Decree – Fateless (2011)

Leading us back to the dark and noisy sound of Godflesh, Decree deliver us “Fateless”, an expression of anger and kind of discomfort. Chris Peterson is probably best known for anyone that is familiar with industrial genre for stepping in to fill the void left in Front Line Assembly and Delerium every time Rhys Fulber leaves to concentrate on some other project and as well, Peterson is known as producer for acts such Noise Unit and Unit 187. But Decree have nothing to do with FLA or Delirium, Peterson with Decree going down on a darker, heavier path, exploring noisy and crushing sounds, mechanical cadence and dissonant layers are flow throughout the songs marked by cutting riffs and raw, filtered vocals. It’s quite unfriendly, but extremely intense. Read more Decree – Fateless (2011)

Ad Inferna – There Is No Cure (2011)

Mixing dark EBM with Euro-dance/trance and some Gothic/Industrial twist, Ad Inferna from Bordeaux, Aquitaine, France, returning with their forth studio album “There Is No Cure”. Actually, this is a dark place where there’s no God. The duo of VoA VoXyD – Lead Guitars, Keyboards & Electronics and V. V. Arkames – Lead Vocals moved from Trance (“Trance N Dance”) to club oriented EBM (“DSM”) and now they go down on a darker path with Gothic shades and blending their Trance roots with the previously incorporated EBM sounds. Powerful beats, dark multi-layer textures, gloomy soundscapes and mixed lyrics, both English and French, create dark and filthy atmosphere. Read more Ad Inferna – There Is No Cure (2011)

Galactic – The Other Side of Midnight Live in New Orleans (2011)

Stanton Moore worked with Robert Walter, Corrosion of Conformity, he’s one of the founding members of Galactic, but he’s also involved in other projects as well: Stanton Moore Trio, Garage A Trois and the Midnite Disturbers. Recently I wrote about Garage A Trois and their latest release. New Orleans outfit Galactic has a well earned reputation as one of the most exhilarating live acts around. Originally formed in 1994 as an octet (under the name Galactic Prophylactic) and including singer Chris Lane and guitarist Rob Gowen, the group was soon pared down to an instrumental sextet of: guitarist Jeff Raines, bassist Robert Mercurio, drummer Stanton Moore, Hammond organist Rich Vogel, Theryl DeClouet on vocals, and later adding saxophonist Ben Ellman. Last year the band released the critically acclaimed genre defying sonic tribute to the Big Easy entitled “Ya-Ka-May”. “The Other Side of Midnight” was recorded during an electrifying sold-out show at legendary New Orleans’ nightclub “Tipitinas” and features a host of guest appearances from the bawdy hip-shaking gender bending “bounce” star Big Freedia to local legends Cyril Neville and Trombone. Read more Galactic – The Other Side of Midnight Live in New Orleans (2011)

Tera Melos – Echo On The Hills Of Knebworth (2011)

Let’s say this from the beginning: this is not “something” easy to digest to the Billboard like music consumers. Actually, Tera Melos after finished tracking for “Patagonian Rats”, they previous record released in 2010, at the hangar in Sacramento, had some additional studio time and decided to record a live, improvised piece for… fun. “Echo On The Hills Of Knebworth” is a 51 minutes track, a stream of conscious, weird, messed up playing, freakout, improvised piece.
Tera Melos have developed a cult-like fan base around the United States. The band was formed in 2004 in Sacramento, California, after the breakup of Nick Reinhart and Nathan Latona’s former band No Regard. They teamed up with Jeff Worms and Vince Rogers. Jeff Worms, left the band in 2007 and as a trio they embarked on their first national tour with The Fall of Troy, Portugal. The Man and Damiera. Read more Tera Melos – Echo On The Hills Of Knebworth (2011)

Sixx: A.M. – This Is Gonna Hurt (2011)

“If you don’t deal with your demons, they will deal with you, and it’s gonna hurt.” – said Nikki Sixx and mainly this is the essence of this new album. Actually this is “an original soundtrack” to accompanied the book, part photo chronicle and part journal, a follow up to his New York Times bestseller, “The Heroin Diaries”, released on April 12th. This Is Gonna Hurt” chronicles Sixx’s experience, from references to his early years filled with toxic waste to his success with Mötley Crüe, his death from an over-dose and rebirth to his addictions to music, photography, and love along with the journey of photographing these images over the past couple of years.
The album debut at #1 in the Billboard’s “Hard Rock Chart”, and also charted on Billboard 200 on #10, #5 Rock Albums, #9 Digital Albums, #3 Independent Album and #16 Tastemaker Album. Another success story. Read more Sixx: A.M. – This Is Gonna Hurt (2011)

Richard Cheese – Live At The Royal Wedding (2011)

Prince William and Catherine Middleton get married. Who gives a shit? Well, it seems a few million of idiots from all over the world. I asked this, I ask again: we’re getting retarded? Yes, we do, because, yes, we can. I don’t wanna sound disrespectful, but hey, what’s so fuckin’ special about already balding Williams? Except the fact that he won the birth lottery and instead born in Somalia and starving to death he was born at St Mary’s Hospital, London, in the right freaky family, well, I think there’s nothing special about this dude. And well, being short, fuck the Pope, fuck the Royal Family, and generally speaking: fuck everybody! (Who’s volunteering to be the first? 😀 )
On 29 April 2011, Richard Cheese & Lounge Against The Machine performed at the royal wedding reception for Prince William & Catherine Middleton in London, England! 😆 The album captures this live “cocktail hour” performance, featuring 15 romantic love songs recorded live at Buckingham Palace. Well, actually I don’t think so, but still, we’ve got a new live recording of Richard Cheese & Lounge Against The Machine. Read more Richard Cheese – Live At The Royal Wedding (2011)

Ben Harper – Give Till Its Gone (2011)

Rock N’ Roll Is Free? Well, according to Ben Harper it is or at least, it should be. Harper plays an eclectic mix of blues, folk, soul, reggae and rock music and is known for his guitar-playing skills, vocals, live performances, activism, actually at the age of 12, Harper played his first gig and since 1992 he released a couple of quality records, shifting his style and approach between different sounds and genres.
His father, Leonard, was of African-American and Cherokee ancestry, and his mother, Ellen Chase-Verdries, is Jewish. His maternal great-grandmother was a Russian-Lithuanian Jew, so being multi-colored, shifting styles and merging genres it’s not quite surprising. But actually beyond his talent, this mixture of colors, shades and musical perfumes make his music so charming. Read more Ben Harper – Give Till Its Gone (2011)

Urge Overkill – Rock & Roll Submarine (2011)

The term “one-hit wonder” is most often used to describe music performers with only one hit single. “Kung Fu Fighting” by Carl Douglas, “Sugar, Sugar” by The Archies, “It’s Raining Men” by The Weather Girls, “Video Killed the Radio Star” by The Buggles, “Tainted Love” by Soft Cell,”Turning Japanese” by The Vapors, “For What It’s Worth” by Buffalo Springfield, ” In the Summertime” by Mungo Jerry, “What’s Up” by 4 Non Blondes, “Breakfast At Tiffanys” by Deep Blue Something and “Who Let the Dogs Out?” by Baha Men are just one of the few songs and artists “honored with this distinction”. On the other hand, some lists also included songs and artist such as “Epic” by Faith No More, “In-A-Gadda-Da-Vida” by Iron Butterfly, “All Right Now” by Free, “Cars” by Gary Numan or “”Take On Me” by A-Ha, so, it’s not a that dishonorable classification after all. I wonder who would heard about Urge Overkill if Quentin Tarantino wouldn’t release “Pulp Fiction” and on its soundtrack they wouldn’t included the cover version of the Neil Diamond song, “Girl, You’ll Be a Woman Soon” performed by them? Read more Urge Overkill – Rock & Roll Submarine (2011)