Formed in Leicester, England, in 1997, Kasabian won several awards and recognition in the media, including a Brit Award in 2010 for Best British Group and their live performances are generally well appreciated by the media and the audience. Their music has been described as a mix between The Stone Roses and Primal Scream with the swagger of Oasis. They have released five studio albums so far: Kasabian (2004), Empire (2006), West Ryder Pauper Lunatic Asylum (2009), Velociraptor! (2011), and this current, brand new album, 48:13 (2014).
48 minutes and 13 seconds, ten songs, three interludes (Shiva, Mortis, Levitation), “48:13” it’s a fair, straight up, electronic-tinged Brit indie-rock album with a few good and groovy moments and some memorable melodies.
This time they tried a little bit harder to sound like themselves rather than trying to be somebody else (obsessively, obviously or eventually Oasis) and – definitively – this is a win win situation both for them and for us, respectively their audience. Read more Kasabian – 48:13 (2014)
“Industrial mayhem” – it describes perfectly the essence of 3 Teeth. In a world of boring and predictable EDM, these old fashioned Ministry flavored music it’s refreshing and intense enough to tear you apart.
Aaron Funk, better known as Venetian Snares had reinvented breakcore and set the stage for many other artists such as UndaCova, Xanopticon, Enduser and Datach’i.
MegaDrive lead us back to the electronic music of the 80’s with nowadays sound make-up. If you’re too lazy to dig up classics like Klaus Schulze (and Tangerine Dream), Vangelis, Jean Michel Jarre, Kraftwerk and so on, MegaDrive will introduce you to their fabulous world. It’s called retro revival and it’s definitively a pleasant and an alternative option. And well, if you’re old or wise enough to listen all those wonderful and creative artists of the 60’s, 70’s and 80’s already, MegaDrive it’s still a quite nice option to fill up your ears and feed your brain with damaged sound waves.
It’s no secret, I’m a huge fan of the guys from 4star. That perfect mixture of Eminem style hip hop rapping of Adam and that dense and contorted, drum’n’bass and dubstep flavored instrumentals of Peter with a taste of Subsource/Black Futures and roots back to Reznor and NIN, simply nailed me. While 99.9% of the current mainstream electronic/EDM scene it’s nothing but a (bad) joke and the underground it’s not allowed to surface, these guys fined a pretty cool breach of their own, they are dumb enough to play their own music and not to follow the trends.
Four years ago Trophy Scars and their fabulous 
Therese is considered some kind of Swedish wonder-woman and the “queen of 21st century house music”. In only a few short years, she has crafted an international reputation for herself on the music scene – her signature tune ‘Put ‘em High’ is universally regarded as a 21st century dance classic, and continues to generate massive airplay to this day. ‘Put ‘em High’ reached No. 6 on the UK Top 40, and was followed by ‘Take Me Away’, another top ten dance/pop hit. In the USA, ‘Time’ scored an impressive No.21 placing on the Billboard Dance chart. Other records like ‘Neon Lights’ have become instant club classics, while ‘Feelin’ Me’ saw UK urban station Kiss FM proclaim her the ‘The Queen of Electro’.
