December 14th, 2012, Las Vegas, NV – EDM/Bass Music-Inspired clothing line, Shrapnel Streetwear has just announced their 2013 Collection, available now, exclusively from FiXTstore.com.
Since the streetwear brand’s inception, they have become a favorite among the bass music elite, repped by artists like Excision, Sluggo, Liquid Stranger, Ajapai, Dirty Talk, Messinian, and Jonathan Davis of Korn & Killbot to name a few.
Shrapnel Streetwear has quickly become synonymous in the underground EDM world with authentic dubstep fashion, while large retailers like Hot Topic have made attempts to jump on the dubstep bandwagon from the corporate level. Sporting dubstep shirts with nothing more than a standard font, displaying unimaginative terms may appeal to some, Shrapnel can be seen as the antithesis of such an approach to cash in or to target the lowest common denominator. They have instead featured unique designs that stay true to the integrity and futurism of bass heavy musical styles, as well as delivering a style that mirrors the inspiration of Bass Music culture as a whole. Read more Shrapnel Streetwear Launches EDM/Bass Music Inspired Clothing Line for 2013

Music business it’s a bitch. The worst type of. And only getting worst. Don’t matter what and how you play, don’t matter anymore how creative and innovative you are, but who you know, eventually, who’s ass you’re willing to kiss and how deep you’re willing to enter your tongue. Brutal? Welcome to the real world.
Heavy Psychedelia this time merged with Electric Jazz with consistent Miles Davis aroma. References to key recordings or artists/bands of Rock/Metal/Psychedelic or Jazz were always incorporated in their works, but never so directly referential as this time. You need balls, or talent, or both to enter the musical world previously build by Davis, John McLaughlin, Joe Zawinul, Chick Corea, Dave Holland, Jack DeJohnette, Wayne Shorter, Bennie Maupin, and the list is extremely long and filled only with valuable artist. But these Japanese sonic samurais, got balls, got talent, but also the healthy craziness necessary for genuine creation.
Metalcore it’s definitively epidemic this year. The scene is flooded by hundred (thousands?) of bands and most of them are really good in the butcheries they unleash. But still, too many band sounding almost the same, will bury the genre pretty fast. Identity Crisis? Hope not. Eventually all these youngsters must find their own sound and style or they will just simply disappear in the grind.
Noisy and raw garage punk(rock) rides twisted into some weird psychedelic trips and flavored with lo-fi, drone contortions – this is the menu on the debut album by this Michigan based and DIY devoted band. Not for those who are in the search of the perfect crystal sound and are only comfortable with the polished and mainly over-produced, but tasteless, and inconsistent fancy products of the almighty digital era. No, these guys will take you back to their garage, will tear the walls down at the house party in some suburb or in the basement of some filthy and obscure club. This taste like life, sounds messy and full of trouble as reality, wear perfectly with cheap beer, sleepless nights and lost memories.
This is brutally good! Merging Deathcore with modern flavored Metalcore, but with solid roots back to classy and powerful Heavy Metal, this 5 piece band from Tours, France formed in 2010 are making their debut with a consistent 5 track plus intro EP. It’s almost like August Burns Red would play Manowar covers.
Special offer: only $175 (shipping not included!), 40×40 cm, acrylic on paper.
Very chill, very trippy, sounds like shattered from a dream and feels like heroin. Rhyming was unintentional and regarding the heroin, I never experienced it, so, probably my perception it’s at least false. And then again this music it’s smooth, floating, heaven-like. I’ve never been in heaven as well, so, I might be wrong again. The music it’s beautiful. We all have a different perception of beauty, but this is really nice. Quite cinematic, smoothly layered and smartly chilled, merging Trip Hop with Dream Pop, and Glitchy IDM with classic music, the Japanese Matryoshka creates a very comfortable and restorative ambiance with their minimalist, but nicely flowing music. The duo it’s made of Sen responsible with the instrumentals while Calu it’s the female vocalist. She’s angel-like singing reminds me mostly of Julee Cruise (probably best known for “Falling”, the theme song for the cult U.S. television series Twin Peaks). They are based in Tokyo, Japan, and this album was released on 12-12-2012 by Virgin Babylon Records, perhaps this is their second album, but my Japanese it’s pretty rusty and I did not manged to dig out any further useful information about them. 







