Blue Touch Paper – Drawing Breath (2013)

Blue Touch Paper – Drawing Breath (2013)

Blue Touch Paper – Drawing Breath (2013) Featuring drummer Benny Greb, saxophonist Mark Lockheart, Stephan Maass on percussion & electronics, guitarist Chris Montague, Edward Maclean on bass and Colin Towns (from Ian Gillan Band and Gillan) on keyboards; Blue Touch Paper it’s a Brit-German jazz-rock fusion band while ‘Drawing Breath’ it’s their second album released on the 14th October 2013. Their music it’s a rainbow like colorful mixture of sounds, styles and genres, from Garbarek to Pink Floyd and from ethnic flavored jazz to chilled down and spacy breakdowns, ‘Drawing Breath’ got it all and surprisingly, all those moving parts are coming together nicely and everything make perfect sense. We’ve got 12 songs and over one hour of exciting, groovy music. Read more Blue Touch Paper – Drawing Breath (2013)

Panzanellas – Aggression, EP (2013)

Panzanellas Aggression EP 2013

Panzanellas Aggression EP 2013 Panzanella or panmolle is a Tuscan salad of bread and tomatoes popular in the summer. It includes chunks of soaked stale bread and tomatoes, sometimes also onions and basil, dressed with olive oil and vinegar. It is also popular in other parts of central Italy, but also around the world.
The concept behind Panzanellas is quite simple: just with an act of violence it is possible to conquer freedom, so they start to kill men and animals conquering their own freedom.
Two brand new tracks on the band’s second EP, the same sonic aggression, Panzanellas are grinding on the borderline between free jazz and avant-garde/experimental rock. Heavy beats, contorted and twisted out guitars with tumultuous, crazy saxophone solos throughout. They came in, kill’em all and leave. Pure madness or killer efficiency. No use to compare it with any other band, this is just Panzanellas. And it’s quite alright, we need this kind of out of the box trips and although some will probably label it as a slaughter, this is still much more exciting then most of the prefabricated, plastic and predictable “music” these days. Do yourself a favor, give it 5 minutes from your boring life and get yourself a fair share of aggression and eventually, a broken nose!! Read more Panzanellas – Aggression, EP (2013)

Keith Jarrett – No End (2013)

Keith Jarrett – No End (2013)

Keith Jarrett – No End (2013) Everybody – at least in my shattered corner of the universe – knows that Keith Jarrett is one of the greatest jazz pianist. But what about a series of (almost home) recordings made in his small private studio back in 1986 where Keith Jarrett plays electric guitars, Fender bass, drums, percussion, table, some vocals and only rarely some piano. He also added an advice for the listener in the footnotes of the record: “Play this music LOUD, especially tracks 2 to 20, since many inner details will be lost at lower volumes.” Some critics, “musical experts” (whatever that may mean!) rushed to scream bloody murder and pointed out that this is not jazz. I’m not an expert, but I’m quite curious what they think jazz is? Listening track II I definitively felt like I was i the room where Miles Davis and his very honorable mates recorded “Bitches Brew”. But well, many (idiots) believe that what Miles did after ’68 was not jazz either, so, nothing’s shocking, this planet can bear much more then we can think of.
The other “argument” is that there are no developed melodies and no “real” song structures, only the same type of jamming throughout. It’s probably true, but not heaving rigid song structures and repetitive melodies it’s not something new, building and exploring out of the box was always a way to get further in jazz and avant-garde music, sometimes even in pop (culture). Seriously guys, did you expected that Jarrett will deliver a collection of standards played on guitar, bass and drums? Read more Keith Jarrett – No End (2013)

Secret Chiefs 3 – Book Of Souls Folio A (2013)

Secret Chiefs 3 - Book Of Souls Folio A (2013)

Secret Chiefs 3 - Book Of Souls Folio A (2013) Secret Chiefs 3 (also known as SC3) is the brain-child of guitarist/composer Trey Spruance, formerly known as member of Mr. Bungle and later he joined Faith No More for their 1995 “King for a Day… Fool for a Lifetime” replacing breathy long-time guitarist Jim Martin. He’s also contributed to bands and artists such as: Faxed Head (as “Neck Head”), Noddingturd Fan (also NT Fan), Weird Little Boy (a one-off studio project), Jonh Zorn, Korn, Everlast, The Cucko For Cacca, Lick it Up, The Bon Larvis Band, ASVA, Scourge, The Three Doctors Band, Plainfield and Mark Shafeild.
Secret Chiefs 3’s studio recordings and tours have featured different line-ups, as the group perform and blend a wide variety of musical styles including traditional Jewish, Persian, Arab and Indian music; electronic music, jazz, rock and extreme metal.
So, if you’re a Mr. Bungle consumer, you will definitively devour “Book Of Souls Folio A”. Read more Secret Chiefs 3 – Book Of Souls Folio A (2013)

Trilok Gurtu – Spellbound (2013)

Trilok Gurtu – Spellbound (2013) Trilok Gurtu is an Indian percussionist and composer, he was born born in Mumbai, India on 30 October 1951 and his work blending traditional Indian music with jazz fusion, world music and many other different genres.
Trilok Gurtu has collaborated with many artists, including Terje Rypdal, Gary Moore, John McLaughlin, Jan Garbarek, Joe Zawinul, Bill Laswell, Maria João & Mário Laginha, and Robert Miles.
Gurtu began playing western drum kit in the 1970s, and developed interest in jazz. In the 1970s, he played with Charlie Mariano, John Tchicai, Terje Rypdal, and Don Cherry.
In the 1980s, Gurtu played with Swiss drummer Charly Antolini, bassists Jonas Hellborg and with John McLaughlin in McLaughlin’s trio, and performed at least one concert opening for Miles Davis.
“Spellbound” is an expression of Trilok Gurtu’s great admiration for the man and musician Don Cherry, but also have some moments with a strong Miles Davis flavor.
Although the album starts with a 33-second improvisation in a duo with Cherry on trumpet and Trilok Gurtu, “Spellbound” contain no other recordings with Don Cherry. Read more Trilok Gurtu – Spellbound (2013)

Karl Marx Was A Broker – Alpha to omega director’s cut (2013)

Karl Marx Was A Broker is such an interesting choice for a band name, isn’t it? Got this album from the Italian independent label fromScratch Records and it’s an excellent ride into experimental, ground-breaking alternative rock/metal. It’s a vivid and dynamic blending of different tastes and styles from jazz and psychedelic to the so-called match rock and progressive metal, but it’s also a bridge over time, one foot is on the solid ground of the 70’s while the other kicking down the doors to the future.
Strong riffs, powerful grooves and interesting build-ups make “Director’s Cut” an exciting and memorable listening. This is practically the rearranged version of the previous album (based only in bass and drum), it adds new instruments and sonorities given by a new band member’s entry, Stefano Tocci. The powerful rhythm section of KMWAB is now reinforced and reached with guitar and synth’s riff and with sequencer tracks. Read more Karl Marx Was A Broker – Alpha to omega director’s cut (2013)

Shining – One One One (2013)

Shining - One One One (2013) Listen “Blackjazz” on a cold and dark morning in 2010 was love at first listen and it was one of the best albums of 2010 while Shining became one of my favorite bands. Although 2011 bring “Live Blackjazz”, a killer and consistent live recording, the awaiting seems longer than it actually was.
“One One One” pick up where “Blackjazz” left off, eventually Jørgen Munkeby and his bandmates get further darker, harder and more intense than ever before. The sixth album by the Norwegian Shining it’s a contorted mixture of black metal, industrial rock and jazz reminiscences, it’s blackjazz. Read more Shining – One One One (2013)

EarthBound – The Tales of EarthBound (2013)

EarthBound, known in Japan as Mother, is a role-playing video game series created by Shigesato Itoi for Nintendo. The series started in 1989 with the Japan-only release of Mother (planned to be released in North America as “Earth Bound”) for the Famicom, and was then followed up by a sequel, released in North America as EarthBound for the Super NES in 1995, and followed up again 12 years later with the Japan only release of Mother 3 for the Game Boy Advance in 2006. Itoi stated in an interview that the name “Mother” was greatly influenced by the John Lennon song “Mother”.
About the EarthBound trio it was damn difficult to dig out useful informations, although I find them on Facebook, Bandcamp, Soundcloud and YouTube. It seems they are an Australian band and probably “The Tales of EarthBound” it’s their debut album, as they declare, “a conceptual journey through a mystical musical land called Cleftopia.” Actually, this is a simultaneously familiar and refreshing adventure around several very famous and recognizable rock themes with a great combination of rock, funk, jazz and blues elements. Incredible talented musicians, great instrumentalists. All of them.
Joe Jeremiah – Keys, Jon “Oshy” Ooi – Drums and Jonathan “Menjeed” Mengede – Bass manage to twist in and out and back again some great themes and tied up together several different songs and at the bottom line it’s sound brand new, fresh and their own. Some things were out of my knowledge, I wasn’t able to identify precisely the source, but almost every passage sounded familiar. I’m still thinking of “Simple Bloom” and its tango flavoured aroma. Read more EarthBound – The Tales of EarthBound (2013)