Listening the fourth album by Man Man you might actually believe, feel, that life is fantastic. They have a glowing positive vibe, a charming perfume of the 60s with nice twist and turns of the 90s authentic indie sounds. Sometimes they sounds like a happy Tom Waits.
Formed in 2003 in Philadelphia, Pennsylvania, Man Man’s frontman is Honus Honus, and its other members are Pow Pow, Chang Wang, Turkey Moth, and Jefferson, all the band uses pseudonyms. They’re known for their multi instrumental style that centers on the piano playing of lead singer/lyricist Honus Honus accompanied by a wide variety of other instruments played by the rest of the band. While on recordings, Honus usually plays piano, during the live shows he uses a Rhodes Piano or a Nord Electro 3. The rest of the band plays clavinet, Moog Little Phatty, sousaphone, saxophone, trumpet, French horn, flute, bass clarinet, drum set, euphonium, Fender Jazz Bass, Danelectro baritone guitar, xylophone, marimba, melodica and various percussive instruments including pots and pans, toy noise makers, chinese funeral horns, spoons, smashing plates, and fireworks. Read more Man Man – Life Fantastic (2011)
rock
Lisabi – Au Diable Les Bananes (2011)
This year I had a few quite nice surprises from bands from Brazil. Most recently The Campbell Trio, in March I stumbled into MindFlow and The Tape Disaster, and there was a few others as well as I believe Sepultura once again delivered a consistent album again. So, Brazil rules, might be a dangerous place for strangers, but from the safe distance of my living room it’s something quite exciting about the world’s fifth largest country, about Rio de Janeiro, São Paulo, the samba and the carnival, the girls and the music.
“Au Diable Les Bananes” migh be downloaded for free from HERE and Lisabi delivering a nice mixture of ska, jazz, punk and indie rock with exotic flavors and perfumes. Mateo Piracas on guitar and vocals, Sebastian Piraces on drums, Gabriel Slenes on trumpet and vocals, Andra Cardoso on bass and vocals, Matheus Fattori on guitars and vocals, and Anderson Kaltner on trombone and percussion delivered a vibrating, pulsing, colorful material. Read more Lisabi – Au Diable Les Bananes (2011)
The Vines – Future Primitive (2011)
For more than two decades, The Beatles seems to be the most addictive and obsessive band ever. I’m almost scared each time I play a band labeled “indie” not to stumble into some Beatles copy. With these guys from Australia I wasn’t so lucky. Some may say it’s quite natural, eight years ago an angrier Vines released a song called “Fuck The World” and well, it didn’t get too much radio attention, I wonder why? They revisited the song’s theme for the band’s new album and this time it’s called “Screw The World” and they swallow much of their anger meantime. 33 years old Craig Nicholls says “”We’re trying to be more mature” – and mature, accidentally means John Lennon and Paul McCartney. I try to figure out, with the looks of Guns’N’Roses and that Beatles copy sound, what the tuxedo-potato-heads from Sony smelled in it and gave them a last shot chance? Read more The Vines – Future Primitive (2011)
Kaiser Chiefs – The Future is Medieval (2011)
It’s quite simple and innovating. Select 10 songs out of 20, design your cover and finally, but not at least, pay £7.50 and download. Released on their official website on June 3, 2011, this is the way the band decided to deliver their fourth album, “The Future is Medieval”. If you want all the 20 tracks, you will take off from your pocket/wallet 15£. Fans, customers, will also be able to share their version of the record with other people once it has been created, and earn £1 each time it is purchased by someone else. It’s an original way to promote your stuff, but still, I’m wondering how marketing, management, expensive videos, t-fuckin’-shirts and all the accessories took over music and we ended up having music business where the music actually is quite secondary.
On the other hand, it’s quite ok that you can listen these songs and decide if it’s worth or not to pay for them, it’s almost cool that they make you feels like matter and involved in the construction of the album, well, the idea, let’s admit it, it’s catchy. Perhaps, user fuckin’ friendly. Still, I believe, now days a band should play their ass off and sell their CDs at the gigs in the good-old-fashioned way, back to the basics, face to face. But I also admit it, a band from New Zealand or South Africa probably will never make it to Toronto, San Francisco, Berlin or …Leeds. Read more Kaiser Chiefs – The Future is Medieval (2011)
Dazzle Vision – Kirari (2011)
Dazzle Vision are a band from Tokyo, Japan and “Kirari” is their forth studio album filled with tasty metalcore songs, Maiko – their female singer and songwriter, Yu – guitars, Takuro – bass and Haru – drums, managed to delivered an energy full, pumping and more colorful material than most of the actually trendy metalcore products from the market. Maiko growls, screams and sing, Yu catches a few good riffs and exciting themes while the rhythm section is balanced and offered solid bases. But most of all, Dazzle Vision write a few exciting themes and good songs.
Formed in June 2003, Dazzle Vision construct on hard rock and heavy metal bases inserting explosive emo/screamo and metalcore elements. In 2006 they toured all around Taiwan, met with good reviews at Spring Scream 2006 an outdoor music festival there, and subsequently released their first album in Taiwan on the waves of the tour’s success. They released their first album “Origin Of Dazzle” in November of 2006 followed by a tour of Japan. Their second album, “Camellia Japonica” was released in April 2007, “Origin Of Dazzle” was re-issued in 2008, followed by their third album, “Crystal Children” in November 2008. Read more Dazzle Vision – Kirari (2011)
Sounds Under Radio – Where My Communist Heart Meets My Capitalist Mind (2011)
You might believe this is the new Muse album, its sounds like, even the voice and singing style by use of falsetto and vibrato of Lang Freeman reminds me of Matthew Bellamy, but well, Sounds Under Radio are a band from Austin, Texas, formed in mid 2005 by Lang Freeman, Bradley Oliver (bass, keyboard), Sonny Sanchez (drums) and Doug Wilson (guitar).
Their song “Portrait of a Summer Thief” was featured on the “Spider-Man 3” soundtrack ant their were the only unsigned band (at that time) to be included in the soundtrack amongst names like Snow Patrol, Jet, Wolfmother, The Killers, The Flaming Lips, etc.
They signed with Sony/Epic Records in late 2008, but after facing inter-label turmoil, they gave up their contract and in mid 2008 released their first full length LP “Cinematica” independently. Read more Sounds Under Radio – Where My Communist Heart Meets My Capitalist Mind (2011)
Digitalism – I Love You, Dude (2011)
Jens “Jence” Moelle and Ä°smail “Isi” Tüfekçi formed Digitalism after they met at a record store in Hamburg, Germany and became friends. They started to explore the minimalist area of electronic/dance music naming as their major influence Daft Punk, The Chemical Brothers and Underworld and being labeled mainly as electro house and dance punk. They are signed to French label Kitsuné Music, and have released four singles to date: “Idealistic”, “Zdarlight”, “Jupiter Room”, and “Pogo” and their debut album, “Idealism” was released back in 2007. Although, “I Love you Dude”, will be released on June 20, 2011 and consist of 11 brand new, atmospheric tracks. Read more Digitalism – I Love You, Dude (2011)
Buckethead – It’s Alive (2011)
Buckethead now days feels like riffing, so “It’s Alive”, the thirty-first studio album by this workaholic and madman guitarist it’s mainly heavy fuckin’ metal. “Lebrontron” kick off pumping like an Iron Maiden anthem while it’s dedicated to LeBron James, the American professional basketball player for Miami Heat. “Tonka” brings some modern tones into the music while “”Barnyard Banties” introducing funk and industrial colors in the heavy glows. “Crack the Sky” shift back to the more traditional approach and have a nice, quiet, acoustic break. “The Hatch” pumping on a funky theme with twisted turns and noisy cut downs. “Brooding Peeps” slow down to some medium tempo, it’s a quite classic construction, heavy and hard themes are crossing each other and Buckethead offers a nice solo. “Picking the Feathers” it’s a Buckethead trademark experiment with a crushing riff, a Spanish-like guitar and lots of noises, a nice and convenient closing of the material. Read more Buckethead – It’s Alive (2011)
Boris – Attention Please (2011)
“Attention Please” is the seventeenth studio album by Boris, released simultaneously with “Heavy Rocks” and it shows the darker, more emotional side of the band. Four tracks, “Party Boy”, “Hope”, “Les Paul Custom ’86” and “Spoon” are different versions of songs from “New Album”, while “Aileron” are a short cut version from “Heavy Rocks”. Also a version of “Tokyo Wonder Land” was previously released on the “Golden Dance Classics” split release with 9dw.
“Attention Please” is the first album on which all vocals are sung by lead guitarist, Wata and features her intimate, multifaceted vocal style. While Boris are widely known for their ability to breach styles and stretch sonic boundaries of all that is heavy, psychedelic and drone music, “Attention Please” are more airy, ambiental-like, cinematic, unexpectedly clean and sparking, but still pretty dark and exploring. Read more Boris – Attention Please (2011)
Boris – Heavy Rocks (2011)
After “New Album” released on March 16, 2011, Boris are back with the promised two new records, “Heavy Rocks” and “Attention Please”. “Riot Sugar” kick off heavily as it we probably expected while Boris declared that they try to redefine “heavy” and the new “Heavy Rocks” has the same name and cover style as their album released in 2002, although the cover now is purple instead of orange. “Leak -Truth, yesnoyesnoye” sounds a little bit more mysterious and liquid, although the guitar remains heavy and some cutting edge riffs maintain the pulse and once again Boris managed to merged into one their rock and their experimental sides. “GALAXIANS” explode like a punk-rock anthem to twist into some noisy garage rock tune with some heavy metal riffs. It’s (another) crazy stuff, so it’s absolutely Boris. Read more Boris – Heavy Rocks (2011)
