“Attention Please” is the seventeenth studio album by Boris, released simultaneously with “Heavy Rocks” and it shows the darker, more emotional side of the band. Four tracks, “Party Boy”, “Hope”, “Les Paul Custom ’86” and “Spoon” are different versions of songs from “New Album”, while “Aileron” are a short cut version from “Heavy Rocks”. Also a version of “Tokyo Wonder Land” was previously released on the “Golden Dance Classics” split release with 9dw.
“Attention Please” is the first album on which all vocals are sung by lead guitarist, Wata and features her intimate, multifaceted vocal style. While Boris are widely known for their ability to breach styles and stretch sonic boundaries of all that is heavy, psychedelic and drone music, “Attention Please” are more airy, ambiental-like, cinematic, unexpectedly clean and sparking, but still pretty dark and exploring. Read more Boris – Attention Please (2011)
2011
Boris – Heavy Rocks (2011)
After “New Album” released on March 16, 2011, Boris are back with the promised two new records, “Heavy Rocks” and “Attention Please”. “Riot Sugar” kick off heavily as it we probably expected while Boris declared that they try to redefine “heavy” and the new “Heavy Rocks” has the same name and cover style as their album released in 2002, although the cover now is purple instead of orange. “Leak -Truth, yesnoyesnoye” sounds a little bit more mysterious and liquid, although the guitar remains heavy and some cutting edge riffs maintain the pulse and once again Boris managed to merged into one their rock and their experimental sides. “GALAXIANS” explode like a punk-rock anthem to twist into some noisy garage rock tune with some heavy metal riffs. It’s (another) crazy stuff, so it’s absolutely Boris. Read more Boris – Heavy Rocks (2011)
Geskia! – Alien (2011)
This is an open invitation to a trip into the unknown. A mysterious space filled with broken beats, sparking textures and unidentified noises. Geskia!’s concept is to reproduce the life around him, to reflect the connections between him and others, and to manifest his perspective about the world musically. Merging downbeat and trip hop structures with industrial noises and meditative textures, sparking harmonies, Geskia! build an exciting universe with beautiful moving pictures, unexpected turns and blinding highlights. Geskia! have an absolute positive vibe, it’s warm, full of energy and flowing groove, this electronic music seems very breathing and alive. Geskia! try to reach out and communicate in his own, particular way, he gives expression to his feelings and expect feedback. Read more Geskia! – Alien (2011)
Romeo Must Die – Hardships In Season (2011)
Merging classic thrash and hardcore rawness, Romeo Must Die, formed from the ashes of Stampin’ Ground – a band labelled as “a veteran force’ and the UK’s most credible and successful underground band of the last decade” – delivered a long awaited right step debut. “Hardships In Season” with some reminiscences of the too early disappeared Pantera, it’s a pulsing, pumping, crushing album fulfilled with brutal and cutting riffs, raw vocals and incisive rhythmic section. But being simply brutal it’s not quite enough, Romeo Must Die managed to write a couple of good themes and songs, they put together a groovy, powerful and colored material. Adam Frakes-Sime – vocals, Paul Fletcher and Aaron Darling – guitars, Ben Frost – bass and Will Romain – drums, despite their underground status and unwilling to make compromises, seems to find the perfect receipt of the powerful and unleashed modern metal and they looking further to overtake the throne. Read more Romeo Must Die – Hardships In Season (2011)
Catalepsy – Bleed (2011)
From Orlando, Florida strikes deadly for the second time Catalepsy. Formed back in 2004 and released their debut “Iniquity” in 2008, “Bleed” is the collection of their brand new 10 plus 1 death grinds. With passages that reminds me of Sepultura’s “Roots” (1996), this is a bloody, surprisingly brilliant album. Inspired and cutting riffs, pumping rhythmic constructions and shifts, raw vocals and killer grooves are melted into a modern, extreme and exciting metal witch blending perfectly hardcore and death metal into one. Rick Norman – vocals, Rob Walden (the only left founding member) and Matt Sutton – guitars, Sean Murphy – bass and Benjamin Sutton – drums, not only make another deathcore material, they found enough inspiration and technical resources to put together a brutally brilliant album. Read more Catalepsy – Bleed (2011)
Archspire – All Shall Align (2011)
Oli Peters (vocals), Tobi Morelli (seven string guitar), Dean Lamb (eight string guitar), Jaron Evil (six string fertless bass and backing vocals) and Spencer Prewett (drums) delivering some extremely rapid and precise, brutal, hyper-blasting, grinding and technical death metal. The young Canadian upstarts Archspire make a proper, promising debut. Pushing boundaries of speed, technique, and limits set only by the human nature, Archspire focusing on the fast, powerful, energetic and explosive, but still musically accurately structured and perfectly performed modern, progressive death metal. Still, these boys from Vancouver managed to stealth melodies, harmonies into this unmerciful massacre. Read more Archspire – All Shall Align (2011)
Arch Enemy – Khaos Legions (2011)
Angela Gossow is one of the very few successful female metal singers to use hell of the growling. Being part of bands such as Asmodina and Mistress, she joined Arch Enemy in November 2000, after former lead singer Johan Liiva was removed from the band. “Khaos Legions” is the eighth studio album by the band, it will be released on May 30, 2011 by Century Media and it will be the first material consist of new songs since “Rise of the Tyrant” from 2007. The album was produced by Arch Enemy and Rickard Bengtsson, who already worked with the band in their 2005 album “Doomsday Machine”. Arch Enemy was founded by Carcass guitarist Michael Amott in 1996, originally a supergroup, its members were in bands such as Carcass, Armageddon, Carnage, Mercyful Fate, Spiritual Beggars, and Eucharist and delivering traditional Swedish quality melodic death metal. Read more Arch Enemy – Khaos Legions (2011)
HammerFall – Infected (2011)
Although Hector is missing from the cover of the eight studio album by HammerFall and the originally planed album cover was replaced after negative reception and some disputes, the fans can breath released, HammerFall delivered the same heavy/power metal album as usual. And it’s quite enough to listen their second track, “Bang Your Head” and you will know exactly what kind of metal came out from the kitchen of this Gothenburg, Sweden based band. HammerFall right from the beginning in 1993 get on this old-school, traditional heavy/power metal path marked by the work of predecessors as Helloween and mainly other German bands and they are still committed and devoted to the traditional approach delivering a same trip-back to the glorious 80s. Read more HammerFall – Infected (2011)
Company of Thieves – Running From a Gamble (2011)
Musicians have their entire lives to write their debut, and a year to complete the followup. I guess this is the result of industrializing the music and turn it from art into business. Company Of Thieves take their time with the second album while “Ordinary Riches”, originally was independently issued in 2007 and came out in February 2009 and their second album, “Running from a Gamble”, was released on May 17, 2011. And the waiting for it’s worth. The 13 new songs keeps that friendly, warm, familiar, close and tight feeling which makes Company Of Thieves so bright and special and bring them a feverish fanbase which extended lately.
While Genevieve Schatz reminds me sometimes of Bjork, their music is a nice blending of indie/alternative rock with roots back to The Beatles and soft shades of blues with the gloomy texture of Portishead and the explosion of 12 Rounds (an awesome and unfairly forgotten band). Read more Company of Thieves – Running From a Gamble (2011)
When Saints Go Machine – Konkylie (2011)
It was a quite nice surprise, I admit, I didn’t heard them before. Saints Go Machine are a band from Copenhagen, Denmark and they play a kind of dark pop which sometimes reminds me eventually of Japan (the British band of the 80s of David Sylvian, Mick Karn, Rich Barbieri, Steve Jansen and Masami Tsuchiya).
When Saints Go Machine was formed in 2007 and debuted with their selvbetitlede Ep in 2008. In May 2009 they released their debut album “Ten Makes a Face”. In October 2010 the band signed a contract with German label !K7 Records and “Konkylie” was released on 16 May 2011.
Silas Moldenhawer (drums), Jonas Kenton (synth, vocals), Simon Muschinsky (keys) and Nicholas Manuel Vonsild (vocals) balancing smoothly between minimalist pop themes and gloomy textures which bring an interesting, exotic taste into their music. Read more When Saints Go Machine – Konkylie (2011)
