This is a quite impressing trio from Dallas, Texas, formed in 2007 by Scott Addison – bass/vocals, Jason Roe – drums and Andrew Hawkins – guitar/vocals and “Atrophy” is their debut full-length album.
This is not a conventional death metal album, Baring Teeth combine very inspired technical death metal with experimental/dark and post-metal colours, they coming on a path of modern metal without being trendy, there’s nothing about matchcore and (fake) post-hardcore, but about contorted, dark and extremely heavy exploration of the borders of metal. This may take you out of the conventional – comfortable – area of (metal) music, but reveals another dimension, perspective of it. Read more Baring Teeth – Atrophy (2011)
avant-garde
Alienation Mental – Self Titled (2011)
From Prague, Czech Republic, since 1998 delivering ravishing mixture of grind/death and sometimes quite experimental metal. Oleg “mrtvola” Kamenetski – vocals, Pavel “hjalli” Kuchař – guitar and bass, Tomáš “lesik” Mleziva – guitar and Jarda “mental” Haž – drums, throw in their sick-minded music blender elements from classic monsters such as Napalm Death till twisted turns of Korn and the result is quite impressive. “Nonsense” have grindings, have Korn like dark riffings and screams, but also jazzy cut-downs. It’s a killer track. And well, Alienation Mental have lot of surprises, they do not grinding from the beginning till the end, they knew to colour they music with exciting switches, inspired twists and turns, changing of tempos and approaches from grinding to slow cutting riffs, industrial colours and noise massacres, have some inspired riffs, wrote some good themes and actually have a few very good songs (“Nonsense”, “Indifference”,”Emotions of People 53 Seconds Before the End of the World”, “Follow the Perfecitizen”) not exclusively butchering. Read more Alienation Mental – Self Titled (2011)
Stellardrive – ERS-4 Speak, Memory (2010)
Built upon post-rock/post-hardcore structures, Stellardrive juggling between heavy and noisy elements and quieter, smoother, but pretty gloomy moments. If life is a labyrinth and we should have a musical background for it, well, this might be one of the proper options.
Stellardrive is an instrumental quintet from from Besançon, France created in 2005. The band initiated the ERS series in 2005, with two EPs “ERS-1” in 2005 and “ERS-2” in 2007 (digital releases), grouped on their first physical release “Omega Point” (Le Sonotone Rec., Impure Muzik, Inter-Over, Believe) in 2007. The third EP “ERS-3: ECOTONE”, both physical and digital released, was out in 2008. “ERS-4 Speak, Memory” was released in September 2010 and continue the exploration of the boundaries of the music delivering another beautiful piece of their music puzzle. Read more Stellardrive – ERS-4 Speak, Memory (2010)
Matthew Shipp – Art of the Improviser (2011)
Free improvisation, as a style of music, developed in the U.S. and Europe in the mid and late 1960s, largely as an outgrowth of free jazz and modern classical musics. Pioneers including saxophonists Evan Parker, Anthony Braxton and Peter Bratzmann, guitarist Derek Bailey, and the improvising group AMM. Free jazz is most strongly associated with the 1950s innovations of Ornette Coleman and Cecil Taylor and the later works of saxophonist John Coltrane. Other important pioneers included Charles Mingus, Eric Dolphy, Albert Ayler, Archie Shepp, Joe Maneri and Sun Ra. Although today “free jazz” is the generally-used term, many other terms were used to describe the loosely-defined movement, including “avant-garde”, “energy music” and “The New Thing”.
Matthew Shipp began playing piano at six years old. He was strongly attracted to jazz, but also played in rock groups while in high school. Shipp has been very active since the early 1990s, appearing on dozens of albums as a leader, sideman or producer. He was initially most active in free jazz, but has since branched out, notably exploring music that touches on contemporary classical, hip hop and electronica. He has been a long member of saxophonist David S. Ware’s quartet, but also recorded or performed with many musicians, including William Parker, DJ Spooky, Joe Morris, Daniel Carter, Roscoe Mitchell, Mat Maneri, High Priest and Beans of Antipop Consortium, and El-P. His dense, percussive style is often compared to Cecil Taylor by some critics. Read more Matthew Shipp – Art of the Improviser (2011)
Awake in Sleep – Awake in Sleep (2011)
Free release (name your price), available for download on their Bandcamp page, “Awake In Sleep” is a gloomy, turbulent sludge/post-rock/post-metal release in the classic vain of Neurosis, Isis, Cult of Luna, etc from a young band from Nantes, France.
Andrey Kalinovsky Рguitar and vocals, Fran̤ois Cl̩zio Рguitar, David Roger Рbass and backing vocals and drummer Maxime Guerreiro delivered an EP filled with four epic, dark and noise compositions, coloured with noises, creepy textures, cutting edge riffs and raw vocals. Contorted, dirty and heavy moments are interrelated with smoother, quite moments, nice musical contemplations, this material is pretty intense, but also interesting and nicely balanced between heaviness and musicality. Excellent debut, looking further for more! Read more Awake in Sleep РAwake in Sleep (2011)
Dirge – Elysian Magnetic Fields (2011)
Dark and atmospheric, slow and fearful, heavy and mysterious, Dirge comes on a long way of explorations and experiments, started from industrial roots they grow into the sludge/doom area of experimental/avant-garde metal, incorporate both classic rock instruments and samplers/machines into their own flavored dark metal fulfilled with progressive rock and cinematic elements.
If something actually is dark and heavy, definitively Dirge is. Merging classic approaches with modern structures, sounds and elements, they delivering their own epic, tortured and contorted metal, absolutely heavy and dark as a starless night. Still, their music contains melodies, quite musical themes which gave them a mysterious sparkling. Gave to the guys from Crowbar some old Pink Floyd themes to jam with and you’re almost there where Dirge starts their path of exploration and creation. Read more Dirge – Elysian Magnetic Fields (2011)
6h33 – Orphan of Good Manners (2011)
The way out is through… together in sickness and filth… as long as somebody can really explain me what “weirdo” means, what is actually sick or filthy. It’s quite small chances to let myself tied up as it’s just don’t seems an option to torture somebody for my own pleasure, but that really don’t make me healthier as those who doing this kind of “kinky” stuffs are not by default sicker then me. Still, there’s always a first time for everything and… never say never because as a joke of life, when you refuse something it will comes down on you crushing. Differences make us unique, and right or wrong is just a matter of perception.
And 6:33 is quite an unique and intense blending of music including metal rawness, electro/jazz/funk vibe, industrial shapes, darkwave and pop like melodies and… maladies and… lot of healthy sickness. So, where did you put those handcuffs and that whip? Read more 6h33 – Orphan of Good Manners (2011)
Hidden Number – Human_Error (2011)
I’m an idiot and well, I’m the first to admit it, but do you ever think of yourself as a Pavlov’s dog? Work from 9 to 6 – quite a slavery -, been attracted by a particular type of man or woman, eat the same type of shit and drink the same kind of beer – or whatever, watch the same TV channels and listen the same kind of music… If this is not the case of conditioning, I don’t know what it is. And our world getting grayer and grayer each and every day by eliminate the alternatives and everything comes down to be black or white. Or zeros and ones. Fucking spooky. But we’re tired and bored because we don’t see the third option. And well, talking bout numbers, there’s always a third option. And a forth, and so on. Hidden numbers…
And human errors.
Dean Swanson and his Hidden Number is a good opportunity to break the chain and listening something else which will do not fit in the boxes, you can stick labels to it. Well, only if there’s something human still left in you and you didn’t become completely a Pavlov’s dog… Read more Hidden Number – Human_Error (2011)
Tangled Thoughts Of Leaving – Deaden The Fields (2011)
This one comes from Australia and it’s a creative, breathing mixture of rock/post-rock elements with progressive and space-rock music and avant-garde jazz experiments while the space between is filled up with noises, intelligently built in electronica and cinematic soundscapes. Very fresh, unpredictable, colourful, flowing and ever changing.
“TToL emerged from the shadows of the Australian live scene with the release of their 2008 EP,Tiny Fragments and 2009 split EP with Sydney’s sleepmakeswaves. While their EPs attracted attention from
reviewers and punters alike, it’s as an intense and fiercely engaging live act that TToL have built their reputation in Australia. Through dozens of local headline shows,and supporting touring acts such as Australian prog heavywieghts Karnivool and Canadian doom lords Nadja in 2010, TToL have demanded attention and amassed a loyal following. Read more Tangled Thoughts Of Leaving – Deaden The Fields (2011)
John Zorn – Enigmata (2011)
Pour les connaisseurs. Strictly. Madness in pure essence, in small, but deadly doses. Under the moniker of John Zorn, Trevor Dunn – Electric 5-string bass (Mr. Bungle, Fantomas, Trevor Dunn’s Trio-Convulsant, Secret Chiefs 3, The Rob Price Quartet, Shelley Burgon, Zorn, etc) and Marc Ribot – electric guitar (impossible to enumerate… Tom Waits, John Zorn, David Sylvian, Jack McDuff, Wilson Pickett, The Lounge Lizards, Arto Lindsay, T-Bone Burnett, Medeski, Martin and Wood, Cibo Matto, Elysian Fields, Sam Phillips, Elvis Costello, David Poe, Allen Ginsberg, Foetus, Robert Plant & Alison Krauss, Susana Baca, The Black Keys, Stan Ridgway, Vinicio Capossela, Alain Bashung, Lyenn, Hector Zazou, McCoy Tyner, Elton John, Madeline Peyroux, Marianne Faithfull, Leonid Fedorov, Tonio K, Andres Calamaro and many others, but also involved in a couple of projects as well) take us down on the path of compositions versus improvisations, in a tenebrous and tumultuous world of avant-garde (jazz) music. Read more John Zorn – Enigmata (2011)
