While the post-dubstep mainstream EDM scene is populated exclusively by plastic dolls, posers and annoyingly boring “copies of imitations”, it’s quite refreshing to listen to something powerful, modern, but still attached to the classic values and to the classic sense of the values such as “We Love You”, the 7th and probably the deadliest album by Andy LaPlegua, the one man army and the master mind behind the Combichrist machinery. Although the Ministry parallels are still there, Combichrist it’s definitively one of the best and most intense EDM bands from the scene and their Aggrotech aggression it’s always meaningful and genuine each time.
Without reinventing the EDM, without doing anything revolutionary, they managed to sound fresh and refreshing, modern without becoming predictable and boring as most of the other bands and artists from the EDM scene are sounding. There is life and music after drops and wobbling s*its after all! Read more Combichrist – We Love You (2014)
In a world of predictability, of products and fakes, art became a sub-product and a merchandise. It’s more important to lock-up on a large target and sell your stuff, then do something special. Tits are more important then talent and well, ass-kissing it’s more productive then any original idea. I only and always can quote Jello Biafra and his bitter-prophetic
There are very few artists (bands) who still manage to surprise me these days. The 2006’s “Volk” was a peerless release, it’s quite impossible to overtake that album and Laibach definitively had a hard time to figure out what they should do next. True, meanwhile they released in 2008 “Laibachkunstderfuge” – a concept album, the laibachian interpretation of Johann Sebastian Bach’s “The Art of Fugue” (Lai-Bach-Kunst-Der-Fuge) – and in 2012 the original soundtrack for the movie “Iron Sky”. Also they released a mind blowing live album
Audiotool teamed up with Moogfest to find the best producer on Audiotool.
“Angel Guts: Red Classroom” is the ninth studio album by Xiu Xiu, it’s scheduled for release on February 4, 2014, only two month away from the Nina Simone tribute album and entitled simply “Nina”. I still try to figure out if I like or I don’t like the music of singer-songwriter Jamie Stewart. There is a strong, charming, 70’s and 80’s rooted David Bowie flavor which is awesome. On the other hand, sometimes the sonic trips are going over the edge of bizarre and I’m not sure I’m always capable to follow them anywhere unconditionally. But at least I’m honest to admit it. Then again, I hate the snobs who pretend they understand everything and praise anything which it’s “out of the box”, just because it’s… odd. I’m a weirdo, but I have the decency to admit my limitations! 😆
Benji Webbe and his comando (Daniel Pugsley – bass; Mikey Demus – guitar, backing vocals; and Arya Goggin – drums) of reggae-metal from Welsh are back with their fifth studio album entitled “Kill the Power”. He stated about the titled and the upcoming album: “We are more than excited to unleash this Skindred bomb on the world! Kill The Power is for all them that are sick of being the underdog, and wanna step up and destroy all those who oppress and hold them down! Use this album as a backdrop to overcome and take your life back! We ain’t fighting the power no more – we are definitely killing it!!” And they delivered probably their best album so far.
I can think of and go back to several different stories. First of all, reminds me of the story of Cain and Able, the two sons of Adam and Eve. Cain was the first human born and Abel was the first human to die while Cain committed the first murder by killing his brother. On the other hand, directed by Orson Welles release on 5 September 1941, “Citizen Kane” was a drama which explored the life and legacy of the publishing tycoon Charles Foster Kane, played by Welles. Nothing of this are directly related to the latest Thot EP, but then again, everything in this world is somehow related and inter-connected. “Citizen Pain” is in particularly nobody, but he’s everybody and anybody, one of us and each one of us. Even the pain became meaningless nowadays. Or we became insensitive to the suffering of the others… and get comfortable with our own misery.
Time for a new challenge and a cool opportunity to twist off a jazz song into a dubstep monster or whatever else you can think of! Jazz pianist Achim Kück wrote the music of “Game Over” and recorded it with his trio, the sax-player John Ruocco and singer Silvia Droste. Achim Kück owns Dschäss Records, label which published and released their latest album entitled “Dark Clouds” in 2013.
Merging power-pop and indie disco, techno-trance and chillstep, dance and rock grooves with high energy beats, banging electronics and contorted layers of noise and wobbling basses, the Milan, Italy based project, Cyberpunkers are back with three, hot, dance floor busting tracks: “Whatta Mask”, “Mad Armada” and “Ogre´s Ballad”. We’ve got 15 minutes of extreme dance session and you will loose some weight or you will sweat and bleed to death!
After having 





