EarthBound, known in Japan as Mother, is a role-playing video game series created by Shigesato Itoi for Nintendo. The series started in 1989 with the Japan-only release of Mother (planned to be released in North America as “Earth Bound”) for the Famicom, and was then followed up by a sequel, released in North America as EarthBound for the Super NES in 1995, and followed up again 12 years later with the Japan only release of Mother 3 for the Game Boy Advance in 2006. Itoi stated in an interview that the name “Mother” was greatly influenced by the John Lennon song “Mother”.
About the EarthBound trio it was damn difficult to dig out useful informations, although I find them on Facebook, Bandcamp, Soundcloud and YouTube. It seems they are an Australian band and probably “The Tales of EarthBound” it’s their debut album, as they declare, “a conceptual journey through a mystical musical land called Cleftopia.” Actually, this is a simultaneously familiar and refreshing adventure around several very famous and recognizable rock themes with a great combination of rock, funk, jazz and blues elements. Incredible talented musicians, great instrumentalists. All of them.
Joe Jeremiah – Keys, Jon “Oshy” Ooi – Drums and Jonathan “Menjeed” Mengede – Bass manage to twist in and out and back again some great themes and tied up together several different songs and at the bottom line it’s sound brand new, fresh and their own. Some things were out of my knowledge, I wasn’t able to identify precisely the source, but almost every passage sounded familiar. I’m still thinking of “Simple Bloom” and its tango flavoured aroma. Read more EarthBound – The Tales of EarthBound (2013)
Although Hendrix died pretty young, at age 27, on September 18, 1970) and he only released three studio albums (the 1967’s “Are You Experienced”, the 1967’s “Axis: Bold as Love” and his seminal 1968’s “Electric Ladyland”), he managed the unequalable performance to release 12 posthumous albums. Not bad for a dead guy and those who are still earning big bucks by exploited his inheritance.
From Västerås, Sweden, I Used To Be A Sparrow are back with their second full-length album and they gonna take you in their clear-obscure dream world made up of indie rock shreddings, shoegazer flavoured epic and bitter-sweet escapades and dream-pop hooks. Scandinavian quality, hypnotic and melodious, simple and smart, soulful, but simultaneously efficient.
Dark metal could not get darker and further into the hidden and tenebrous conscience and sub-conscience of the sick and twisted human soul and mind.
If you’re into the wildest Sonic Youth like rock experiments and generally, into borderless, adventurous, noisy and raw, garage rooted rock with additional contorted electronic layers, Miranda is exactly the kind of “girl” you’re looking for. Really “kinky” stuff for your ears.
Everybody’s praise Bowie and his brand new “The Next Day” album, which comes after a heart attack and a serious 10 years gap. The 66 year old Bowie announced the release of his new album at his 66 birthday.
Thot are back. “Rhythm.Hope.Answers.” it’s their brand new single, available even for
Somewhere between the classy and powerful, genuine Brit rock of John Waite (The Babys/Bad English) and the groove oriented, grungier Indie rock in the vein of Kings of Leon or OK Go, it’s Sky Burns Red, a promising young band from U.K.
Merging shoegaze flavoured gloominess and endless distorted guitar chords; slow pulsing electronic layers and bitter sweet clean vocals; cinematic tension and mechanical monotony; Thierry Arnal, the one-man army behind Fragment, is back with his new album entitled “Temporary Enlightenment”. This is a quite dizzy mixture of alternative rock and drone, post-modern psychedelia and slowcore, dream-pop and shoegaze, a bridge build of sound and noises, but on solid emotional pillars, between Sunn O)))) and Sigur Rós, between Pink Floyd and Candlemass, and everything ever-after and above.
Luca Cavina (Calibro 35, Craxi, Incident on South Street) : distorted Bass and Vocals and Paolo Mongardi (Fuzz Orchestra, Ronin, FulKanelli, ex-Jennifer Gentle) : distorted Drums, started this project in October 2010, aiming at “using the minimum in order to get the maximum and is: not metal, not punk, not math, not noise, not prog, absolutely not jazz-core, neither post-whatever” – as they firmly declared.





