From Västerås, Sweden, I Used To Be A Sparrow are back with their second full-length album and they gonna take you in their clear-obscure dream world made up of indie rock shreddings, shoegazer flavoured epic and bitter-sweet escapades and dream-pop hooks. Scandinavian quality, hypnotic and melodious, simple and smart, soulful, but simultaneously efficient.
The duo of Dick Pettersson and Andrea Caccese find their own path drawing inspiration from quite different bands such as Explosions in The Sky, Minus The Bear, Mew, Pedro The Lion, Last Days of April, Kent, Coldplay, Radiohead, The Ataris, The Beatles, Angels and Airwaves, Thrice, Anberlin, Tom Waits, Fleetwood Mac, Foo Fifghters, The Chariot, Kent; Dinosaur Jr., Sebadoh, Built to Spill, This will destroy you; …And you will know us by the trail of death, Japandroids, Minor Threat, The Replacements, Slipknot, And you will know us by the trail of death, Lucero, Ramones, Bon Iver, Tallhart, The Gaslight Anthem, etc. Read more I Used To Be A Sparrow – You Are An Empty Artist (2013)
indie rock
Sky Burns Red – Who Are You, EP (2013)
Somewhere between the classy and powerful, genuine Brit rock of John Waite (The Babys/Bad English) and the groove oriented, grungier Indie rock in the vein of Kings of Leon or OK Go, it’s Sky Burns Red, a promising young band from U.K.
From the deepest depths of the Swindon music scene surfaces SkyBurnsRed, an eclectic rock band with a orchestral twist. Although guitar and violin would rarely associate under normal circumstances, the haunting tones of the classical instrument become electrified and entangled in the heavy rock foundations creating the bands striking sound. Read more Sky Burns Red – Who Are You, EP (2013)
Eels – Wonderful, Glorious (2013)
Honestly, I’m glad that the melancholy and platitudes fueled concept trilogy of “Hombre Lobo” (2009), “End Times” (2010) and “Tomorrow Morning” (2010) it’s closed and hopefully Mark Oliver Everett, better known as E. Other, moved over. Those country-blues flavored, mostly boring and tasteless, self-pity ballads, frankly, were a great disappointment. Sentiments? Well, I have sympathy for those stories of desire, loss, and redemption, but can not shed a tear. Got my own s*it to bear. And nobody shed a tear for me, not even giving a s*it.
I also can understand that there will be no more “Novocaine for the Soul” like, charming, energy full, indie rock anthems, but a little bit of life in some of the songs, here and there, still would be nice to hear.
And “Wonderful, Glorious” it’s at least a return to the sound and style of “Souljacker” (2001) and “Shootenanny!” (2003). We’ve got a couple of sensitive slow takes, a strange mixture of Cat Stevens with Tom Waits, but wearing the undeniable touch and taste of E. Other. On the other hand, we’ve got a few noisier, grungy, indie rock tracks as well. Some of them (“Open My Present” for instance) also reminding me of Tom Waits, eventually mixed with Tom Petty.
Good sign anyway is that the leading single it’s the heavily pounding “Peach Blossom” and not some of the depression bringer ballad. Read more Eels – Wonderful, Glorious (2013)
Plymouth Fury – Vaudeville (2012)
With roots back to The Stooges and the grooves and melodies of The Dandy Warhols, merging the fury of The Jon Spencer Blues Explosion with the straight simplicity of the Danish Surf rockers The Good The Bad, juggling between the rawness of The Velvet Underground and the new blues spirit of The Black Keys, the French Plymouth Fury serve us a hot and noisy, garage flavored rock with resonances to Spaghetti westerns with Tarantino vibe.
The trio, Worzo – guitar and vocals, Will – bass and vocals, and Stephane Kurdijaka – drums, has been formed in 2007 in Paris, and so far they shared the stage with bands such as Division Of Laura Lee, The Elektrocution, The Bombettes, Favez, It’s Not Not, Magic People, TV Buddah and King of Conspiracy. They have one thing on their minds: to burn all those places down! And honestly, this 70’s taste-like, unpolished, straight and noisy rock it’s just perfect for a hell of an evening down in the club! Read more Plymouth Fury – Vaudeville (2012)
Kursed – Miaow (2012)
Two years after its acclaimed debut effort “Like a coffee” released through M&O Music & Mosaic Music Distribution, Kursed returns with a new album entitled “Miaow” and filled-up with the same Brit indie rock and post-punk revival flavored music in the vein of Arctic Monkeys, Bloc Party, The Fratellis, Kaiser Chiefs, and blended with dirty American, blues rooted indie rock in the footsteps of The Black Keys, Black Rebel Motorcycle Club, Modest Mouse, The Killers, and Interpol.
This mixture of sounds and aromas might be odd or at least unusual for a French band, but Kursed proved that in music there is no boundaries, on the other hand they proved a vivid ability to turn those “foreign” genres into their own and finally giving to the music their own identity. Read more Kursed – Miaow (2012)
EmptyMansions – snakes/vultures/sulfate (2013)
EmptyMansions it’s the solo effort of Interpol’s drummer Sam Fogarino. Sam Fogarino wrote most of the songs for snakes while on tour promoting Interpol’s fourth and self-titled album, from mid 2009 to late 2011. This is raw sounding, garage flavored, but genuine indie rock, somewhere in the space between dEUS, Eels (in their good old days) and Sonic Youth. As he describe it: lyrically, the songs are the result of he’s reading much postmodern fiction by writers such as Hubert Selby Jr (‘Sulfate’); discovering an appreciation for aerial dance and a fascination with outer-space (‘Lyra’); the TV-drama Justified (‘Up In The Holler’), and Black Francis of Pixies fame (‘That Man’). Musically, Sam drew upon classic heavyweights; Neil Young (The closing track on snakes is a cover of ‘Down By The River’), The Stones, Zeppelin—filtered through his affinity with the likes of Sonic Youth and Pixies. Read more EmptyMansions – snakes/vultures/sulfate (2013)
Tangent Transmission – Pull, EP (2011)
Some bands are coming out of the blue and breaking all the rules and conventions, and delivering what we should simply call “the real thing”. Music. Not conveniences. Not consumables. Not that predictable boom-boom, bang-bang what we use to upload in our mp3 players to cover the urban background noises and isolate ourselves from all the others and the rest of the world. No. It’s definitively something it’s very wrong whit this species.
But this isn’t everything. If a really-really good, to the bone creative and ground breaking band surface the scene, mainly they will come and go unnoticed and will disappear in the media trash. People love products, prefabs, love the s*it nicely packed in cellophane, love Lady GaGa because she’s so eccentric! And we love any other bitches, any other freaks and any other fake and fabricated star the industry and media deliver to us as “the real thing”, but never, never, never, the real thing.
The real thing it’s weird, unusual, not easy to assimilate, hard to compare and impassible to label, to fit into a box.
Although they manage to infiltrate one episode of “NCIS: Los Angeles” and had a song placement in the documentary “h2indo”, Tangent Transmission it’s still mainly remains completely an unknown band.
They also were awarded with the Artist of the Year in the All Indie Magazine music awards last year. And they really deserve it! Read more Tangent Transmission – Pull, EP (2011)
Lost Reality – Roboid 371304 (2012)
“Roboid 371304” is a concept album which focuses on the affairs of two aliens who for contrasting reasons, are drawn to mankind. As the story goes on, soon becomes clear that aliens and humans are closer to each other than previously imagined.
The music it’s related as style and approach to bands such as IAMX, Imogen Heap, Cut Copy, and generally to the area of Indietronica, IDM (Intelligent Dance Music), Synthpop, with some Rock colours linked back to the 80’s David Bowie and Depeche Mode.
No wobbling, no contorted noises, no twisted metallic blows and drops, this journey filled with spaces, dark vibe and chilled, sometimes Dream Pop flavored moments might sounds for many pretty out-dated, eventually not enough groove oriented, but this retro electronic taste and the futuristic, scifi story it’s the very essence of this concept. Read more Lost Reality – Roboid 371304 (2012)
Time and Energy – Strange Kind of Focus (2012)
It’s not strange kind of focus, but rather out of focus. Time and Energy delivering a strange mixture of Afro-beats, Blues/Country/Folk roots and Beck flavored Indie vibes with some Rufus Wainwright taste-like vivid whatever. “Loop Rock”? Eventually. But pretty hard to chew being not under influence and the taste is questionable. And well, I’m quite trained to listening anything, even considering the construction site next to my building a musical revolution. When the 7th track, “Sitting On a Scale” started almost as a classic The Beatles song, it was a release. Up till then, “Strange Kind of Focus” sounded like a mixtape on acid. The very next “O’Molly” have that raw wickedness of some early The White Stripes tracks, it’s that kind of perfect menage of Blues and Indie/Garage Rock – and it’s probably the best moment of the album. And the following “Think it Through” it’s not that bad too, or simply I get used with their layered and sometimes antagonist sound. The closing “Acid Jam” it’s build upon a Latino foundation, but just as its title suggest, it’s an Acid Jam, after a few pleasant seconds the whole thing get out of control and became quite dangerous.
This is an experiment and I do respect that. The result? Well, not really sure of. “Name your price” for the digital download it’s a fair approach and listen first at your own risk. I would start with track 7 or 8. Read more Time and Energy – Strange Kind of Focus (2012)
The Locomotive Sound Corporation – We Surely End Somewhere (rough session, 2012)
As the title pointed out pretty clearly, this is a rough session of Summer 2012, five song recorded – as they say “with a donkey, an old man and a church as a neighborhood.” Available now on Noomiz and Bandcamp, The Locomotive Sound Corporation, one of my favorite bands and albums of 2011 are back with this tasty release, and even further, the “name your price” approach is very fan-friendly.
The Locomotive Sound Corporation is the French answer for the American “new Blues”, they are soul related to bands such as The White Stripes, PJ Harvey, 12 Rounds, The Dead Weather, PJ Harvey, The Raconteurs, Sonic Youth, and The Black Keys, have that raw power and healthy garage taste which brings new life in this mainstreamly-boring and burnt-out Indie/Alternative genre. This Parisian band proves once again, there are still spaces and sounds to explore, feelings to express in this area and this 5 new tracks are also a great promise for their largely expected new album. Read more The Locomotive Sound Corporation – We Surely End Somewhere (rough session, 2012)
