7 tracks – 50 minutes, the debut album by this three-piece instrumental rock band from Moscow, Russia, is an excellent and colorful mixture of (Rock) genres and styles from classic, Progressive Rock to Post-Rock, Match Rock, Sludge and Shoegaze. Atmospheric, dark passages and heavy riffs, intense moments are combined and the merge of the different elements make the… difference.
If you’re looking for a groovy, still emotional, dark, but contorted and sometimes intense and heavy, modern, instrumental Rock album, “The Last Twenty Years” worth your attention. “Name your price” means you can downloaded even for free, or you can order the CD from Mals Records. Read more Reserve de Marche – The Last Twenty Years (2012)
experimental
Ihsahn – Eremita (2012)
Ihsahn – Vegard Sverre Tveitan, born in 1975, in the town of Notodden, Norway, began playing piano at seven and guitar at ten and began recording songs shortly thereafter. He began his career at age thirteen as a member of what would become fledgling black metal crew Emperor. As a band, Emperor would both define and refine metal, pushing the boundaries of what was considered possible within the most arcane of art forms and taking some of the most adventurous and extreme music of all time to a huge global audience. With albums like seminal “In The Nightside Eclipse” – recorded when Ihsahn was only seventeen, and “Anthems To The Welkin At Dusk”, Emperor obliterated all-comers and became one of the most revered metal bands in history. After the release of their final masterpiece, “Prometheus: The Discipline Of Fire & Demise” in 2001, Ihsahn announced that the band were to part ways to enable himself and his colleagues to pursue new creative avenues.
He also played in Peccatum with his wife Ihriel (real name Heidi S. Tveitan) until 2006 and has appeared in Thou Shalt Suffer, Zyklon-B and Hardingrock, and now devotes himself to his solo project, Ihsahn. “Eremita” – the latin for hermit – is the anticipated fourth solo album, which was released on June 18 by Candlelight Records.
Recorded and produced at Telemark’s Ivory Shoulder Studios, with additional tracking completed at Notodden’s Juke Joint Studio and Seattle’s Envisage Audio, Eremita was mixed by Jens Bogren (Opeth) at Fascination Street Studios in rebro, Sweden. Alongside Ihsahn, the album features performances from drummer Tobias rnes Andersen (Leprous), saxophonist Jrgen Munkeby (Shining-Norway), guitarist Jeff Loomis (ex-Nevermore), and vocalists Devin Townsend, Einar Solberg (Leprous) and Heidi S. Tveitan (Starofash). The album’s packaging has been created by award-winning Spanish designer Ritxi Ostariz. Read more Ihsahn – Eremita (2012)
Cowards – Shooting Blanks And Pills (2012) Free download!
Gathering current and ex-members of Sickbag, Death Mercedes, Hangman’s Chair, Eibon, Glorior Belli, Dacast, Colossus of Destiny, the Parisian Cowards delivered their 38 minutes of raging fury and filth, merging Hardcore, Sludge/Doom and Black Metal into their debut effort entitled “Shooting Blanks And Pills”. The album will be officially co-released on 30 June 2012 by Throatruinner Records and Hellbound Records. The digital version is already available for free download (name your price) on the official Bandcamp page of the record label, while the 12” LP will be out in late june and limited to 300 copies on black vinyl.
Disturbing, twisted, dark and intense, the 6 tracks of the album are still impressively musical, melodious, Cowards sounds like a mixture of Black Sabbath and Motorhead with Eyehategod and Deathspell Omega, the perfect combination of heaviness and rawness with classic approach, riffing and contorted dark vibe. Read more Cowards – Shooting Blanks And Pills (2012) Free download!
John Zorn (Moonchild Trio) – Templars-In Sacred Blood (2012)
In 2006 John Zorn formed the hardcore voice/bass/drums trio of Mike Patton, Trevor Dunn, and Joey Baron which became known as the Moonchild Trio. The very same year the trio performed and released two albums of Zorn’s compositions: “Moonchild: Songs Without Words” – an album inspired in part by Aleister Crowley, Antonin Artaud and Edgard Varèse and “Astronome”. A third album with the trio, but also featuring Zorn, Ikue Mori, Jamie Saft and chorus, “Six Litanies for Heliogabalus”, was released in 2007. Their fourth release “The Crucible” appeared in 2008, and “Ipsissimus” – one of the best albums of 2010 and my personal favorite albums of all time – was released in 2010.
Now Joey Baron – Drums, Trevor Dunn – Bass, John Medeski – Organ and Mike Patton – Voice are back with the 6th CD in the Moonchild legacy. All songs was written by Zorn and they spend over one year in the making. Disturbing and tumultuous, sometimes extremely intense or silently subtle, the 8 songs of “Templars-In Sacred Blood” will take the listeners into another mystical journey. Read more John Zorn (Moonchild Trio) – Templars-In Sacred Blood (2012)
Mr. Pan[k]sament – Doomstep Prophecies – The Remixes (2012) FREE DOWNLOAD!
Remixing isn’t a good business and generally speaking remixers are mainly disconsidered. Half way between sound engineers and musicians, remixers are doomed. If you deliver a better track then the original, the artist will definitively hate you. A friend of mine, Bluetrax explains it precisely: “See, the perfect world of music works like this: if you have a weak production, the remix cannot by any means be better than your original. so, for you as a remixer it’s a waste of time trying to get the best out of you. just try to please the world with some more senseless crap. anyway, that’s how it works most of the time. that’s why so many musicians have to fight for their rights and their money 😉 ”
I lost the numbers on the way, don’t know exactly how many remixes I did this year – already. Many. Probably too many. Here we go, 30 new tracks, FREE DOWNLOAD – in return, eventually you can vote for some of the contests I’m still in: Matisyahu, Kimbra, The Temper Trap and Jason Mraz. Thanks – appreciate it! Read more Mr. Pan[k]sament – Doomstep Prophecies – The Remixes (2012) FREE DOWNLOAD!
Hod [Splendor]
“Hod (“Majesty”; הוד) in the Kabbalah of Judaism is the eighth sephira of the Kabbalistic tree of life. It is derived from hod הוד in the Hebrew language meaning “majesty” or “splendor” and denoting “praise” as well as “submission”.
Hod sits below Gevurah and across from Netzach in the tree of life; Yesod is to the south-east of Hod. It has four paths, which commonly lead to Gevurah, Tiphereth, Netzach, and Yesod.
All the sephirot are likened to different parts of the body, and netzach and hod are likened to the two feet of a person: right foot and left foot. Feet are usually only the means for a person’s activity. While the hands are the main instrument of action, the feet bring a person to the place where he wishes to execute that action.
Hasidic Judaism’s view of Hod is that it is connected with Jewish prayer. Prayer is seen as form of “submission”; Hod is explained as an analogy – that instead of “conquering” an obstacle in one’s way, (which is the idea of Netzach), subduing oneself to that “obstacle” is related to the quality of Hod. Read more Hod [Splendor]
Mental Architects – Celebrations (2012)
Mental Architects are a math rock trio from Sofia, Bulgaria, formed in 2001. Tony- guitars, Niki – bass/ keys and Max – drums/ electronics delivering a very intense, but refreshing cocktail of Math Rock and Progressive Rock, heavy riffs and very technical parts, rapid passages and slow, sometimes meditative moments are smartly build together in a flowing, beautiful hurricane of music.
They reminds me of Valerian Swing and their brilliant 2011 album “A Sailor Lost Around The Earth”. “Celebrations” consist of eight songs, each one of them being a small masterpiece, a little joyful ride. Read more Mental Architects – Celebrations (2012)
IAMEVE – Throw Me A Line – Only the Wicked [Remix]
When everything is gray and predictable, prophecies are pointless. When life becomes routine, we don’t need crystal balls anymore to see the future and Magic fades away and dies. When we’ve got social networks, we can forget about real life… “Throw Me A Line” – my first intercourse with IAMEVE – sounds like an exile on planet Earth. Tiff Randol is half way between Kate Bush and Tori Amos while her music was best described by The Huffington Post as “if Alice took Ziggy Stardust’s hand and followed him down the rabbit hole to a world guided by the twists and turns of Randol’s ethereal and colorful vocals”. Randol is hypnotizing, she have the Magic.
IAMEVE’s debut album, “The Everything Nothing” is a 12-song concept album which explores the journey of Eve Ami from self-destruction to self-love. She explains: “We live in a world encumbered by a desire for instant gratification. Patience is a virtue that has been discarded by many of us pursuing big ideas, dreams, and love, often skewing our perspective with sensory overload. We are addicted to the next ping, beep, vibration, fix, or passing fancy. And none of this is a bad thing. I think the Universe is in a constant state of balancing itself. And that must be what’s happening now. Read more IAMEVE – Throw Me A Line – Only the Wicked [Remix]
Kehlvin – The Orchard of Forking Paths (2012)
I watched the video – Kehlvin new Blockbuster 😆 – only to see if the dude at the end smash off his guitars to the rocks. He didn’t and honestly I was quite disappointed. 😆 😆 😆 Fun, but talking seriously, not such a great way to promote a new band nowadays if you want to be taken seriously by fans and the industry.
Formed back in early 1999 by five friends in La Chaux-de- Fonds, Switzerland, Kehlvin is delivering a slow grinding and Doom inspired, contorted and gloomy Metalcore with blending of both post-Hardcore and post-Rock/Metal elements. After the release of their first acclaimed album, “The Mountain Daylight Time” on Division Records and some shows across Europe with the likes of Burst, Will Haven, Mono, Red Sparowes, Knut and Unsane, the members of Kehlvin have collaborated with their friends from Rorcal in order to record a split album called “Ascension.” Read more Kehlvin – The Orchard of Forking Paths (2012)
Usher – Climax [Jasm RMX feat Rich Prewett on Guitar]
Believe it or not, but better do, Usher is one of the best-selling artists in American music history, having sold over 23 million copies in the United States and over 65 million records worldwide which makes him one of the Best selling music artists of all time. He also has won numerous awards including seven Grammys. At the end of 2009, Usher was named the number one Hot 100 artist of the 2000s decade. Billboard named him the second most successful artist of the 2000s decade, with his 2004 album Confessions being ranked as the top solo album of the 2000s decade. Honestly – but hell yeah, I’m just so dumb! – listening to his music, I would never thought so. For my un-Billboarded ears, Usher sounds like a black, diluted (commercial) version of… Prince. And as a reiteration of Dali, the difference between Prince and Usher is that Prince is Prince… Think of what you want.
Somebody had the marvelous idea to promote Usher’s upcoming seventh studio album “Looking 4 Myself” which will be released on 12 June, 2012, on Indaba by putting to remix Usher’s “Climax”, his latest collaboration with Dildo, sorry for that! with Diplo, considered one of the most influential music tastemakers in the industry. If that’s true, now I actually understand how the mainstream is populated exclusively with shitty music! 😆
BUT, the funniest thing is the grand price: a flyaway trip to meet Usher! 😆 😆 😆 Read more Usher – Climax [Jasm RMX feat Rich Prewett on Guitar]
