Chaotic, contorted and extremely noisy, Birds In Row sounds to me like a desperate protest. Listen throughout several times this “You, Me, and The Violence” and – honestly – still don’t came through anything else then anger and – eventually – bitterness. Without reading the printed lyrics, this raw fury seems lost in the hurricane of the noise.
The first three tracks are running through like a night train, “Guillotine” it’s their first track where they leave the tempo slower and the riffs with the screaming vocals finally making some – but not too much – sense. The following “Walter Freeman” is also a slower, but still weighty enough chaotic Hardcore piece while surprisingly, the very next “Last Last Chance” it’s an experimental dark Blues, in a very post-everything sense which blows directly into the explosive title track. One of their best butcheries throughout.
And like in a nightmare or a loop, everything comes back to rape your ears all over again starting with the slow grinding “Grey Hair”, through the fastest “The Illusionist” and the almost anthematic “Police & Thieves” (The Clash [dis]connection?). Then again, the closing “Lovers Have Their Say” it’s an escapade into smooth chords, acoustic teasing, counselor softness, being humanly gentle even when things are getting a little bit rough. It’s an almost 13 minutes long trip, a Shoegaze kind of closing with large, foggy spaces for a brutally disturbing material. Read more Birds In Row – You, Me, and The Violence (2012)
album
Promethee – Nothing happens, nobody comes, nobody goes (2012)
Growing up from the solid ground of Technical Death Metal and from the sonic neighborhood of murderous bands such as The Dillinger Escape Plan and Converge, Promethee is a five-piece Metal band from Geneva, the heart of the Swiss metal scene.
Founded in the spring of 2008, and after only a few months of writing their first songs, the band started to play as many shows as they could, gaining quickly loads of local support from bands, friends and promoters.
Gathering experience, the band found it’s own personal sound in order to record a full-length album. Promethee doesn’t have a particular political, religious, philosophical message of any kind, but writes about the things that touches and effects them in this world and through their lives with the music they create.
Recorded at Conatus Studios, mixed by Vladimir Cochet and released on October 13th, 2012 through Bad Mood Records, the 10 tracks of “Nothing happens, nobody comes, nobody goes” will grind you into the ground without mercy. Read more Promethee – Nothing happens, nobody comes, nobody goes (2012)
Tiamat – The Scarred People (2012)
After a quite long break and the announcement of Thomas Wyreson quitting the band back in 2008, Tiamant’s tenth full-length studio album, “The Scarred People”, is expected to be released on November 2, 2012 through Napalm Records.
The current line-up consist of Johan Edlund – vocals and guitar; Anders Iwers – bass, Roger Öjersson – guitars; and Lars Sköld – drums.
Formed in Stockholm, Sweden in 1987, Tiamat initially played straightforward Black Metal under the name Treblinka. After having recorded the album Sumerian Cry in 1989, vocalist/guitarist Johan Edlund and bassist Jörgen Thullberg parted ways with the other two founding members, and subsequently changed the name to Tiamat. “The Sumerian Cry” album included re-recorded Treblinka songs and was released in June 1990. Edlund changed the band’s style incorporated colourful influences from different bands such as Mercyful Fate, Candlemass, Pink Floyd and King Crimson, and with Sumerian lyrical themes.
Their 1994’s critically acclaimed “Wildhoney” led to the band’s appearances at the Dynamo and Wacken Open Air heavy metal festivals in 1995. The band mixed raw and clean vocals, slow guitar riffs and synthesizer, their sound moved gradually into the area of Gothic Rock. Read more Tiamat – The Scarred People (2012)
Lost Reality – Roboid 371304 (2012)
“Roboid 371304” is a concept album which focuses on the affairs of two aliens who for contrasting reasons, are drawn to mankind. As the story goes on, soon becomes clear that aliens and humans are closer to each other than previously imagined.
The music it’s related as style and approach to bands such as IAMX, Imogen Heap, Cut Copy, and generally to the area of Indietronica, IDM (Intelligent Dance Music), Synthpop, with some Rock colours linked back to the 80’s David Bowie and Depeche Mode.
No wobbling, no contorted noises, no twisted metallic blows and drops, this journey filled with spaces, dark vibe and chilled, sometimes Dream Pop flavored moments might sounds for many pretty out-dated, eventually not enough groove oriented, but this retro electronic taste and the futuristic, scifi story it’s the very essence of this concept. Read more Lost Reality – Roboid 371304 (2012)
Figure – Monsters Vol. 3 (2012)
Extremely noisy and contorted, settled in the trend of wobbling and killer drops of nowadays raging Dubstep, “Monsters Vol. 3” will definitively slaughter down not only your wall to wall neighbors, but the whole neighborhood.
We’ve got 15 tracks, a hell of a collection of originals including collaborations with Tommy Lee and Bare as well as sick remixes from the likes of J.Rabbit, Oscillator Z, Alex Sin, Dr. Ozi, and Phrenik.
“The Grave Yard” kicks in first and it’s hard to resist not to jump up and swimming around the room. “The Corpse Grinders” will definitively shaking the dance floor with its mad wobbling and oscillations, it’s incredibly noisy and heavy. “Otis” will bring the cops knocking at your door, it’s just that murderous! “Creepin” it’s the perfect piece showing what “Horrorstep” means exactly and will suck your last breath off. And then comes “Pounds of Blood” featuring MÖTLEY CRÜE’s Tommy Lee on live drums, a totally rocking piece which sounds like a Methods of Mayhem song on steroids. Total killer! And we’re only half way through!! Read more Figure – Monsters Vol. 3 (2012)
Gli Putridissimi / Luther Blissett – split tape cassette 2012
The Italian fromSCRATCH Records propose us a noiseful trip to the outer limits of experimental music, two bands, two tracks each, one tape cassette for 6 euro – shipping included -, but available for free digital download HERE.
The opening “Terrori nei boschi” (terror in the woods) delivered by Gli Putridissimi and the following “Paludi Ghiacciatissime” fits quite exactly the self-provided description: “Horns and Palms destruction for a black metal experimental jazz”. Actually, both sounds like an unstoppable Industrial fueled free-Noise-Jazz hurricane. Turbulent, but efficient, this band from Bari knew exactly how to start a riot and put the world on fire.
On the other hand, and other side of the tape, Luther Blissett propose a ride into the more experimental and darker corner of Avant-garde music. While the first “Scaffolding” keeps the spirit and the burning flame of bands such as The Fall and The Ex alive, the following “Staggering” it’s a totally abstract trip.
So, if you’re looking for something different, definitively go for it! Read more Gli Putridissimi / Luther Blissett – split tape cassette 2012
Time and Energy – Strange Kind of Focus (2012)
It’s not strange kind of focus, but rather out of focus. Time and Energy delivering a strange mixture of Afro-beats, Blues/Country/Folk roots and Beck flavored Indie vibes with some Rufus Wainwright taste-like vivid whatever. “Loop Rock”? Eventually. But pretty hard to chew being not under influence and the taste is questionable. And well, I’m quite trained to listening anything, even considering the construction site next to my building a musical revolution. When the 7th track, “Sitting On a Scale” started almost as a classic The Beatles song, it was a release. Up till then, “Strange Kind of Focus” sounded like a mixtape on acid. The very next “O’Molly” have that raw wickedness of some early The White Stripes tracks, it’s that kind of perfect menage of Blues and Indie/Garage Rock – and it’s probably the best moment of the album. And the following “Think it Through” it’s not that bad too, or simply I get used with their layered and sometimes antagonist sound. The closing “Acid Jam” it’s build upon a Latino foundation, but just as its title suggest, it’s an Acid Jam, after a few pleasant seconds the whole thing get out of control and became quite dangerous.
This is an experiment and I do respect that. The result? Well, not really sure of. “Name your price” for the digital download it’s a fair approach and listen first at your own risk. I would start with track 7 or 8. Read more Time and Energy – Strange Kind of Focus (2012)
Direwolves – Me From Myself, To Banish (2012)
In this age of communication and comfort, when public relation it’s more important then content and conformity killed creativity, art is an act of suicide. So, you must be crazy if you’re starting a band, if you start painting or writing poetry these days.
On the other hand, returning to the music now, any genre it’s commercial while appealing to a particular audience interested in that genre. Definitively Black Metal have less fans then Pop music, still, Black Metal generally speaking have a serious, conservator – almost orthodox, fan base you can always count on. Playing Black Metal and targeting that fan base might be considered quite commercial, isn’t it?
Direwoves. The dire wolf (Canis dirus) is an extinct carnivorous mammal of the genus Canis related to the smaller extant gray wolf. It was most common in North America and South America from the Irvingtonian stage to the Rancholabrean stage of the Pleistocene epoch, living 1.80 Ma—10,000 years ago, persisting for approximately 1.79 million years. At a first fast search, only on MySpace are two bands, one Blues/Country/Folk band from East Van, British Columbia, Canada called The Dire Wolves , then another, more relevant, a Black Metal/Metal/Progressive band called similarly Direwolves from Brooklyn, New York, US. And googleing “Direwoves” you will find a few more bands across the world.
Once again, if somebody it’s not so inspired to came up with an original band name, what do I can expect from their music? Read more Direwolves – Me From Myself, To Banish (2012)
Naive – Illuminatis (2012)
Might sound a cliche, but Naïve delivering a colourful sonic journey where powerful Metal riffs are merged with subtle sonic textures; contorted, dark and tensioned moments are combined with smoothly sparkling, melodious hooks and build-ups. It’s like a constant struggle of good and evil, light and shadow, noises and melodies. Trip Hop Metal? Eventually. Labels are unnecessary. But to have an idea, this is sound like an explosive mixture of Deftones and Prong with Massive Attack and Sneaker Pimps. Pounding IDM, hypnotic Trip Hop, dark Alternative Metal, and Industrial flavored noisiness are smartly colored with subtle texture, addictive grooves, mysterious electronic layers and at the bottom line they are all equal ingredients of the unique universe reveled by Naïve. “Illuminatis” it’s an addictive journey, it’s something Magic in there, feels a dream from which you don’t want to wake up. Read more Naive – Illuminatis (2012)
Laibach – An Introduction To… Reproduction Prohibited (2012)
Although my affection for Industrial music started in the beginning of the 90s with several American bands such as Nine Inch Nails, Ministry and Malhavoc, I can trace the roots of my affection and affiliation back to bands such as Einstürzende Neubauten and Laibach. Even further, in my humble opinion the whole Neue Deutsche Härte (“New German Hardness”) movement it’s build upon not a German, but on the edge cutter and envelop pusher work of a Slovenian avant-garde music group formed on June 1, 1980 in Trbovlje, Slovenia, at the time SFR Yugoslavia: Laibach (the German name for Slovenia’s capital city, Ljubljana).
After the breath taker “Monumental Retro-Avant-Garde, Live at Tate Modern”, Laibach now are back with another history lesson, a retrospective of the band’s history, the compilation released by Mute on September 3rd. Back then (July 21st) I wrote a quite exhaustive history of the band.
The rumors were that the band re-recorded these songs for the compilation, now that thing was not mentioned and the songs sound exactly as the original releases, so at most, they were re-mastered. Still, Laibach sounds massive and irresistible. Read more Laibach – An Introduction To… Reproduction Prohibited (2012)
