albums of 2012.
Heavy Psychedelia this time merged with Electric Jazz with consistent Miles Davis aroma. References to key recordings or artists/bands of Rock/Metal/Psychedelic or Jazz were always incorporated in their works, but never so directly referential as this time. You need balls, or talent, or both to enter the musical world previously build by Davis, John McLaughlin, Joe Zawinul, Chick Corea, Dave Holland, Jack DeJohnette, Wayne Shorter, Bennie Maupin, and the list is extremely long and filled only with valuable artist. But these Japanese sonic samurais, got balls, got talent, but also the healthy craziness necessary for genuine creation.





