The View – Bread And Circuses (2011)

Look at this cover! If this is not “The Great Rock ‘n’ Roll Swindle”, I don’t know what it is. And The View are kind of back to ’78, not quit to Sex Pistols, but to The Who. Brits are obsessed by a few bands (and brands) such as The Beatles, The Clash and The Who. While nobody really succeed to become the next Beatles, many still trying to rebuild at least partially the sound – and fame – of The Clash or The Who. What can I say? “Lily, oh Lily….” 😀 Kind of “talking ’bout my generation…”
The View are a Scottish band formed in 2005, consist of Kyle Falconer – rhythm guitar, piano, occasionally bass, lead vocals, harmonica, Kieren Webster – bass, occasionally guitar, backing and occasionally lead vocals, Pete Reilly – lead guitar, Steven Morrison – drums and percussion and the only touring member, Darren Rennie – keyboards. Read more The View – Bread And Circuses (2011)

Aiden – Disguises (2011)

Beavis and Butt-head were sitting on they famous couch and watching a video on the almighty eMpTyV. Actually it was an old Black Sabbath clip. “Paranoid” if I remember it right. They joking about “this is Ozzy’s son” and stuffs like that. Beavis said “they rocks! they are Americans!”, but Butt-head screamed back: “No dumbass, they are from Seattle!”
Well, it was two decades ago, but I remember it now because the new Aiden material starts like a Black Sabbath album from the 70s and continue with a great Iron Maiden riff and well, these guys are from Seattle. For real.
America is a nation of immigrants and I believe the power of America comes directly from this multicultural composition. When a British band try to copy the American sound usually they ending up being nothing but a pale imitation, but when American bands try to sound British, well, sometimes they do a better job than the originals. Read more Aiden – Disguises (2011)

New track – I Hate the Blues, London’s Calling Version

I was busy with lot of other things – mainly with putting this site on wheels and make it running – so, I had to delay the release of the album “The Ghost of the Absent Father”. But I worked on some new songs and I send this one – recorded originally with the boys from Oedip Piaf on 24 February 2011 – to Mr. Winteller to London and once again he came up with some interesting adds on, write and perform some guitar, bass and additional sampler and effect tracks for my tunes. Nice job, thanks a lot!

I still have some technical difficulties with the platform of my site, so, you can listen the new track HERE. I hope you will enjoy it much as I do!

David Bowie – Toy – Unreleased Album from 2001 (2011)

In a world divided by zeros and ones, leaking out to the internet of most of the musical – and not only – products it’s not quit a surprise anymore. I already saw on the web materials scheduled to be released in May, June or even further. Instead hunting down bloggers and deleting blogs, feds and net-cops should concentrate on those guys who actually are stilling these stuffs from the studios or leaking them out from the offices of the record labels. On the other hand it’s quit funny, sometimes the artist is the primal source of the leak, it became some kind of “unconventional” promotional concept this kind of leaks. Anyway, I don’t know the source of this leak, but Sunday afternoon, March 20, 2011, a 256 kbps quality torrent of the full-length album was leaked online. The torrent is quite easy to find and meanwhile the album it’s all over on the file sharing sites as well. “Toy” consisting of 14 tracks recorded by David Bowie at the turn of the century and planned to released for a mid-2001 date. Due to problems with Virgin, Bowie’s record label at the time, it never saw the light of day. Read more David Bowie – Toy – Unreleased Album from 2001 (2011)

Karen Souza – Essentials (2011)

Karen Souza is around for a while, under various pseudonyms she provide vocals to some electronic music products, mostly in house gender. She had a nice, smooth voice, some may say quit sensual, but I guess if any man will take a look at her pictures, most of us will thinking about other qualities she may had then about singing, but hey! what the hack, that’s why they call us “pigs” after all, isn’t it? 😀
Karen Souza begun flirting – what else she could possibly do? 😀 – with the idea of singing jazz and this was the starting point of her Cooltrane Quartet and they take a ride on the path of pop and rock classics set to jazz beats and arrangements. It’s hard to fail with a set list made of all time greatest hits as “Strawberry Fields Forever”, “Creep”, “Tainted Love”, “Personal Jesus”, “Billie Jean”, “Bette Davis Eyes” or “Every Breath You Take”. Read more Karen Souza – Essentials (2011)

Current 93 – HoneySuckle Aeons (2011)

Labeled apocalyptic folk, experimental music, dark ambient, neofolk, even post-industrial and musical influences include religious chants, traditional folk music, but also some progressive bands such as Yes, King Crimson, Emerson, Lake & Palmer, Current 93 it’s hell of a trip musically and literally. David Michael Bunting aka David Tibet renamed “Tibet” by Genesis P-Orridge are what we usually called a weirdo. He took off from preoccupation with mysticism, mostly influenced by the works of Aleister Crowley and ended up stating that he now identifies himself as a Christian. Kind of backward trip of Crowley. 😀 Still, he kept in he’s project name the number “93”, number of great significance in Thelema, the religious philosophy founded by Crowley. (The central philosophy of Thelema is in two phrases from Liber AL: “Do what thou wilt shall be the whole of the Law” and “Love is the law, love under will.” The two primary terms in these statements are “Will” and “Love”, respectively. In the Greek language, they are Thelema (Will) and Agape (Love). Using the Greek technique of isopsephy, which applies a numerical value to letters, the letters of both of these words when added together equal 93).  Read more Current 93 – HoneySuckle Aeons (2011)

Flaming Lips and Neon Indian (2011)

“Is David Bowie Dead?” (or “dying” – it’s still unclear…) it’s a huge song. It’s so David Bowie. 6 minutes and 45 seconds of pure stardust. I can play this single track for a whole day. At least. Maybe even backward. The over 8 minutes of “Alan’s Theremin” is more Neon Indian than Flaming Lips, it sounds like a psychedelic puzzle torn off from the 70s and striped to the bones now days.  It’s like a carousel, floats and waving around. “You Don’t Respond” returns with a twisted guitar riff and gloomy electronics and sounds exactly like a broken answering machine. Finally “Do You Want New Wave or Do You Want the Truth Part 2” seems like a rehearsal recording, kind of “work in progress” stuff. And that’s all, this is the long expected collaborative project of Flaming Lips with Neon Indian, this 12″ EP. Read more Flaming Lips and Neon Indian (2011)

Panic! At the Disco – Vices and Virtues (2011)

Baroque pop I guess covers pretty good what singer/multi-instrumentalist Brendon Urie and drummer Spencer Smith dose on this third studio album by Panic! at the Disco. 10 tracks, 37 minutes, nothing complicated, a little bit rock filtered through that indie approach, some electronics with discrete retro perfume, positive vibes, good grooves, danceable stuffs – I guess 😀 – and most of their themes aim to hit the charts. And the first single, “The Ballad of Mona Lisa” entered in heavy rotation across the MTV Networks and received positive reviews. Actually I prefer the heavier “Let’s Kill Tonight”, the smooth tunes of  “Ready to Go (Get Me Out of My Mind)” or the real retro taste of  “Sarah Smiles” and “Nearly Witches (Ever Since We Met…)”, probably Urie thought about everybody and delivered something for everyone. Read more Panic! At the Disco – Vices and Virtues (2011)

Chemical Wedding (2008)

Many times, many people asked me about Aleister Crowley. Crowley was at least an interesting figure above all the facts and fictions around him, his life, his works and… Magick. Some says he was nothing, but a clown or worst, a pervert, others argue on he was a genius or a madman. Oscar Wilde said “Aleister Crowley is a madman who thinks he is Aleister Crowley” – and I think this is the essence of everything we possibly can say about Crowley before we getting ridiculous.
Crowley has remained an influential figure and is widely thought of as the most influential occultist of all time, but also he gained widespread notoriety during his lifetime, and was denounced in the popular press of the day as “the wickedest man in the world” because of his eccentricity. Crowley enjoyed being a figure of controversy and frequently deliberately provoked it among his peers and in the media. I actually read a lot about Crowley and I read most of his writings as well, but more as I read, more confused I get. And “Chemical Wedding”, the film directed by Julian Doyle based on an original screenplay by Bruce Dickinson, the frontman of Iron Maiden, will not bring you further to the truth. Read more Chemical Wedding (2008)

IAMX – Volatile Times (2011)

Back in 2004 Chris Corner left behind Sneaker Pimps and started this new project: IAMX. The musical direction is not quit out of Sneaker Pimps line, it’s still a gloomy, dark electronic blending with indie infusions and the lyrics are dealing with subjects such as sex, death, emotions, narcotic intoxication, decadence, religion, alienation and allusions to politics. Since the debut album “Kiss + Swallow” released in 2008, Chris didn’t waste any time and 2008 bring another two releases, “The Alternative” and “IAMIXED”. In 2009 was released “Kingdom of Welcome Addiction”, and in 2010 “DOGMATIC INFIDEL COMEDOWN OK”. So, Chris kept his self – and our – quit busy.
The new album was preceded by single “Ghosts of Utopia”, which received its first radio play on Prague’s Radio 1 on January 23 and was released on February 25 and a free download of “Fire and Whispers” was made available on March 4, as part of the count down of the album released on 18 March 2011, but the full album was leaked online on March 12. Read more IAMX – Volatile Times (2011)