I wonder if Keenan and his bodies will ever again find the resources to put together another Tool album? When back in ’95 Keenan describes Puscifer as a series of musical ideas he did not have an opportunity to explore with Tool or A Perfect Circle, but “Telling Ghosts”, “Toma” and few other moments, for instance, might quite fit onto a Tool album. Although “Conditions Of My Parole”, is a quite colorful trip between Tool, A Perfect Circle, Puscifer and a few other influences from Radiohead to The Smashing Pumpkins, juggling between trip hop and industrial metal, defines genres, merging sounds and delivering – once again – something quite different and unique.
This time Keenan and his long list of contributors including Mat Mitchell, Tim Alexander, Jonny Polonski, Danny Lohner, Josh Eustis, Gil & Rani Sharone, Jeff Freidl, Matt McJunkins, Lustmord, Laura Milligan, Carina Round, Jackie Harris, Paul Greenberg, Micah Player, Juliette Commagere, Mike King, Ainjel Emme, Meats Meier, Evil Joe Baressi, Trey Gunn, Milla Jovovich, Lisa Germano, Tim Cadiente, Ford Englerth, Jeffrey Brooks, Micah, Eddie McClintock, Joe Nagy, Satan’s Muse, and more, delivered a quite dark and tensioned album. Read more Puscifer – Conditions Of My Parole (2011)
fusion
Nothing – The New Psychodalia (2011)
Born Jeffrey Lewis Hetrick, infamous for being the vocalist for the alternative/industrial metal band Mushroomhead, but also some other Cleveland-based metal bands such as Purgatory in the mid 80s and later Hatrix, Jeff Hatrix also known as Jeffrey Nothing, is one day away from the official release of his first solo album under the moniker Nothing through Suburban Noize Records. In 2008, Jeffrey announced he will release a solo album titled “The New Psychodahlia” and due to Mushroomheads hectic recording and touring schedule, the album was written over a four year period. The 13 tracks written, shows a quite diverse, colorful collection of songs from alternative to classic metal sounds and from rock to industrial, Nothing throw in his own blender of sounds and styles many different influences and approaches to bring to life his own little monster. “I feel it’s a sort of Sepultura meets Alice in Chains, meets Acid Bath” – said Jeffrey Nothing and with each song listened from the album other and other names are popping up. “Psychodalia” for instance sound like Down, “Burial” is a haunting track where post-grunge and goth rock influences collide while “Deathbed Masquerade” reveals some of their industrial roots. But “Mnemerator” might fits right in onto a Tom Waits or Primus album. And every and each song deliver another taste and surprise. Read more Nothing – The New Psychodalia (2011)
Pop Will Eat Itself – New Noise Designed by a Sadist (2011)
I wrote about PWEI just a few weeks back, reminding of their album “Dos Dedos Mis Amigos” and announcing the good news: on 3rd October 2011, after a 17 years gap, PWEI will release their sixth studio album entitled “New Noise Designed By A Sadist”. And time’s up, here we go again. 11 tracks, the guys sounds fresh and still kicking like two decades ago and they bring us a little bit of chaos & mayhem, some old-school (cool 🙂 ) noises and anti-plastic anthems. It feels like yesterday, but it’s so now and eventually looking into the future.
In few words: they are back to business! Dig out your dancing shoes, grab your air guitar and bang your head: you’re so wasted! Read more Pop Will Eat Itself – New Noise Designed by a Sadist (2011)
XMRV – Disimmunized (2011)
Absolutely sick! Lasting only one minute, “Noodles” clarify at least this aspect. Xenotropic murine leukemia virus (XMRV) – is a gammaretrovirus that was first described in 2006. Initial reports linked the virus to prostate cancer, and later to chronic fatigue syndrome (CFS), but these were followed by a large number of studies in which no association was found. It has not been established that XMRV can infect humans, nor has it been demonstrated that XMRV is associated with or causes human disease. Numerous researchers have suggested that XMRV detection may result from contamination of clinical specimens and laboratory reagents with mouse retroviruses or related nucleic acids. I told you it’s sick!
A clash of nationalities, cultures, quite different tastes and musical influences and backgrounds, XMRV blending through their own creative filter hardcore, thrash metal, grunge, noise, punk, jazz, Latin music and delivering a killer sonic cocktail which will definitively knock you down. Are you ready for a punch directly in your immune system? Read more XMRV – Disimmunized (2011)
Tanzwut – White Nights (2011)
What results from the mixture of bagpipes, medieval and folk elements and industrial metal? Tanzwut. Originated as a sideproject of Corvus Corax-members, a German band playing Neo-Medieval music using an abundance of authentic instruments which often uses bagpipes as the solo instrument, and in 1996 they released the EP “Tanzwut” which combined the elements of metal music with their brand sound of bagpipes. The CD turned out to be a commercially successful experiment and the band decided to continue the tradition of that album in a separate musical project called Tanzwut and became part of the Neue Deutsche Härte movement. In few words: Rammstein with bagpipes.
“Weiße Nächte” is the project’s fifth studio album released on 16th September 2011. Read more Tanzwut – White Nights (2011)
Jacuzzi Project – Sweeeeet Muse (2011)
Reminds me of Red Snapper, but still, Jacuzzi Project sounds quite different and more dense. Full of energy, groovy, eventually less trippy, but still filled with lot of different tasty aromas and perfumes, Jacuzzi Project delivered their own genre and style of nu jazz, a powerful mixture of broken beats and nu soul, a twist of psychedelic and juicy brasses with funky basses. Colorful mixture, a nice combination of explosive free jazz sounds and licks with scratching electronics and modern beats and grooves. Read more Jacuzzi Project – Sweeeeet Muse (2011)
Pop Will Eat Itself – Dos Dedos Mis Amigos (1994)
Released on 19th September 1994, the fifth album by The Poppies, also known as PWEI, “Dos Dedos Mis Amigos” bring to the surface a more industrial face of the band. Also, PWEI’s political stance became more explicit with the release of the single “Ich Bin Ein Auslander”, a collaboration with Asian group Fun-Da-Mental, song which was based on the uprise of racial tension throughout Britain during 1994 and reached the UK Top 30.
The album peaked at #11 in the UK Albums Chart and the single “Everything’s Cool” became the band’s ninth Top 30 UK hit.
PWEI found some new popularity after signing with Trent Reznor’s Nothing Records in the US, and touring with Nine Inch Nails, as well as having their songs used on the PlayStation game Loaded. In the same year they featured on The Prodigy’s album “Music for the Jilted Generation”, on the song “Their Law”. Read more Pop Will Eat Itself – Dos Dedos Mis Amigos (1994)
Bad Brains – Quickness (1989)
Although “Quickness” is the fourth studio album by Bad Brains, it was the first I had listen at the beginning of the 90’s and several songs from it still echoing in my mind. “The Messengers”, “Sheba”, “No Conditions”, “Silent Tears”, “The Prophet’s Eye” are only a few of the 11 (plus outro) killer tracks of the album.
“Quickness” is 34 minutes of pure essence of Bad Brains delivering the best of their unique hybrid of raggae-punk and hardcore-funk. Released on 14th September, 1989, 22 years ago, these songs sounds still fresh and… quickening. Who said white man can’t jump and black guys can’t rock? Read more Bad Brains – Quickness (1989)
Tom Waits – Bone Machine (1992)
“Are you still jumping out of windows in expensive clothes?”
Actually the future seems even darker now than back in ’92 while “Bone Machine” and it’s hypnotic textures, noisy percussion and experimental glows are still sounds fresh and its rich lyrics are still very actual.
“What does it matter, a dream of love / Or a dream of lies / We’re all gonna be the same place / When we die”…
What Tom Waits, Keith Richards, Les Claypool and David Hidalgo have in common? The bone machine. Several songs from the album were covered by several artists: “I Don’t Wanna Grow Up” was covered by The Ramones for their last album, “Adios Amigos”, but also by Petra Haden and Bill Frisell on their album collaboration “Petra Haden & Bill Frisell” (2003), by Hayes Carll on “Trouble In Mind” (2008), and by Scarlett Johansson on her debut album, “Anywhere I Lay My Head” (2008). “Goin’ Out West” has been covered by Queens of the Stone Age, Gomez, Widespread Panic, Gov’t Mule, the Blacks and Australian blues guitarist Ash Grunwald. This song also is featured in the 1999 film “Fight Club”, while “Earth Died Screaming” is featured in the 1995 film “Twelve Monkeys”, and “Jesus Gonna Be Here” is featured in the 2005 film “Domino”, in which Waits appears. Read more Tom Waits – Bone Machine (1992)
Jethro Tull – Roots to Branches (1995)
Between their debut, “This Was” in 1968 and their 21st in 2003 with “The Jethro Tull Christmas Album “, Jethro Tull has delivered albums with distinctive sounds crossing genres and styles, merging prog/art rock, hard rock, heavy metal, jazz, blues, folk, classical, Elizabethan, and world music. I heard Ian Anderson’s music for the first time with the 72’s album “Living in the Past” and even if I wasn’t an unconditional fan of Tull, Anderson, we have to admit it, delivered quality materials throughout the years. “Roots to Branches” released on 4 September 1995, probably is not as acclaimed as “Thick as a Brick” (1972) or famous as “Too Old to Rock ‘n’ Roll: Too Young to Die!” (1976), but definitively is a colorful trip into a musical universe filled up will all the spices from Anderson’s workshop. Read more Jethro Tull – Roots to Branches (1995)
