Ribozyme means ribonucleic acid enzyme. A ribozyme is an RNA molecule with a well defined tertiary structure that enables it to perform a chemical reaction. Many ribozymes are catalytic, but some such as self-cleaving ribozymes are consumed by their reactions. It may also be called an RNA enzyme or catalytic RNA. Investigators studying the origin of life have produced ribozymes in the laboratory that are capable of catalyzing their own synthesis under very specific conditions, such as an RNA polymerase ribozyme. Ribozymes may play an important role as therapeutic agents, as enzymes which tailor defined RNA sequences, as biosensors, and for applications in functional genomics and gene discovery.
Since forming in Bergen, Norway, in June 1998, Ribozyme have toured extensively in Norway and throughout Europe, while producing a total of four full length albums. They has signed to Indie Recordings for their new album which was released in Europe on the 10th of February 2012, and in North America on the 14th of February 2012. Moving step by step away from their Hard Rock roots and incorporating modern Rock and Metal influences, but also electronics and Industrial elements, their 5th album, “Presenting The Problem” it’s a colorful, intense and exciting trip to the outer limits of modern/post Rock and Metal boundaries merging genres, styles and influences. Think of something between Tool, Prong and Alice In Chains.
If you enjoyed the Brit Slunq a few weeks back, this new Ribozyme will definitively hit you. Their “Spoiled Portion” and Ribozyme’s “Presenting The Problem” are pushing the Post-Rock envelope at the same spot with pretty same results. Read more Ribozyme – Presenting The Problem (2012)
Free stuffs are good stuffs? Not always, trust me, but this one is one of those really murderous shits you must definitively grab it and share it! DaCast coming on the wave of bands such as The Dillinger Escape Plan, Between the Buried and Me, Meshuggah, The Shining, Tomahawk, and they are contemporaries to other edge-cutter French bands such as The Phantom Carriage, merging Extreme Metal with Post-Rock rawness, Jazz aromas and Industrial fueled Hardcore contortions. Where “no boundaries” are the limit, generally there are good chances for creativity and the unique results. And DaCast will satisfy any high demands and expectations. And well, once again, can 

This is definitively “Future Metal” with some very “alien” perfumed “Scifi” taste. These guys eventually are form out of space. Offspring s of some killer breed.
Esmerelda, the singer and Tony Hotel, the drummer of the band called
Morgan Mechling – vocals, Phillip Davis – guitars and vocals, Kasey Richardson – guitars, Bryce Kresge – bass and visuals, and Patrick Santana – drums are here to unleash the Hell of fury and contorted, merciless Metal. Forging genres, melting into one Black Metal and (Post) Hardcore, Sludge and Doom, technical and extreme Metal, Bone Dance is not “just” a band, but an attitude, a state of spirit and mind, and they delivering not “only” music, but their work is a manifest. Back in the days, Rollins Band had this kind of attitude and energy, although Bone Dance speeding up wildly, just like you put a 33⅓ r.p.m. spinning vinyl record up on 45 while Morgan Mechling keep on howling bloody deadly.
Contorted and dissonant, with roots back to Steve Albini’s Big Black and Shellac, reminding me of some pioneering bands such as Cop Shoot Cop, Cardiacs and H.P. Zinker, and being similarly psycho and sick such as some contemporaries like The Dillinger Escape Plan and Blood Brothers, Kabul Golf Club are the brand new monster children of Limburg, Belgium. Merging Noise Rock rawness with Post-Hardcore resonances, KGC might seems a quite unfriendly band, for the comfortable, “decent” listener eventually even not listenable, but this is so fresh, so wild, so honest, so uncompromising, that is hard not to admire their effort for genuine self-expression. This kind of rebellious, twisted Metal have a long and fruitful history already, “Minus 45” for instance could find its place easily on VoiVod’s legendary “Nothingface” album, but this whole aggressive raging incorporates the fury of a brand new generation which must be heard. KGC proves creativity and talent, all their dissonances and noises, all that madness and chaos perfectly reflect the world we are living in, on the other hand, at the end everything fits in and makes perfect sense in their compositions. 






