Dirty and contorted, merging hardcore with sludge, twisted riffs and slow grinds with breathe acoustic relieves and blue collar breaks, Engineer bring to the surface a world of darkness and suffering, pour their pain on us and drown us under the weight of their sick songs.
From Syracuse, NY, Engineer are compound of three brothers and a brutal dude behind the drum kit: Bobby – vocals, Ryan – guitar, Brad – bass, respectively Mike Auclair – drums. Decibel Magazine ranked Engineer’s 2006 release “Reproach” one of the top 50 Best Albums of the Year and their noisy, deranged, modern metal have something unique and exciting. Read more Engineer – Crooked Voices (2011)
post-hardcore
Jello Biafra and tGSoM – Enhanced Methods Of Questioning (2011)
At the age of 52, Mr. Biafra is still fresh and biting while a bunch of kids calling them self “punks” still can’t have a hard-on.
In the twenty or so years since Dead Kennedys officially disbanded, Jello Biafra has made a career of spoken word gigs interspersed with musical collaborations, recording projects and touring with Melvins, No Means No, DOA, Mojo Nixon and Lard (with Ministry’s Al Jorgensen) among others have kept his “hardcore as political weapon” message sharp, but the lack of his own band made these collaborations usually short-lived and left Biafra with a ton of songs that had never seen the light of day. Inspired by Iggy Pop’s 60th birthday gig at the Warfield in San Francisco, Biafra laid plans for his own 50th birthday party and finally decided it was time to start a band of his own. Ten years before he had been attempting the same thing with the likes of guitarist Ralph Spight (Victims Family, Freak Accident, Hellworms) and drummer Jon Weiss (Sharkbait, Horsey). They had also previously worked with bassist Billy Gould (Faith No More) who was tapped for the new group. After cramming rehearsal for a month the four piece band known as Jello Biafra and the Axis Of Merry Evildoers took the stage in a sold-out two night stand at San Francisco’s Great American Music Hall and subsequently spent the next 9 months in rehearsal for an album project. Before entering the studio guitarist Kimo Ball (Freak Accident, Carneyball Johnson, Mol Triffid, Griddle) was recruited. The quintet now known as Jello Biafra and The Guantanamo School of Medicine began recording tracks for the upcoming album “The Audacity Of Hype” slated for release in October 2009. Read more Jello Biafra and tGSoM – Enhanced Methods Of Questioning (2011)
Black Veil Brides – Set the World on Fire (2011)
Their video for the song “Knives and Pens” has gained over 26,000,000 views over YouTube, so, the group’s debut album “We Stitch These Wounds” released in 2010 and sold nearly 10,000 copies in its first week, ranking at #36 on the Billboard Top 200 chart, and #1 on the Billboard Independent chart. Having the look of the 80s Motley Crue and the sound of some emo/post-hardcore band, Black Veil Brides merging dark and heavy themes, balancing smoothly between the traditional heavy sound and the modern, grungy approach. Andy Biersack have powerful voice, he singing strong and catchy choruses, while the band delivering pretty intense metal support. The new set consist of 11 songs, shows a stronger and more determined, perhaps more mature band, somehow it’s quite a fracture between their look and their music. Read more Black Veil Brides – Set the World on Fire (2011)
Kourgane – Corps De Chasse (2011)
Can’t dig and figure out too much about Kourgane, but I know for sure, they delivering a sick, twisted mixture of contemporary music including explosive spices of noise-rock, post-hardcore, jazz and experimental avant-garde elements. This is future-hardcore. Gloomy, heavy, contorted and restless. This universe was revealed for us by Tool at the beginning of the 90s when almost out of the blue the EP “Opiate” (1992) and their debut album “Undertow” (1993) opened a new doorway to an unexplored path of music expression of anger and twisted thoughts.
Unfortunately they are not willing to share any information in other language than French, and well, my French resume to “merde” – and I don’t wanna sound disrespectful. Frederic Jouanlong – vocals, Jarame Renault – drums, Gilles Lahonda – bariton guitar and Ryan Kernoa – guitar, introduced us in the world of pulsing riffs, pumping drums and shattered feelings. Read more Kourgane – Corps De Chasse (2011)
Bone Dance, Divider Plebeian and Grandstand – Three-​Way Split (2011)
Throatruiner Records from France in a common effort with Mayfly Records from USA tempting us with this 12″ split which will be released on early July. Noisy, contorted, experimental and exciting incursion in the area of modern (or quite post-modern) metal with flavors of avant-garde melt into extreme brutality. Three bands, three songs, different approaches, but all of them bringing to the surface new excitements.
Bone Dance from Boise, Idaho, USA, are nihilists and doesn’t want to be your friend. “Conniver” is a raw, chaotic mixture of hardcore and sludge, expression of pure brutality.
Diveder from Long Island, New York, USA blending the raw punk emergency with filthy hardcore brutality and the result is a modern, groovy, explosive metal. This sounds like the future of hardcore. “Gaia” is already an anthematic track and looking forward to listen into “Halios Geron” as well. Diveder introduce Chris Tzompanakis behind the mic, best known for his work with the influential group Skycamefalling in the early 2000’s.
Plebeian Grandstand from Toulouse, France will ripping off your head and destroy your loudspeakers instantly. Extreme, brutal, noisy and explosive, these guys promised to don’t leave survivors left behind and well, they are not joking. Read more Bone Dance, Divider Plebeian and Grandstand – Three-​Way Split (2011)
Campbell Trio – The Campbell Trio Sings The Blues (2011)
The album starts smoothly, acoustic guitar, few noises and a whispering voice spoken in… Hungarian about music. Pretty strange for a band from Porto Alegre, Brazil. Don’t get fooled: this is raging, contorted, striped down to the bones, pure hardcore, back to the basics but looking forward music. It’s furious and experimental, cutting and abstract simultaneously. Reminds me of a widely obscure album from 1995, “Mountains of Madness” by H.P. Zinker, a band formed at New York and unfairly forgotten, although, that particular album was Grammy nominated. Anyway, The Bruce Campbell Punk Rock Trio, commonly know just as Campbell Trio, bring to the surface parts from a world of madness.
They says: “This is not a band. This is libel, slander, defamation of character. This is not a band, in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of art, a kick in the pants to god, man, destiny, time, love, beauty, what you will. We are going to sing for you. A little off key perhaps, but we will sing. we will sing while you croak, we will dance over your dirty corpse!
To sing you must first open your mouth. You must have a pair of lungs, and a little knowledge of music. It is not necessary to have an accordion, or a guitar. The essential thing is to want to sing. This then is a song. We are singing.” Read more Campbell Trio – The Campbell Trio Sings The Blues (2011)
Romeo Must Die – Hardships In Season (2011)
Merging classic thrash and hardcore rawness, Romeo Must Die, formed from the ashes of Stampin’ Ground – a band labelled as “a veteran force’ and the UK’s most credible and successful underground band of the last decade” – delivered a long awaited right step debut. “Hardships In Season” with some reminiscences of the too early disappeared Pantera, it’s a pulsing, pumping, crushing album fulfilled with brutal and cutting riffs, raw vocals and incisive rhythmic section. But being simply brutal it’s not quite enough, Romeo Must Die managed to write a couple of good themes and songs, they put together a groovy, powerful and colored material. Adam Frakes-Sime – vocals, Paul Fletcher and Aaron Darling – guitars, Ben Frost – bass and Will Romain – drums, despite their underground status and unwilling to make compromises, seems to find the perfect receipt of the powerful and unleashed modern metal and they looking further to overtake the throne. Read more Romeo Must Die – Hardships In Season (2011)
I Spy Strangers – The Kind Of Dirty You Cant Wash Off (2011)
The term stranger is the traditional way of referring to someone physically present in the Palace of Westminster who is neither a member of parliament nor a parliamentary official. Nowadays, strangers – visitors – can watch debates, and can sit in the Stranger’s Gallery. Historically, visitors were not allowed in at all. Parliament still has the right to debate in private, and any visitor causing a disturbance can be ejected, or even taken into custody by the Serjeant at Arms.Attempts to exclude visitors are usually employed simply to disrupt or delay the House’s proceedings, a kind of filibustering. An MP wishing to interrupt used to shout “I spy strangers”.
This kind of so-called post-hardcore few years back would be labeled without a blinking of an eye emo. Read more I Spy Strangers – The Kind Of Dirty You Cant Wash Off (2011)
Like Rats From A Sinking Ship – We Get Along Like A House On Fire (2011)
Like Rats From A Sinking Ship blow out of blue and burst onto the Norwegian hardcore scene back in 2008 with their debut EP entitled “SXY SXY GSW”. The trio became soon one of the most popular underground act of Norway, so, the album “We Got Along Like A House On Fire” is highly expected and raise high expectations.
LRFASS spent the autumn of 2010 in the studio with producer Alex Newport who put his signature on the products of bands such At The Drive-in, Melvins, System Of A Down, Sepultura, The Mars Volta, Death Cab For Cutie, The Locust, Two Gallants, 65daysofstatic, etc, and the new album sounds as it should. This is a contorted blending of hardcore and experimental, post metal, technical, fast and noisy passages are twisted into gloomy and spacy turns or grinding, doom-like moments. The sound it’s raw, unpolished and crushing, it keeps an alive breathing, live approach. Read more Like Rats From A Sinking Ship – We Get Along Like A House On Fire (2011)
Anorak – Sick (2011)
And once again, there’s a band named Anorak from Spain, another band called Anoraks from Ireland and at my third shot I founded what I’ve been looking for, Anorak from France. Really guys, get a grip, it’s absolutely no use to kick off from making noise and ending up in the court yard! On the other hand I can understand that playing music it’s much more exciting than talking legal issues with some lawyers, but still…
“Sick” is a noisy, contorted, experimental post-metal material, intense and crushing, cutting edge guitar riffs, raw vocals, balanced and colorful drums, heavy bulldozer like themes and technical shifts, turns, twists are gonna run through to you like a racing car. Still, they have some interesting, psychedelic left-over themes, quieter moments which make their music much more exciting. The eight tracks of “Sick” are an intense, shaking experience. Read more Anorak – Sick (2011)
