Asian Dub Foundation – A History Of Now (2011)

Asian Dub Foundation – A History Of Now (2011)

Asian Dub Foundation – A History Of Now (2011) I knew this will be one of my favorite albums of 2011 even before I’ve been listening into it. I saw them live back in 1999 and since I’m a follower. Playing an explosive mixture of rapcore, dub, dancehall and raggae, using rock instruments and including punk and hardcore influences, ADF are one of the killer acts of Great Britain beside The Prodigy and much recently Subsource. Intense and speeding serious social and political messages, live they will smash off any scene and move the audience, their studio albums maybe do not capture all that energy and explosion, but still they are much heavier than most of the other bands and even heavier than some of the so-called “modern”, alternative or post-metal bands. They unique style of blending hardcore energy, punk rawness, electronics and dub inspired many other artists, but not so many managed to get even closer, not to mention the issue of credibility. Read more Asian Dub Foundation – A History Of Now (2011)

The Mount Fuji Doomjazz Corporation – Anthropomorphic (2011)

The improvising alter ego of The Kilimanjaro Darkjazz Ensemble , The Mount Fuji Doomjazz Corporation delivering one hour of diving into the shady, gloomy, suggestive world of neo-jazz and cinematic meltdown.
Gideon Kiers, Jason Köhnen, Charlotte Cegarra, Hilary Jeffery, Eelco Bosman, Nina Hitz, and Sarah Anderson and various interchanging guest musicians including Ron Goris, following “Doomjazz Future Corpse!” and “Succubus”, “Anthropomorphic” is the third released session of TMFDC.
If for some, TKDE may sounds pretty strange, TMFDC it’s one step further. This may be the fourth dimension Doomjazz, a doorway to a dark, but sparking universe made of noises, gloomy textures and vibrating improvisations in the best avant-garde tradition of free jazz. As they describe it: “take a piece of THE CINEMATIC ORCHESTRA’s cinematic jazz, a dash of THE BROADWAY PROJECT’s dark/noir, a hint of AMON TOBIN’s twisted mutant jazz and a little FREEFORM ARKESTRA orchestral ambience. Throw in a minipinch of DJ SHADOW and MAJOR FORCE WEST, and a good dose of Planet Mu-ism and you’re pretty much there.” Read more The Mount Fuji Doomjazz Corporation – Anthropomorphic (2011)

The Kilimanjaro Darkjazz Ensemble – From The Stairwell (2011)

I discovered them back in 2009 through the “Mutations” EP which promised to be the preamble for the new album. It’s been over a year and finally we’ve got “From the Stairwell” and eight fresh tracks. This is a Jazz experiment with gloomy electronic textures and atmospheric noise spices, it has a deep Miles Davis after-taste and abstract post-industrial flow, well, this is avant-garde in it’s deepest meaning.
TKDE started in 2000 as a project to compose new music for existing silent movies. Jason Kohnen (better known as Bong-Ra) – double bass and fretless, respectively Gideon Kiers – beats and effects, both graduates of the Utrecht School of Arts, combined their audio and visual skills to reinterpret classic movies by F.W. Murnau (Nosferatu) and F. Langs (Metropolis).
While Bong-Ra is quite known  having several releases through labels such as Planet Mu, Cock Rock Disco and Sublight, Gideon Kiers worked with Jochem Paap (Speedy J), on the development of the 5.1 surround sound ‘Umfeld’ project. Runs the bi-annual Sonic Acts Festival in Paradiso Amsterdam. Read more The Kilimanjaro Darkjazz Ensemble – From The Stairwell (2011)

Galactic – The Other Side of Midnight Live in New Orleans (2011)

Stanton Moore worked with Robert Walter, Corrosion of Conformity, he’s one of the founding members of Galactic, but he’s also involved in other projects as well: Stanton Moore Trio, Garage A Trois and the Midnite Disturbers. Recently I wrote about Garage A Trois and their latest release. New Orleans outfit Galactic has a well earned reputation as one of the most exhilarating live acts around. Originally formed in 1994 as an octet (under the name Galactic Prophylactic) and including singer Chris Lane and guitarist Rob Gowen, the group was soon pared down to an instrumental sextet of: guitarist Jeff Raines, bassist Robert Mercurio, drummer Stanton Moore, Hammond organist Rich Vogel, Theryl DeClouet on vocals, and later adding saxophonist Ben Ellman. Last year the band released the critically acclaimed genre defying sonic tribute to the Big Easy entitled “Ya-Ka-May”. “The Other Side of Midnight” was recorded during an electrifying sold-out show at legendary New Orleans’ nightclub “Tipitinas” and features a host of guest appearances from the bawdy hip-shaking gender bending “bounce” star Big Freedia to local legends Cyril Neville and Trombone. Read more Galactic – The Other Side of Midnight Live in New Orleans (2011)

Tera Melos – Echo On The Hills Of Knebworth (2011)

Let’s say this from the beginning: this is not “something” easy to digest to the Billboard like music consumers. Actually, Tera Melos after finished tracking for “Patagonian Rats”, they previous record released in 2010, at the hangar in Sacramento, had some additional studio time and decided to record a live, improvised piece for… fun. “Echo On The Hills Of Knebworth” is a 51 minutes track, a stream of conscious, weird, messed up playing, freakout, improvised piece.
Tera Melos have developed a cult-like fan base around the United States. The band was formed in 2004 in Sacramento, California, after the breakup of Nick Reinhart and Nathan Latona’s former band No Regard. They teamed up with Jeff Worms and Vince Rogers. Jeff Worms, left the band in 2007 and as a trio they embarked on their first national tour with The Fall of Troy, Portugal. The Man and Damiera. Read more Tera Melos – Echo On The Hills Of Knebworth (2011)

Mr. Pan[k]sament – Electro-Acoustic Two Notes Techno (Unstable Mix)

It’s been a while since I write/record something new. So this is the fresh s*it. I had some fun writing a classic Techno tune but kicking it off from some nice and gentle acoustic instruments, actually some strings and a “dummy” piano theme which have only the role to replace the drums. I had in mind to write something quite simple: no more than two, eventually three notes and hell yeah, I think this is a great song after all. Once again I will say what Henry Rollins said: music shouldn’t be brain surgery. Well, this album (The Ghost of the Absent Father) it’s pretty off from my usual path of musical searches, but I hate to repeat myself and well, I love to deviate into different stuffs from time to time. 🙂 Read more Mr. Pan[k]sament – Electro-Acoustic Two Notes Techno (Unstable Mix)