The Swiss trio are back and it’s time for the new set of dark and furious butchery! Although guitarist Antoine Tinguely (ex-Berserk For Tea Time) replaced former guitarist Samuel Vaney, Vaney is now supporting the band as composer/mixer.
While the drums were recorded in the REC Studio of Serge Morattel in Geneva, they recorded the guitars and vocals in their own rehearsal room, the new album is the result of hard work, giving the band big freedom in creation and the possibility to fully assume the production process. The sound it’s pretty raw, unpolished and have a pithy live vibe, if you pump up the volume high enough, almost feels like you are there in the rehearsal room. So, “Phoebus” it’s not about surgically clean sound and high-end production, but about the unleashed strength of metal, about the flesh ripper riffs and pounding like hell drums, about not making compromises, but expressing feelings through music. Read more Cortez – Phoebus (2013)

Morgan Mechling – vocals, Phillip Davis – guitars and vocals, Kasey Richardson – guitars, Bryce Kresge – bass and visuals, and Patrick Santana – drums are here to unleash the Hell of fury and contorted, merciless Metal. Forging genres, melting into one Black Metal and (Post) Hardcore, Sludge and Doom, technical and extreme Metal, Bone Dance is not “just” a band, but an attitude, a state of spirit and mind, and they delivering not “only” music, but their work is a manifest. Back in the days, Rollins Band had this kind of attitude and energy, although Bone Dance speeding up wildly, just like you put a 33⅓ r.p.m. spinning vinyl record up on 45 while Morgan Mechling keep on howling bloody deadly.

A self-titled EP from 2010, their debut album, “Monotoneoteny” released this year in May and a remix album, “Tone Debris”, released this month, all three for free, can grab them from 






