Listening “No Thyself” it’s like a time capsule, a trip back to the late 70s, early 80s. And surprisingly, Magazine sounds fresh, this post-punk mixture with psychedelia still sounds authentically, have the right vibe and that particular glowing, deep groove. Once again, when everybody sweat to be more futuristic, more avant-garde and post-everything and post-whatever, the returning pioneers proves that some good ideas are more meaningful that the sophisticated sound, all the digital shit and eventually some fancy producer. I’m some freak nostalgic? Maybe, but I don’t really think so. I’m just sick of everybody sounds just the same. Sick of all those post, alternative and so-called core – actually fake plastics the industry lately delivered. Magazine are kind of dinosaur? Possibly, but while it seems we lost the direction, we might need them now more than ever. Read more Magazine – No Thyself (2011)
post rock
Eyes Front North – EP (2011)
Hard to stick a label to them, the French band Eyes Front North delivered on their debut EP a gloomy and extremely diversified mixture of metal blended through their own filter and blue colored. From classic, Venom taste like black metal to the brutal riffing of thrash/nu grinding Sepultura and from hardcore like raging to contorted match metal and post-rock, these guys took the literal sense of crossover (and back, and through again), they take inspiration from different roots and (sub) genres and it seems that they targeted the elimination of any musical and stylistically boundaries, but staying metal. Future metal? Well, the future sounds dark, cutting and distorted, but definitively worth a trip into it under the guidance of Eyes Front North. Read more Eyes Front North – EP (2011)
Pop Will Eat Itself – New Noise Designed by a Sadist (2011)
I wrote about PWEI just a few weeks back, reminding of their album “Dos Dedos Mis Amigos” and announcing the good news: on 3rd October 2011, after a 17 years gap, PWEI will release their sixth studio album entitled “New Noise Designed By A Sadist”. And time’s up, here we go again. 11 tracks, the guys sounds fresh and still kicking like two decades ago and they bring us a little bit of chaos & mayhem, some old-school (cool 🙂 ) noises and anti-plastic anthems. It feels like yesterday, but it’s so now and eventually looking into the future.
In few words: they are back to business! Dig out your dancing shoes, grab your air guitar and bang your head: you’re so wasted! Read more Pop Will Eat Itself – New Noise Designed by a Sadist (2011)
Steven Wilson – Grace For Drowning (2011)
Steven John Wilson is a self-taught, yet twice Grammy nominated producer, audio engineer, guitar and keyboard player, playing other instruments as and where required, including bass guitar, concert harp, hammer dulcimer and flute. He is involved in many bands and projects such as Altamont, Karma, No-Man, Incredible Expanding Mindfuck, Bass Communion, Blackfield and not at least he is best known as the founder, lead guitarist, singer and songwriter of progressive rock band Porcupine Tree. Wilson appears on several other albums by artist such as Mick Karn, Indigo Falls, Fish, Marillion, Richard Barbieri, Anja Garbarek, Opeth, Yoko Ono, Dream Theater, Jordan Rudess, Orphaned Land, Anathema among many others as musician, sound engineer or producer.
“Grace For Drowning” is Wilson’s second solo album released on September 26th, by Kscope Records. The special edition of the album is going to release on Blu-Ray video disc with the music playing in 5.1 surround sound and accompanying visuals and videos for each track, making it the first-ever rock album released primarily as a Blu-Ray video disc.
The album features contributions by artist such as Nic France on drums, Steve Hackett, Robert Fripp, Tony Levin, Nick Beggs and Trey Gunn on guitar, Theo Travis and Jordan Rudess, and some jazz musicians. Touring members will include Marco Minnemann on drums, Nick Beggs on bass, Aziz Ibrahim on guitar, Gary Husband on keyboards, and Theo Travis on flute and saxophone. Read more Steven Wilson – Grace For Drowning (2011)
XMRV – Disimmunized (2011)
Absolutely sick! Lasting only one minute, “Noodles” clarify at least this aspect. Xenotropic murine leukemia virus (XMRV) – is a gammaretrovirus that was first described in 2006. Initial reports linked the virus to prostate cancer, and later to chronic fatigue syndrome (CFS), but these were followed by a large number of studies in which no association was found. It has not been established that XMRV can infect humans, nor has it been demonstrated that XMRV is associated with or causes human disease. Numerous researchers have suggested that XMRV detection may result from contamination of clinical specimens and laboratory reagents with mouse retroviruses or related nucleic acids. I told you it’s sick!
A clash of nationalities, cultures, quite different tastes and musical influences and backgrounds, XMRV blending through their own creative filter hardcore, thrash metal, grunge, noise, punk, jazz, Latin music and delivering a killer sonic cocktail which will definitively knock you down. Are you ready for a punch directly in your immune system? Read more XMRV – Disimmunized (2011)
The Duke Spirit – Bruiser (2011)
Alternative rock. It might sound boring, but The Duke Spirit seems to find their own way to blending the sound of the alternative noise rock/garage bands both with psychedelia and rock and roll and as bonus they also added a smooth taste of R&B, soul and Motown. The result is something like a scratchy and raw collision between The White Stripes and Blondie. Old obsessions dies slowly, still, almost every woman singer wants to be the next Debbie Harry or dreaming about becoming the next Alison Mosshart. And well, Liela Moss actually do a great job.
“Bruiser” is simultaneously honey and dust, raw rock and bitter-sweet melancholy. Read more The Duke Spirit – Bruiser (2011)
Pop Will Eat Itself – Dos Dedos Mis Amigos (1994)
Released on 19th September 1994, the fifth album by The Poppies, also known as PWEI, “Dos Dedos Mis Amigos” bring to the surface a more industrial face of the band. Also, PWEI’s political stance became more explicit with the release of the single “Ich Bin Ein Auslander”, a collaboration with Asian group Fun-Da-Mental, song which was based on the uprise of racial tension throughout Britain during 1994 and reached the UK Top 30.
The album peaked at #11 in the UK Albums Chart and the single “Everything’s Cool” became the band’s ninth Top 30 UK hit.
PWEI found some new popularity after signing with Trent Reznor’s Nothing Records in the US, and touring with Nine Inch Nails, as well as having their songs used on the PlayStation game Loaded. In the same year they featured on The Prodigy’s album “Music for the Jilted Generation”, on the song “Their Law”. Read more Pop Will Eat Itself – Dos Dedos Mis Amigos (1994)
Marilyn Manson – Mechanical Animals (1998)
The world was frightened by Marilyn Manson back in 1996 after the release of the (in)famous “Antichrist Superstar” and expectation was set high for their next release. “Mechanical Animals” showed a different face of Marilyn Manson and take the world by surprise once again. Marilyn Manson had “sold out”? Some old-time fans were dissapointed by the more glam rock oriented sound and less aggressive approach of the album, some consider it even radio-friendly, still, “Mechanical Animals” contains music far more complex than most of his work. Inspired by 1970s style, Bowie-esque glam rock and borrowing both from Roxy Music and T. Rex, Manson delivered a rock opera concept album and the second installment in a trilogy that was started with “Antichrist Superstar” and was closed by “Holy Wood (In the Shadow of the Valley of Death)” and as it was later explained, it was released backward. Read more Marilyn Manson – Mechanical Animals (1998)
dEUS – Keep You Close (2011)
(Ain’t) “Living in a movie, but a franchise” – sing Tom Barman on the brand new dEUS album and once again, I’m thrilled by this Belgian band while I love them since I heard for the very first time “Suds & Soda” back in 1994. This music is not so complicated, but subtle and smoothly sophisticated, maybe they lost something from the biting wildness of their first period, but dEUS remains really alternative, truly indie – although singed to multinationals, and the same original outfit. Juggling between – and through – twisted blues, free jazz skronk, post-grunge dissonances and gloomy art rock explorations, dEUS delivered an unique blend of music. Perhaps “Vantage Point” back in 2008 was their smoothest release up to date, but still they have the magic power to hypnotize us.
Read more dEUS – Keep You Close (2011)
Tom Waits – Bone Machine (1992)
“Are you still jumping out of windows in expensive clothes?”
Actually the future seems even darker now than back in ’92 while “Bone Machine” and it’s hypnotic textures, noisy percussion and experimental glows are still sounds fresh and its rich lyrics are still very actual.
“What does it matter, a dream of love / Or a dream of lies / We’re all gonna be the same place / When we die”…
What Tom Waits, Keith Richards, Les Claypool and David Hidalgo have in common? The bone machine. Several songs from the album were covered by several artists: “I Don’t Wanna Grow Up” was covered by The Ramones for their last album, “Adios Amigos”, but also by Petra Haden and Bill Frisell on their album collaboration “Petra Haden & Bill Frisell” (2003), by Hayes Carll on “Trouble In Mind” (2008), and by Scarlett Johansson on her debut album, “Anywhere I Lay My Head” (2008). “Goin’ Out West” has been covered by Queens of the Stone Age, Gomez, Widespread Panic, Gov’t Mule, the Blacks and Australian blues guitarist Ash Grunwald. This song also is featured in the 1999 film “Fight Club”, while “Earth Died Screaming” is featured in the 1995 film “Twelve Monkeys”, and “Jesus Gonna Be Here” is featured in the 2005 film “Domino”, in which Waits appears. Read more Tom Waits – Bone Machine (1992)
