Have some good stuffs from FiXT to deliver, and while I was pretty absent and jammed lately, I decide it to put up a playlist with all those tracks and serve them here and now together. Have some killer beats, tortured and contorted wobbling basses, fire starter and explosive anthems to moving the people of the dance floor, but not exclusively.
First of all we have a FREE DOWNLOAD (with the request to donate), the Figure’s remix of Citizen Cope’s “Lifeline”. Noah D’s release of “That Diff” it’s also available for free download. Producer/Composer Jack Trammell bring a free Track from the “Pillars of Creation” called “Critical Mass” where heavy bass music brutally crash into classic orchestral score. Dank ft. jACQ brings to our attention the new Progressive House Banger “Crystals”. Last but not least, we will closing this weekend fire starter playlist with another remix and Free Download by FIGURE who reworked the Deltron 3030’s track “Upgrade.” Turn up your loudspeakers and let’s start the banging!! Read more FiXTed for the weekend (Lot of FREE DOWNLOADS!)
music
Serments – Erotic Drive (2012)
While there are not too many woman fronted Rock/Metal bands, it’s pretty hard not to compare those bands to each other. This Parisian band reminds me mostly of the Göttingen based Guano Apes and Sandra Nasić got a serious competitor in Vanessa. Although, she’s got also something from Amy Lee of Evanescence as well, but they also reach out for some of the Portishead’s tumultuous sensuality sometimes. The music of Serments it’s a solid blending of Rock and Metal, a smartly textured braiding of electronic and acoustic elements where heavy riffs and spacious synth layers are efficiently assembled together. Sometimes Pop and Trip-Hop flavored, melodious elements are smartly sneaked into the gloomy and twisted atmospheric trips of the band adding a glamorous, smooth touch to their mainly dark and heavy tones. Also, the band introduced several Metalcore inspired, modern sounds in their mostly 90’s flavored Rock/Metal sound which gives to their rides a further intense and fresh breath.
Formed in 2005, they draw serious attention among the Parisian scene starting with 2007. Read more Serments – Erotic Drive (2012)
Illogistical Resource Dept. – Catharsis (2012)
The apocalypse comes from San Francisco. Or just the catharsis. The nature try to get back at us? Eventually. God knows…. 😆 But wont save us from ourselves.
Dan Menapace – Bass and Synths, Jim Harris – Guitar, and Noa Appleton – Drums are explorers, soundonauts. “Speak” it’s a modern, reiterated “Astronomy Domine”, a tasty and gloomy evoking of past values, but also a brave step into the unknown and the future.
This is a groovy, sometimes blowing in your face, but mainly gloomy and atmospheric Rock machinery build to explore the universe of sounds and find new paths for creativity and expression.
Released on 14 November 2012, the 8 tracks of “Catharsis” lead us into the dark world of our worst fears and subconscious.
“When Frogs Attack” starts menacing, the Primus taste is definitively there, but Illogistical Resource Dept. add their own flavor as well. Wicked riffs and spicy grooves are blending into a powerful, catchy song, an excellent “door opener” for an album full of different blends and flavors.
“The Secret Box” it’s a more Psychedelic flavored trip with a charming, mysterious aroma. What Forrest Gump’s mom said about life, it’s go to “Catharsis” as well: “Life was like a box of chocolates. You never know what you’re gonna get.” Read more Illogistical Resource Dept. – Catharsis (2012)
Fear – The Fear Record (2012)
Originally recorded in 1981 in Sound City Studios, California, titled simple “The Record” and released by Slash Records on May 16, 1982, and it’s definitively one of the pillars of modern Hardcore, a milestone of Punk/Metal/Hardcore colored brilliantly with Blues/Jazz and all sort of unexpected, out of patterns inflections and infusions. So, why would Lee Ving decide to re-record it 3 decades away? One possible explanation might be a shity record deal with Slash and a better deal signed now with The End Records and the 30 years anniversary may be a great opportunity for some smooth and simple cashing-in. Anyway, this band and the original album deserves both respect and celebration. This re-recorded version surprisingly sounds pretty raw, the few small changes do not really makes any difference and as always, if you want the best, go back to the original.
Several songs have been rewritten to shock/offend less. The 62-year-old Ving and the world over the last three decades have been changed. Ving try to seem more mature, while the world play the card of being more enlighten, sensitive or something… Some people get offended nowadays if you sing lyrics like the one of “New York’s Alright If You Like Saxophones”. Read more Fear – The Fear Record (2012)
Byzant At Christmas (in the memory of Tibi Blaga)
This one is dedicated to the memory of AB Byzant’s father, Tibor Blaga (9/6/1941-16/11/2012). Rest In Peace!
Motionless In White – Infamous (2012)
Who wants to look like Marilyn Manson? Chris Cerulli, Motionless in White founder member and lead singer might be one of the right answers. “The Divine Infection” sounds just like a filthy Manson anthem picking up from where they left off with their 2003’s “The Golden Age of Grotesque”. “A-M-E-R-I-C-A” it’s fueled by the same fury, although some nowadays fancy Metalcore infusions are making room here and there like the worm eating up an apple from the inside. “Sinematic” it’s another quite Mansonish track; for a change, it’s a sick ballad. “Hatefuck” sounds like a murderous mixture of Manson and Killswitch Engage. The title traack, “Infamous” it’s another 100% Mansonish Industrial Rock sickness.
“Puppets 2 (The Rain)” – featuring Bjorn Speed Strid of Soilwork – sounds like a collision of Cradle of Filth with Bullet for My Valentine; a brutal mixture of Death and Extreme Metal with Metalcore, death-growling vocals and melodious choruses. They smartly incorporated blast beats and breakdowns in their Gothic perfumed atmosphere and Death Metal fueled massacres.
“Infamous” it’s like a constant race between good and evil. It’s like the beauty and the beast, and Dr. Jekyll and Mr. Hyde were not three, but one single person. And obviously, a headbanger!! Read more Motionless In White – Infamous (2012)
Bang Ur Head[ache]
A headache or cephalalgia is pain anywhere in the region of the head or neck. It can be a symptom of a number of different conditions of the head and neck. The brain tissue itself is not sensitive to pain because it lacks pain receptors. Rather, the pain is caused by disturbance of the pain-sensitive structures around the brain. Nine areas of the head and neck have these pain-sensitive structures, which are the cranium (the periosteum of the skull), muscles, nerves, arteries and veins, subcutaneous tissues, eyes, ears, sinuses and mucous membranes. Read more Bang Ur Head[ache]
Green Day – Dos (2012)
If “¡Uno!” was not so convincing, “¡Dos!” it’s even worst. Billie Joe Armstrong and Mike Dirnt in an interview stated that “¡Dos!” was going to have a “more garage rock — a little dirtier, like you’re in the middle of the party” sound. Well, honestly, this is pretty bubble-gum and Beatles flavored teenager-punk. Party maybe, garage and rawness definitively not. Nowadays Green Day are on urge to cashing-in, but their songs are less inspired then the most cheesy Beatles song ever, while “Ob-La-Di, Ob-La-Da” sounds like a Grindcore butchery versus “Fuck Time” for instance. This is (over) washed, perfumed, radio and media friendly prepared and packed, harmless, boring American subterfuge culture product like the cheeseburger, the Coke and president Obama. Very nice, but completely tasteless, fake and forgettable.
“Rubber Soul”, “Revolver”, and “Sgt. Pepper’s Lonely Hearts Club Band”, the Beatles albums from the mid 60’s were more Punk then this. Read more Green Day – Dos (2012)
Soundgarden – King Animal (2012)
Between fears and hopes, I have a kind of strange, mixed emotions regarding this reunion. Smells more like fishing for “cookies” (cashing-in), rather then fueled by creative impulses. Don’t get me wrong, I was, and still I an a huge “Badmotorfinger” era Soundgarden fan, but “that” Soundgarden it’s long gone and dead. The following two albums, “Superunknown”, respectively their last release of 1996, “Down on the Upside” were less and less impressive, they chosen to go on a more soft, radio/media friendly path and lost their tooth, their… grunge. While drummer Matt Cameron, bass player Ben Shepherd and guitarist Kim Thayil were quite off the radar since their break-up, singer Chris Cornell was hipper active. After a Beatles flavored solo album entitled “Euphoria Morning” and released in 1999, Cornell joint forces with Tom Morello, Tim Commerford and Brad Wilk, then-former members of Rage Against the Machine and formed Audioslave.
After three albums, “Audioslave” (2002), “Out of Exile” (2005), and “Revelations” (2006), Cornell left Audioslave in early 2007, resulting in the band’s break-up. He released his second solo album, “Carry On” in June 2007 and the third, entitled “Scream”, produced by Timbaland, was released in 2009. Both to mixed commercial and critical success, but “Scream” stir up lot of discussions and controversy, gathering mainly reproaches from his previous and Soundgarden fans. Read more Soundgarden – King Animal (2012)
Jah Wobble and Keith Levene – Yin and Yang (2012)
It’s something in the air, and I don’t mean love, this must be the year of P.I.L. (Public Image Ltd). First John Lydon teamed up again with former (and future) PiL members Lu Edmonds, Scott Firth and Bruce Smith and recorded and release the first new PiL album, “This is PiL” after two decades. Then founder PiL members, bassist Jah Wobble and guitarist Keith Levene revisited this year the PiL’s groundbreaking 1980’s album “Metal Box” – which they were the driving forces behind – with several highly-acclaimed shows performing “Metal Box in Dub live”. Now they make a step even further and they decide it record some new material which became “Yin and Yang”, a 10 track journey in the outer limits of Dub and Post-Punk/Modern Rock. Read more Jah Wobble and Keith Levene – Yin and Yang (2012)
