Free stuffs are good stuffs? Not always, trust me, but this one is one of those really murderous shits you must definitively grab it and share it! DaCast coming on the wave of bands such as The Dillinger Escape Plan, Between the Buried and Me, Meshuggah, The Shining, Tomahawk, and they are contemporaries to other edge-cutter French bands such as The Phantom Carriage, merging Extreme Metal with Post-Rock rawness, Jazz aromas and Industrial fueled Hardcore contortions. Where “no boundaries” are the limit, generally there are good chances for creativity and the unique results. And DaCast will satisfy any high demands and expectations. And well, once again, can grab for free “Dédale”, their latest album from their Bandcamp page.
This 35 minutes album split into two sides are the result of almost 2 years of work and recordings, merging improvised and written passages/moments. The material was recorded live them mixed by Francis Caste at The Sainte-Marthe Studio. Read more DaCast – Dedale (2012)
experimental
Yoko Ono, Kim Gordon and Thurston Moore – Yokokimthurston (2012)
Bored of predictable, tasteless, prefabricated products of the music industry? You are one of those people who swear that the music was last time alive in the 70s? Well, this is definitively for you!! The Witch (Yoko) is back ( 😆 ) and she’s diving into the wildness of experimental avant-gardism along with Thurston Moore and Kim Gordon of Sonic Youth. Some will consider this the highest manifestation of Art Rock, some will call it a Mother’s play with her progenies, or this might be just a simple session of couple and/or group therapy revealed in public now – considering this is the first Moore and Gordon’s musical release together since announcing their separation after 27 years of marriage. Any of this actually do not really matter, Yoko was always a case of love or hate, Sonic Youth probably as well, everybody have a different and pregnant opinion about all of them and that impression will definitively not gonna change after listening “Yokokimthurston”.
The record starts with “I Missed You Listening”, an almost 10 minute of “100% Yoko” and Yoko throw her everything in from baby-cute cooing through demon-possessed laughter through hysterical yelling to orgasmic ecstasy and mystic whispers and it’s also a clear and loud statement of who’s the leader, the driving force of this project. This is not “Double Fantasy”, but more like Diamanda Galás’ “The Litanies of Satan”. Read more Yoko Ono, Kim Gordon and Thurston Moore – Yokokimthurston (2012)
Zero Absolu – Automn (2012)
Merging Aphex Twin with Sigur Ros, and opposite emotions as melancholy and fury, Zero Absolu it’s a modern, gloomy, atmospheric trip to the outer, unexplored territories of Post-Rock colored with smooth, waving electronic layers.
Created in French, in 2006, Zero absolu (Absolute zero) is a personal and solitary project by Nak.
“La fuite” (The escape), the debut EP was released in 2006, followed next year by the concept album “Du vide au néant…” (Emptiness to the void). “Dans les bras de Morphée” (In the arms of Morpheus) was released in January 2010, consist of 22 songs. Another EP, the 6 track “Eyjafjallajoküll” (Icelandic for “Island mountain glacier” – it’s the name of one of the smaller ice caps of Iceland) it’s released in February 2011.
Released on 12 January 2012, “Autømn” it’s the next journey into the turbulent, but vividly colorful, frozen, but still any moment ready to explode music of Nak, 13 steps further into this mysterious, but smoothly flavored universe of sounds, words, images and emotions. Read more Zero Absolu – Automn (2012)
Between the Buried and Me – The Parallax II, Future Sequence (2012)
This is definitively “Future Metal” with some very “alien” perfumed “Scifi” taste. These guys eventually are form out of space. Offspring s of some killer breed.
After five albums, for for Victory, the debut for Lifeforce, BTBAM singed in 2011 to Metal Blade and shortly after released an EP entitled ” The Parallax: Hypersleep Dialogues”. Set to release on October 9, 2012, originally planned to be another EP, “The Parallax II, Future Sequence” consist of 11 tracks, an extremely contorted, but colorful, spectacular journey over the edge, behind the explored territories of the conventional Metal and the “comfort zone” of most of the people. Think of a musical blender where you can throw in King Crimson, Pink Floyd, Rush and Yes with VoiVod, Pantera, Metallica and Earth Crisis, but came out with an extremely compact, consolidated musical result. Although, they have some extremely biting Metal riffs and intense, brutal grindings, they shifting quite smoothly from extreme, Death flavored Metal to Jazz, Progressive Rock or simple, quiet, acoustic moments. Read more Between the Buried and Me – The Parallax II, Future Sequence (2012)
Bang Ur Head (Byzant At Sunset)
Bang Ur Head [Take One] by byzantatsunset
Byzant At Sunset are back with a brand new track. In a world where the zeros and ones replaced the words and emoticons replaced the human touch, we’re kind of Read more Bang Ur Head (Byzant At Sunset)
Amavo – Gracefool (2012)
Esmerelda, the singer and Tony Hotel, the drummer of the band called Noh Mercy were part of the Punk, New Wave movement of San Francisco and having the motto “No Boys On Guitars”, they delivered a quite unique sound and style of music back at the end of the 70s.
Nowadays fromSCRATCH Records, record label and a booking agency based in Firenze, Venezia, Italy bring to our attention a band called Amavo (which means LOVED in Italian) featuring also two girls, Lott Anna – electric guitar, synths and Silvia Lovo – drums, penny whistle, vocals; delivering their own flavored style of Experimental/Avant-Garde Post-Rock/Post-Punk, which reminded me of Noh Mercy, although the two bands are not directly related, musically, some similarities are still detectable.
In a “Man’s Man’s Man’s World”, a girl band on the Punk-Rock scene it’s always refreshing. And these girls have balls. Amavo merge some of the 70’s and 80’s Avant-garde/Progressive Rock and Psychedelia vibes with a healthy portion of Retro New Wave, and the energy of Punk and Rock. The result is a colorful, noisy, sometimes even contorted, but definitively edge cutting music. Prefer not to label it in any particular way. Sometimes they reminds me of a very exciting Hungarian band from the 80’s called Kontroll Csoport, a band also fronted by a female singer, Bárdos-Deák Ágnes who’s voice and style is similar to the performance of Silvia Lovo, but they also reminds me of White Stripes and The Dead Weather.
As teaser, can download the promo mp3 of “Jello” from the website of fromSCRATCH Records for free. Read more Amavo – Gracefool (2012)
Kabul Golf Club – Le Bal Du Rat Mort, EP (2012)
Contorted and dissonant, with roots back to Steve Albini’s Big Black and Shellac, reminding me of some pioneering bands such as Cop Shoot Cop, Cardiacs and H.P. Zinker, and being similarly psycho and sick such as some contemporaries like The Dillinger Escape Plan and Blood Brothers, Kabul Golf Club are the brand new monster children of Limburg, Belgium. Merging Noise Rock rawness with Post-Hardcore resonances, KGC might seems a quite unfriendly band, for the comfortable, “decent” listener eventually even not listenable, but this is so fresh, so wild, so honest, so uncompromising, that is hard not to admire their effort for genuine self-expression. This kind of rebellious, twisted Metal have a long and fruitful history already, “Minus 45” for instance could find its place easily on VoiVod’s legendary “Nothingface” album, but this whole aggressive raging incorporates the fury of a brand new generation which must be heard. KGC proves creativity and talent, all their dissonances and noises, all that madness and chaos perfectly reflect the world we are living in, on the other hand, at the end everything fits in and makes perfect sense in their compositions. Read more Kabul Golf Club – Le Bal Du Rat Mort, EP (2012)
Le Minus – Make My Day (2012)
At first instinct it seems handy to label Le Minus as a Primus follower and probably this French trio would not even consider themselves insulted, but listening throughout “Make My Day”, beside the obvious Les Claypool influences, Le Minus incorporates in their vivid musical universe elements which lead back to bands such as Mordred, Infectious Grooves, Fishbone, Living Colour and Rush. Sometimes getting wickeder and more Metal fueled (“Playing With Echoes”, “One Parachute”), the band forged some furious heavy riffs to combine them with some twisted funky grooves and crazy rhythmic structures finding the perfect balance between heaviness and fluidity, precision and wildness, complexity and efficiency.
Lord Murray, sing and play the bass pretty close in Les Claypool’s manner; Captain’ Yo have those Primus flavored crazy solos, but also deliver some serious riffs while drummer MOX is responsible for the solid structural and rhythmical bases of the trio. 9 tracks, a wild, colorful incursion in the experimental/avant-garde outer limits of Rock/Metal, an explosive fusion of energy and power, colors and flavors, murderous grooves, perfectly suitable for the fans of Claypool and Primus, but not only, more conventional/conservator listeners, fans of Rush for instance, may find this pretty exciting. Read more Le Minus – Make My Day (2012)
Archive – With Us Until You’re Dead (2012)
Some years ago, I was sitting in a bar, licking my drink, when something hit my ears: “Pray to God I think of a nice thing to say, But I don’t think I can so fuck you anyway…” I said, wow! Asked the bartender who are these guys, he actually didn’t knew, but searched on the playlist and told me: Archive. Fuck! So, I dig them out and I had one of the most wonderful surprises of that windy and rainy autumn, I had five albums to knock myself off. That song, “Fuck U” was from their “Noise” album released in 2004. Archive was formed by Darius Keeler and Danny Griffiths in 1994 from the ashes of the UK breakbeat act, Genaside II. Together with the female singer Roya Arab and the young rapper Rosko John, they released their first album “Londinium” on Island Records in 1996, a gloomy mix of dark Trip Hop and Electronica in a similar vein to Massive Attack, flavored with their the sounds of their roots of Breakbeat and Hardcore. Peter Gabriel was quoted as saying, “Londinium was one of my most favourite albums of the year.” In 1997 Roya Arab was replaced by Suzanne Wooder and two years later they released their second studio album, entitled “Take My Head”, a more Pop and melody oriented material with a smoother approach of Symphonic Trip-Hop. Read more Archive – With Us Until You’re Dead (2012)
We proudly present: Byzant At Sunset
Imagine a song which starts as the smoothest John Coltrane song and end up as the most furious The Thing live jam. Ladies and gentlemen, we proudly present: Byzant At Sunset.
