I watched the video – Kehlvin new Blockbuster 😆 – only to see if the dude at the end smash off his guitars to the rocks. He didn’t and honestly I was quite disappointed. 😆 😆 😆 Fun, but talking seriously, not such a great way to promote a new band nowadays if you want to be taken seriously by fans and the industry.
Formed back in early 1999 by five friends in La Chaux-de- Fonds, Switzerland, Kehlvin is delivering a slow grinding and Doom inspired, contorted and gloomy Metalcore with blending of both post-Hardcore and post-Rock/Metal elements. After the release of their first acclaimed album, “The Mountain Daylight Time” on Division Records and some shows across Europe with the likes of Burst, Will Haven, Mono, Red Sparowes, Knut and Unsane, the members of Kehlvin have collaborated with their friends from Rorcal in order to record a split album called “Ascension.” Read more Kehlvin – The Orchard of Forking Paths (2012)
In 2008 Metal Hammer proclaimed them “the trance metal juggernaught the world has been waiting for.” Well, I’m not so sure that the electronic and club addicted persons will actually appreciate the howling voices and the grinding guitar riffs, as well as the metal heads probably will hate all the trance and electronic s*its incorporated in the disturbed Metal by some of the trend rider youngster. But the British media really praised Silent Descent as one of the best new Metal acts, the band won the Kerrang!/MCN Unsigned Live competition, they performed at the Bloodstock Open Air music festival in August 2008, sold out the Camden Underworld along with Alestorm in 2009, headlined Thursday night’s Boardie Takeover at Download festival both in 2009 and 2010.
Trioscapes started in the summer of 2011 when Dan Briggs(Between the Buried and Me) contacted Walter Fancourt (Casual Curious, Brand New Life) and Matt Lynch (Eyris) about working up a rendition of the Mahavishnu Orchestra classic “Celestial Terrestrial Commuters” and messing around with a few original ideas with the intent of playing a one-off show. “Blast Off,” the first song released a few months back impressed both the media and the fans and the expectation of the promised debut album raised to boiling high. Released on 08th May, 2012, by Metal Blade Records, “Separate Realities” will blow your head off. 
In our times of deep turbulence and dissonances, the French Hypno5e re-paint with sounds this shattered world and pushing the musical borders further. This is Metal beyond Metal, fans of Cynic definitively will be delighted by the furious, but technical Death Metal moments, although the whole complex construction is further tripper, sometimes even abstract, quiet, meditative moments are twisted out by raging hurricanes, acrobatic riffs and pounding rhythmic, or the furious moments are break down by schizophrenic, echoing passages of slow, cinematic, but disturbed music.
This is one of the albums of 2012 I really waited for, but on the other hand I was kind of afraid of. When Twiggy Ramirez was often quoted as saying “It’s our best record yet, I think. I mean, everyone always says that, but I think this is our best work so far… It’s kind of like a little more of a punk rock “Mechanical Animals” without sounding too pretentious.”, and since the previous “The High End of Low” it’s an almost four years gap, the expectations are pretty high. “No Reflection” kind of scared me further because it doesn’t actually sound pretty convincing, although it’s a quite fair Rock track.

Hopefully this will be a “lucky 13” – although this is quite a dark and heavy one. Scheduled to be released on 23 April 2012, the upcoming 13th studio album by Paradise Lost is 101% classic Metal with strong roots back to Doom and Gothic and eventually since their 1991’s second album, “Gothic”, the band did not delivered something like this. Just like two decades ago the album was written by Nick Holmes and Gregor Mackintosh, drummer Matthew Archer left the band in 1994 and after several rotations, behind the drum kit since 2009 is Adrian Erlandsson, but although, the band seems totally unchanged. In a good sense. We know, the road back here was not so smooth and flawless as it might seem, but what’s matter it’s we are here now. Well, I’m aware, the journey might be much more significant then the final destination, but this is quite a different philosophical issue. So, I love “Tragic Idol” as it is, I loved it as I saw the cover for the first time. 






