This is the one-man project from Knife the Glitter/Burden/Normal Love/Inzinzac/Gun Muffs/(and a few more), drummer Eli Litwin, but featuring some brilliant guest stars: Between The Buried And Me’s Tommy Rogers, Chris Alfano of East Of The Wall/Postman Syndrome, Robert Meadows of A Life Once Lost, Jesse Korman of The Number Twelve Looks Like You, Jerry Jones of Trophy Scars, Travis Weinand of Burden/Tetsuo, Evan Moore of Gypsy Wig/Birth Screams and Ruston Grosse.
Eli Litwin was born in 1983 in Morristown, NJ. He began playing drums at the age of 9 and started his first rock band at age 11. Through high school he continued to play in a variety of rock bands as well as the high school jazz band. Eli chose to attend the Esther Boyer College of Music at Temple University where he studied drum set with Erik Johnson. Since graduating with his Bachelors of Music in Jazz Performance, Eli has remained in Philadelphia to pursue music on both the performing and teaching ends. Though his area of expertise began largely in metal, Eli has gained significant experience playing in jazz, rock & avant-garde idioms as well. Read more Intensus – Intensus (2011)
avant-garde
Breaking The Day – Survived By None (2011)
Atmospheric and ravishing, “Survived By None”, the twelve tracks debut release of the British Breaking The Day will grind you to the ground. With roots back to raw black metal, but with extreme and modern, sometimes quite experimental metal in their veins, BTD find their quite unique path to explore the darkest and contorted borders of nowadays metal/post-hardcore area of music. Brutal, but expressive, gloomy, but beautiful, “Survived By None” is an astonishing panorama of apocalypse, an end not of the race or the species, but of the man and his alienated soul. Shit, at least this is what I think so. Read more Breaking The Day – Survived By None (2011)
Thot – Obscured by the Wind (2011)
Thoth was considered one of the most important deities of the Egyptian pantheon. Thoth was often considered to be the heart which, according to the ancient Egyptians, is the seat of intelligence or the mind and tongue of the sun god Ra, as well as the means by which Ra’s will was translated into speech. He played many vital and prominent roles in Egyptian mythology, such as maintaining the universe, and being one of the two deities who stood on either side of Ra’s boat, the other being Ma’at, who was also his wife. In the later history of ancient Egypt, Thoth became heavily associated with the arbitration of godly disputes, the arts of magic, the system of writing, the development of science, and the judgment of the dead.
In the early 90s I’ve get interested in Tarot and by that I have been reading a lot about Egyptian mythology and several other books linked to this subjects, one of them being “The Book of Thoth : A Short Essay on the Tarot of the Egyptians”. That book describes the philosophy and the use of Aleister Crowley’s Thoth Tarot, a deck of Tarot cards designed by Crowley and co-designed and painted by Lady Frieda Harris. On the other hand, the “original” “Book of Thoth” is a book containing powerful magical spells that appears in an ancient Egyptian story from the Ptolemaic period which reflects the Egyptian belief that the gods’ knowledge is not meant for humans to know.
But for sure you must know about Thot – the band – is another nice discovery bring to my attention by Aurelien Dubois-Pham of Domino Media Agency. Gregoire Fray from Brussels, Belgium, guilty of unleashing this beast, created a quite exciting and unique mixture of electro-rock merging industrial, darkwave and indie/alternative rock elements. Read more Thot – Obscured by the Wind (2011)
BadBadNotGood – BBNG, EP (2011)
I actually thought their name is The Odd Trio, it seems I was wrong. And I admit it when I’m fucking up things. For God sake I’m not perfect. Yet. 👿 I’m willing to improve myself.
BadBadNotGood are back with another free EP, can grab it from their Bandcamp page or via Mediafire. Matt Tavares on piano, Alex Sowinski on drums and Chester Hansen on bass are three talented guys from Toronto and they plays smooth, but groovy modern jazz balancing between classic aromas and post-bop flavors. Experimental, still classy charming, smooth and exciting. Something absolutely nice to listening to. It’s quite an unique blending of traditional jazz and avant-garde experimentation, improvisations. Absolutely fresh and sparking. Read more BadBadNotGood – BBNG, EP (2011)
I, The Phoenix – Self Titled (2010)
Belgium gave to the world a few quite exciting artists. Well, my first “acquaintance” at age of 6 was René Magritte. Few years later I was crushed by Front 242, after a while, a Dutch friend of mine introduced me TC Matic (the former band of Arno Hintjens), dEUS are still on the top of my favorites list, and there are a few others as well. Kingdom of Belgium might be a small country – 11,787 square miles (30,528 km2) – , but it’s only prove that “size don’t matter” in some particular cases. Still, Belgium is a founding member of the European Union and hosts the EU’s headquarters, as well as those of several other major international organisations such as NATO.
In addition, I had in my mind “In Bruges”, the black comedy directed by Martin McDonagh in 2008. And somehow, in my subjective perception, the Belgian art scene delivering mainly pretty gloomy stuffs. Some like it hot, while others chosen the darker path. ITP makes no exception.
I, The Pheonix is a project born in Brussels, the brainchild of Jean-Paul Frenay and Vincent De Puydt, as they call it: “an organic platform”. ITP – far as I heard – is quite an unique something. Label it industrial seems unfair. Rather is a disturbing mixture of dark-wave, garage and gothic rock, a twist of psychedelic and progressive rock, some tasty spices of noise and industrial and lot of creativity. Read more I, The Phoenix – Self Titled (2010)
The Locomotive Sound Corporation – Self Titled (2011)
Aureien Dubois-Pham from the Domino Media Agency bring them to my attention and well, it was a quite nice surprise.
How many times in the last few decades it was declared: “rock is dead!” and get buried? I think indie is dead. Or at least I thought so. Then out of blue appeared Jack and Meg White and at the break of the century they had their own little revolution and gave new sense for something which faded out of sense. Since, we’ve got The White Stripes, The Dead Weather, The Raconteurs, The Black Keys and a few other exciting acts. Now we’ve got to add another name to this list: The Locomotive Sound Corporation.
Instead Alison Mosshart we’ve got more like a raging PJ Harvey from ’93 (“Rid of Me”) and raw, garage rock with roots back to Sonic Youth. And the Parisian band got a fan-friendly attitude: this self titled, five track debut EP scheduled to be released on July 11, 2011 can be listen and downloaded from their Bandcamp page for $1 (“or more”). Read more The Locomotive Sound Corporation – Self Titled (2011)
Naisian – Mammalian (2011)
Far off from the Brit scene and tends, Naisian from Sheffield, brings to the surface a tumultuous, contorted metal with roots back both to the classic Black Sabbath sound and the mixture of sludge and post-hardcore riffs, in their music is a perfect balance between dark and noisy elements and sometimes psychedelic, other time warm and calm, spacy moments. James Borrowdale – guitar and vocals, Adam Zejma – guitar and vocals, Micheal Aitken – bass and vocals and Jordan Garlick – (only 🙂 ) drums, create a quite exciting and unique blending of intense metal and avantgardist surfing. “Mammalian” can be listen and downloaded (“name your price”) from the band’s Bandcamp page. It worth every minute and every penny. Read more Naisian – Mammalian (2011)
Planeta Imaginario – Optical Delusions (2011)
Combining elements of classic British progressive rock and jazz, not so popular genres nowadays, probably may seem commercial suicide, but this extremely exciting eight piece band from Barcelona, Spain, delivering an absolutely groovy and colorful mixture of jazz, jazz rock and progressive rock, their music overlapping the classic sounds of the 60s and 70s, but introducing modern, avant-garde textures, glows, experimental turns and subtle colors, creating unique, new musical fusions.
Founded in Barcelona in 1999, the band is named after a radically creative children’s TV show from the early 1980s – Imaginary Planet. Their music should appeal to listeners of such diverse artists as: Anekdoten, AKA moon, Area, John Coltrane, King Crimson, Avishai Cohen, Steve Coleman, Deus ex Machina, Gabriel Faure, Gilgamesh, Hatfield at the North, Pat Metheny, Nucleus, Soft Machine, Van der Graaf Generator, Frederic Mompou, National Health, Weather Report, Kenny Werner, Frank Zappa, and John Zorn. Read more Planeta Imaginario – Optical Delusions (2011)
Black Spires – — (2011)
“This is a collection of demo’s, not a real album,” and it’s available for FREE DOWNLOAD at the band’s Bandcamp page. Black Spires are a new band from Ghent, Belgium, consist of Olivier Copejans – music, vocals, guitars and programmed/played drums and bass, and Kristof Luyckx – guitar, working together since 2010. Imagine H.P. Zinker playing Pink Floyd songs (the 1967-1972 period) in a garage. It’s quite exciting, a little bit psychedelic, but cutting, drowned in the garage/noise rock approach and sound. Slower, tensioned moments are twisted into explosive, noise rock avalanches, they use exciting shifting of moods and themes, maintaining an intense groove, alternating subtle, sometimes acoustic moments with intense and inspired rock themes, noisy releases. Read more Black Spires – — (2011)
Evan Brewer – Alone (2011)
I never heard of him about one hour ago, as I never listen The Faceless, the technical death metal band in which he recently filled the bass player position. Evan was a former member of Animosity and Reflux, also filled in for two other bands, A Life Once Lost and Terror on tour, jammed with Vinyl Soup and started a project with Barry Donegan of Look What I Did. So, a bass player releasing a solo album exclusively playing bass is kind of odd even in more experimental genres as jazz for example, while the market for these kinds of acts is very limited. “Alone” is not about death metal, actually is not about any particular genre, is about music. Music played exclusively on bass, extremely technically, but also exciting and pretty soulful. Evan shifting smoothly between moods, approaches, styles and genres, “Alone” have some classic vibe, but incorporates rock, jazz and fusion flavors. Read more Evan Brewer – Alone (2011)
