The 2010’s score by Reznor and Ross for David Fincher’s “The Social Network” won the Golden Globe Award for Best Original Score and the Academy Award for Original Score in 2011 and Reznor announced that he would again be working with Fincher, this time to provide the score for the American adaptation of “The Girl with the Dragon Tattoo.” A cover of “Immigrant Song” by Led Zeppelin produced by Reznor and Ross, with Karen O (of the Yeah Yeah Yeahs) as featured singer, was released as trailer for the film and it became viral on the internet. I have to admit it, I’m a Reznor fan since his 1989 debut studio album under the moniker Nine Inch Nails and follow his career since constantly and I admire his work, his ability to reinvent himself and his music, his creativity to not copying himself repeatedly, but dare to experiment with sounds and eventually styles, although remaining Trent Reznor and ultimately Nine Inch Nails.
The soundtrack for “The Social Network” it wasn’t his first involvement into cinema. Reznor produced the soundtracks for Oliver Stone’s “Natural Born Killers” in 1994 and David Lynch’s “Lost Highway” in 1997 where he is credited for “Driver Down” and “Videodrones; Questions”, while another track, “The Perfect Drug”, is credited to Nine Inch Nails.
A soundtrack is quite a different thing than a music album of an artist or band. Can’t compare one to another in no circumstances. It’s actually – I believe – a totally different occupation/job and involved quite different crafts, skills, ultimately talent. Read more Trent Reznor and Atticus Ross – The Girl With The Dragon Tattoo, OST (2011)
avant-garde
Blackout Beach – Fuck Death (2011)
This album sounds like a mesh up of David Bowie with Brian Eno, a little bit of both of them and a twist of everything, a mysterious hellhole of soulful electronics and psychedelic post-whatever – intentionally avoiding the therm of rock. It’s spooky, but simultaneously quite fascinating. Its have charm, spirit – and ultimately soul, soul that is totally lacking from the music nowadays when everything is resumed to sound, production and trends. Well, this is absolutely out of trend, off beat as it says. But it feels good, I like it.
This is Carey Mercer’s (of Frog Eyes and Swan Lake) solo creations began as a project called “Bertrand Russell and the Country Club” and the first album entitled “Light Flows the Putrid Dawn”, was issued in June 2004 on Soft Abuse. Read more Blackout Beach – Fuck Death (2011)
The Prestige – A Series of Catastrophes and Consequences (2009)
I was digging at their MySpace profile for “skeletons in their closet” and I find only this at their bio: “We are a three-piece band from Paris, born in Jan. 2009. Stop reading. This is about music.” And well, actually I have to admit it: music is what exactly not about lately the music business. It’s kind of sick, twisted joke, but actually this is reality. So, let’s take fucking business out of music and focus on music. And one pretty good option might be this Parisian band – meantime becoming quartet – which delivering some quite impressive post-hardcore/post-rock/post-what ever you might thinking of noisy and head kicking music. This is not for trend followers, not for posers. Not for your underage kids too. 😀 This is serious shit and although “A Series of Catastrophes and Consequences” was released in September 2009, it’s still sounding absolutely fresh and brutally honest – honestly brutal. Read more The Prestige – A Series of Catastrophes and Consequences (2009)
Black John Wayne – Serenade Of The Black And Blues (2011)
This might become my favorite metal album of this year. It’s a hell of an album out of the blue. Black John Wayne? Are you kidding me, don’t you? And the answer is, well, no. This is absolutely serious shit. And brilliant. They delivering a killer combination of metal, hardcore and eventually sludge (and even sometimes blues) which sounds like a brutal collision between Slayer, Sick Of It All and Down. This is absolutely deadly! Trust me on this one. It’s been a while since I was excited that much by a metal release, altrough I had listen a lot of interesting products, some of them were quite heavy while others were gloomy and experimental. But this is different: quite groove oriented, full of hardcore energy and armed with cutting edge metal riffs, but also introducing some southern spirit and black musical ingredients (with roots back to blues and gospel), Black John Wayne are both groove and harmony oriented, managed to combine brutality and traditional taste-like musical elements resulting a quite original post-hardcore conglomerate. Read more Black John Wayne – Serenade Of The Black And Blues (2011)
Comity – The Journey Is Over Now (2011)
This is a hell of a noisy and contorted release, but a quite brilliant, terrifying and hypnotizing one. And once again, Throatruiner Records give away the digital version for free, “name your price” and download/eventually buy the album or use the direct link from Mediafire – everything is there on the label’s Bandcamp page. We all love the free stuffs, but still, artists are also humans and have to fill up their refrigerators, have to pay their debts, rents and utilities, isn’t it? Not to mention the costs of playing music. And well, never thought about, don’t you? – running a record label, helping bands to go on and eventually break through might be done with love and passion, but still, it’s also a quite honorable job and it must be paid too. As I said before and I will keep on telling this: if we do not support the underground it will disappear eventually and we will be left exclusively with the so-called mainstream s*it delivered by the global corporations.
Throatruiner Records and other indie/DIY underground labels bring to the surface exciting and excellent bands as Comity are. Listen “The Journey Is Over Now” and buy the vinyl, nothing sounds like an authentic record spinning on your pick-up. Read more Comity – The Journey Is Over Now (2011)
Balanescu Quartet – This Is The Balanescu Quartet (2011)
Actually this is a kind of “Best Of” – to avoid the even further disagreeable term of “Greatest Hits” – while the music is absolutely valuable, and this is a proper opportunity to bring to the attention the Balanescu Quartet for those who do not know them yet.
Alexander Balanescu in 1979 became leader of the Mychael Nyman Ensemble and toured with the group for 15 years. During the same period he also was member of the Gavin Bryars Ensemble. After another 4 years of work left the Arditti Quartet in 1987 to form his own quartet – the Balanescu Quartet. Along the way collaborators have included Michael Nyman, Gavin Bryars, Ornette Coleman, Peter Greenaway, David Byrne, the Pet Shop Boys, Spiritualized, Kate Bush and Kraftwerk, and they has gone on to acquire a reputation as one of the world’s leading contemporary music groups.
The Balanescu Quartet rose to fame through the release of several complex re-interpretations of songs by Kraftwerk and collaborations with Michael Nyman, David Byrne and Goldfrapp amongs others. Well, the Balanescu Quartet are not an average string quartet as we get used to. But this is definitively 55 minutes of excitement and joy. Read more Balanescu Quartet – This Is The Balanescu Quartet (2011)
Chris Connelly – Artificial Madness (2011)
Above all, Chris Connelly is one of the few independent artists today who still believes in the power of songwriting as nothing short of divine narrative; the craft of music as the perfect vehicle for poetic expression. Connelly was an active member and contributor to Ministry and to The Revolting Cocks between 1987 and 1993, but he was involved in several other projects and bands such as: PTP, Acid Horse, Killing Joke, Pigface, The Bells, Catherine, Chainsuck, The Damage Manual, Die Warzau, Everyoned, Finitribe, The High Confessions, KMFDM, Thanatos, The Love Interest, The Final Cut, Murder, Inc. and he developed his own solo career.
The Scottish-born, Chicago-based musician established himself as a talented alternative singer and songwriter, and his vocal style is often compared to that of Scott Walker and David Bowie. Read more Chris Connelly – Artificial Madness (2011)
William Parker and ICI Ensemble – Winter Sun Crying (2011)
Screaming bloody avant-garde, the opening “Bells” kicks out with death howling and bumbling saxophone licks, mysterious cymbals, bells and other unidentified noises, surprising and emotionally fulfilled, breathing alive, but masterly outlined and powerfully shaped, this is jazz in its most pure, uncompromised and most creative form. Free jazz. Anyway, jazz without freedom, without liberty, it might be some kind of music, but definitively not jazz.
Composer and bassist William Parker joins forces with the Munich based ICI (International Composers & Improvisers) Ensemble to create this work build upon the elements of improvisation. Read more William Parker and ICI Ensemble – Winter Sun Crying (2011)
Jennifer Lo-Fi – Noia (2011)
“Troffea” starts as an indie fueled jazz song, complex rhythmic constructions, powerful vocals and smooth guitar works build up an interesting, but dizzy song. Jennifer Lo-Fi? Inspired and catchy name for a newcomer band.
“Neveo” follows in a more conventional manner, if we can admit as conventional a mixture of power pop and indie rock aromas and psychedelic rock resonances with some tasty Brazilian spices. “Ovos” starts as a rock ballad with indie, blues and jazz infusions, they simply shifting from one thing to another, playing tight, energy full and from smooth and hypnotic themes they get violently hardcore. Impressive. And the best is yet to come. Read more Jennifer Lo-Fi – Noia (2011)
Dirk Geiger – Second Life (2011)
Second life… half life… ain’t life at all? Difficult to be extremely precise, we’re living kind of interesting times and well, interesting is also the music of Dirk Geiger and this collection of remixes by 14 talented electronic artists, so this is quite an opportunity and we’ve got both: the interesting universe of Geiger, but also the reinterpretation of some fellow electronic artists. Even further, you can download also for free – “name your price” (I’m priceless! 😀 ) – this release from the Tympanik Audio’s official web site.
Geiger’s world is gloomy and contorted, subtle dark layers and distorted glitcherings are bring to the surface a dark, but pulsing universe. This is a post-industrial area of the music filled with cinematic soundscapes, post-psychedelia and percussive noises, a world of modern isolation and cold desperation. Still, Geiger is full of colors and life, he’s music is intelligently build and subtly driven, groovy and vibeful merging of hard and smooth counterparts. Read more Dirk Geiger – Second Life (2011)
