Katrin the Thrill – Evil Eye Charm (2012)

Katrin the Thrill reminds me of a young Patti Smith, she could be a drowning in melancholy PJ Harvey or a sober Courtney Love, possibly a less gloomy, but still dark enough Melissa Auf der Maur. Having some strong Post-Rock resonances, Katrin the Thrill exploring the path between building upon gentle acoustic layers and tearing the dreams apart by screaming guitars and pounding drums. A woman might seems sexy and fragile, but she is eventually even further dangerous and deadly when she strikes. “Evil Eye Charm” it’s like a walk through Wonderland: never really know what will jump off to you behind the next song. And this is definitively a positive tension which keeps your attention sharp throughout the album while every song has it’s own little Magic, it’s a painting with sounds from another universe.
One of my favorites is the closing “Warmer” because it’s not only warmer with some sparkling piano chords, but gave us the much anticipated release. But I love equally the whole journey from the pulsing start with “Losing” which kind of throw us into the eye of the rising hurricane, through the theatrical break-downs of “Under The Skylight” or the gentle chords of “Lyds”. Classic in the most possible positive sense, but out of the patterns, experimental, explorer, looking further, breathing and alive. Pretty charming journey actually, no fill-ups, no empty or useless spaces (moments), but struggling emotions throughout. Read more Katrin the Thrill – Evil Eye Charm (2012)

Archive – With Us Until You’re Dead (2012)

Archive – With Us Until You’re Dead (2012) Some years ago, I was sitting in a bar, licking my drink, when something hit my ears: “Pray to God I think of a nice thing to say, But I don’t think I can so fuck you anyway…” I said, wow! Asked the bartender who are these guys, he actually didn’t knew, but searched on the playlist and told me: Archive. Fuck! So, I dig them out and I had one of the most wonderful surprises of that windy and rainy autumn, I had five albums to knock myself off. That song, “Fuck U” was from their “Noise” album released in 2004. Archive was formed by Darius Keeler and Danny Griffiths in 1994 from the ashes of the UK breakbeat act, Genaside II. Together with the female singer Roya Arab and the young rapper Rosko John, they released their first album “Londinium” on Island Records in 1996, a gloomy mix of dark Trip Hop and Electronica in a similar vein to Massive Attack, flavored with their the sounds of their roots of Breakbeat and Hardcore. Peter Gabriel was quoted as saying, “Londinium was one of my most favourite albums of the year.” In 1997 Roya Arab was replaced by Suzanne Wooder and two years later they released their second studio album, entitled “Take My Head”, a more Pop and melody oriented material with a smoother approach of Symphonic Trip-Hop. Read more Archive – With Us Until You’re Dead (2012)

The Gathering – Disclosure (2012)

The first track I heard was “Paper Waves” and honestly it was not too convincing while it’s kind of dissolving in the air, but fortunately, the almost 8 minutes of “Meltdown” incorporates everything what makes Magic The Gathering and washes away the Pop-like, but almost tasteless, ultimately a filling felt of “Paper Waves”.
So, the Dutch Alternative Rock driven force, The Gathering are back with their tenth studio album, “Disclosure”, the follow up of the 2009’s “The West Pole” which also marked the debut of their new vocalist Silje Wergeland (previous front woman of Octavia Sperati). Meanwhile, we had a free download on their Bandcamp page, originally released on May 16th, 2011, and still available, “Heroes For Ghosts”, a more darker melange of (Progressive/Alernative) Rock roots and Trip-Hop flavored cinematic moments. And the whole album it’s a journey through smoothly colored, subtly layered and gently flowing soundscapes, The Gathering merging in their own style every musical genre and style their previously explored from explosive and symphonic taste-like Rock to Trip-Hop with blowing Jazz and Electronic flavor. Not even the sky is the limit, not for The Gathering anyway – anymore. And “Disclosure” is a very glossy, joyful journey. Read more The Gathering – Disclosure (2012)

Vajra – Pleroma (2012)

Vajra-Pleroma-2012 If you were thinking how a melange of Dead Can Dance with Tool would sound like, don’t dig further, Vajra is the most perfect possible match for it. Singer, composer, producer, writer, and keyboard player Annamaria Pinna formed Vajra during her self-imposed exile in India and “Pleroma” is kind of a collection of 10 “sonic postcards” which painting up by sounds this mystic journey to self-conscience filled with hypnotic mysticism and some explosive sonic hurricanes.
The opening “Inside The Flame” have that ancient driven power which made magic the debut Tool album and it’s a perfect attention grabber. “Almost One” have the touch of Godsmack, it’s a mixture of gloom and groove with Rock strength, hypnotic, but simultaneously kicking. “India” is a meditation/reflection, a subtle cinematic prayer which lead us directly into “Blind”, another Post-Grunge and Dark Rock filled anthem with pulsing guitar riffs and pounding drums, evoking Godsmack’s “Voodoo”, but adding a further Oriental and mystic tone, color to it. “Intuition” it’s like shattered from a dream, a slippery trip down to labyrinth of subconscious where shadows and lights are dancing together and melting into one. Read more Vajra – Pleroma (2012)

Topsy The Great – STEFFALD (2012)

This is genuine, noisy, garage taste like, Avant-garde Rock band, somewhere between Big Black, Sonic Youth and H.P. Zinker. Topsy The Great’s debut album will be out on vinyl in September on fromSCRATCH Records. We’ve got 12 grinding, contorted, noisy Rock tracks, delivered by this Italian trio consist of guitarist Emanuele Ravalli, bass player Alessandro Gambassi and drummer Lorenzo “Bob” Coppini. They call their own style “Tesla-Core”, which is actually pretty clever and appropriate, while among their influences they name bands such as Black Sabbath, Black Flag, Big Black, Sonic Youth, Lightning Bolt, Fugazi, Oshinoko Bunker Orchestra and Melvins. This is a quite intense mixture of Punk rooted Garage Rock with Hardcore intensity and experimental/Avant-garde taste like (truly Progressive) Post-Rock. Got to listen this to feel it, understand it, but once you will got the taste of it, once when everything came through, you will love it and finally you will scream for more. Although, the recording is pretty raw sounding – bet it was recorded live -, the material is enjoyable and the trip is exhaustive, but worth every single minute of it. Read more Topsy The Great – STEFFALD (2012)

Ostfront – Ave Maria (2012)

OstFront - Ave Maria (2012) Operation Ostfront (German for “Eastern Front”) was the sortie into the Arctic Ocean by the German warship Scharnhorst during World War II. In May 1941, after the loss of the German battleship Bismarck, Adolf Hitler had forbidden any German capital ship from venturing into contested seas. By December 1943 the tide had turned against Germany. The Battle of the Atlantic had been lost, and supplies poured into the United Kingdom and the Soviet Union. In September 1943 the German battleship Tirpitz was disabled during the British Operation Source, leaving Scharnhorst and Prinz Eugen the only operational heavy ships in the Kriegsmarine. In November 1943 the Arctic Convoys restarted. On 19 December 1943 Grand Admiral Karl Dönitz submitted a request to Hitler to allow Scharnhorst to attack the next convoy sailing through the Barents Sea. On the 25 December 1943 Dönitz ordered Ostfront to commence. Admiral Fraser, alerted by Norwegian resistance information to the possibility of an interception by Scharnhorst, prepared a trap for the German warship.
On 25 December Scharnhorst sailed to intercept the British convoy, JW 55B, believing it to be sparsely protected. In the ensuing Battle of the North Cape Scharnhorst was separated from her escorting destroyers and was sunk. This is history.
Neue Deutsche Härte – “New German Hardness” it’s a term invented by the German music press in 1995 specially to describe/defined the music delivered by Rammstein on their debut album “Herzeleid”. Also known as German Electronic Metal or Dance Metal (tanzmetall), this new genre has its roots in the music of bands such as Laibach, Die Krupps and Oomph! and along Rammstein the genre is proudly represented by bands such as Eisbrecher, Megaherz, Megaherz, Tanzwut, Umbra et Imago, In Extremo, Omega Lithium, Stahlhammer, Fleischmann, etc.
Ost+Front will definitively delight all and each Rammstein fan. Read more Ostfront – Ave Maria (2012)