Classy, quality, stainless, Swedish Metal flavored, textured with Industrial and Progressive elements, balanced between Death Metal and Neo-Progressive/Symphonic Metal. Quite colourful and unique formula, technical and powerful, epic and still cutting, melodious and brutal, absolutely heavy-weight category in the finest league.
Lord K. Philipson – guitars, (de)composer, keyboards, programmings, serpents, backing vocals, bass, lyrics – formerly God Among Insects, Leukemia, House of Usher, Lame and the editor of legendary early 90’s fanzine Hypnosia Magazine, ex-touring bassist/guitarist for bands such as Dark Funeral/Vomitory/Grave and playing also in Torture Division -, Jörgen Sandström – vocals – vocalist on first 3 classic albums by Grave and bass and backing vocal in Entombed, playing also in Vicious Art,Krux and Torture Division, Ruby Roque – vocals – ex-Extreme Attitude, and Tobben Gustafsson – drums, find the perfect balance between heavy and rawness and epic, progressive smoothness. Read more The Project Hate MCMXCIX – Bleeding The New Apocalypse (2011)
Metal
Ringworm – Scars (2011)
Formed in Cleveland, Ohio, back in 1991, Ringworm delivering powerful, straight, good-old-fashioned Hardcore with scratching (Thrash) Metal inputs, reminding me the classy sound of Biohazard up-lifted with some tasty Pantera strength, being classy and modern, cutting simultaneously. “Scars” is filled up with powerful riffs, pounding drums, anger and murderous grooves. The current line up consist of Human Furnace – vocals, Matt Sorg and John Comprix – guitars, Danny Zink – drums and Mike Lare – bass/vocals while vocalist Human Furnace also plays in Gluttons, and his solo project Holyghost.
Released on July 19, 2011 “Scars” is their third product for Victory Records and already seems to be a classic, all those straight and strong, groovy and cutting riffs and pumping basses, crushing drums have both in their vein that retro taste, but still sounds fresh, electrifying. Read more Ringworm – Scars (2011)
OneLegMan – The Crack (2011)
OneLegMan works almost surgically clean with pounding drums, pumping basses, cutting edge riffs and powerful vocals delivering straight, striking at first, extremely groovy rock/metal. “The Crack” reminds me of Helmet back in 1992 when they released “Meantime”, while OneLegMan sounds fresh and powerful, precise and catchy. Their nine songs juggling smoothly between approaches and genres, from Southern Rock to Groove Metal and from classy Heavy Metal to Post Hardcore and Grunge, but staying focused always to being hard as rock and groovy. It’s almost like a costume ball, which every song they dressed up differently, but there’s all along something very OneLegMan, they managed to leave their own trademark all over.
The band was formed in 2003 in Reggio, Italy, by four talented musicians using alias: CHUPACABRA – vocals, CHICKEN BREAST – guitars, LOW PRESSURE – bass and DR. MASTERMIND – drums. They released a highly acclaimed self-produced demo album in 2007 and they was the opening act for Deep Purple in Italy. Read more OneLegMan – The Crack (2011)
Baring Teeth – Atrophy (2011)
This is a quite impressing trio from Dallas, Texas, formed in 2007 by Scott Addison – bass/vocals, Jason Roe – drums and Andrew Hawkins – guitar/vocals and “Atrophy” is their debut full-length album.
This is not a conventional death metal album, Baring Teeth combine very inspired technical death metal with experimental/dark and post-metal colours, they coming on a path of modern metal without being trendy, there’s nothing about matchcore and (fake) post-hardcore, but about contorted, dark and extremely heavy exploration of the borders of metal. This may take you out of the conventional – comfortable – area of (metal) music, but reveals another dimension, perspective of it. Read more Baring Teeth – Atrophy (2011)
Rorcal – Heliogabalus (2010)
74 minutes and 13 seconds, “Heliogabalus” it’s the single track of Geneva’s (Switzerland) experimental black/doom/drone metal band Rocal formed in 2006.
The band’s members Junior, Bruno, Diogo, JP and Ron exploring the darkest side of the post/experimental-metal, a quite painful journey through some deep dark moments, sometimes quite mysterious ones, soundtrack-like shady, minimalist construnctions, contra-balanced by raw black metal explosions, noisy metal grindings.
Be prepared for suffering and torture… Read more Rorcal – Heliogabalus (2010)
Dewey – Self Titled (2011)
The complete name of the genius American jazz trumpeter, Miles Davis, actually was Miles Dewey Davis III. Dewey is a name chosen by several artists for their bands, some in its simple form, others as Dewey Band, and many more, just like Miles, born with this name. The French band made of Edouard – guitar, Seb – bass, Tony – guitar, Ben – vocals and Guillaume – drums recorded their debut effort between May and June 2010 by them self and released it on their Bandcamp page on 20 May 2011.
Dewey delivering a gloomy mixture of post-metal with roots back to black, death and crust metal, slow, crushing moments are combined with grinding, fast passages, they songs are filled with dark atmosphere, expressive, sometimes quite cinematic elements, but still, very intense, disturbing metal.
It’s a dark, but interesting journey coloured with exciting twists, turns, breaks, changing of tempos and approaches while Ben delivering exclusively raw, howling vocals. Read more Dewey – Self Titled (2011)
Ed Wood Jr – Ruban de Mobius (2010)
Edward Davis Wood, Jr. (October 10, 1924 – December 10, 1978), better known as Ed Wood was an American screenwriter, director, producer, actor, author, and editor, who often performed many of these functions simultaneously. In the 1950s, Wood made a number of cheap genre films, now enjoyed for their technical errors, unsophisticated special effects, large amounts of ill-fitting stock footage, idiosyncratic dialogue, eccentric casts and outlandish plot elements. Wood’s popularity waned soon after his biggest name star, Bela Lugosi, died, toward the end of his life, Wood made pornographic movies and wrote pulp crime, horror, and sex novels. Some of his most famous movies are “Glen or Glenda”, “Jail Bait”, “Bride of the Monster”, and “Plan 9 from Outer Space”.
In 2008, at Lille, France, Olivier Desmulliez – guitar, keyboard and samples & Thibault Doutriaux – drums started their project named Ed Wood Jr and released fastly their first self-titled EP, inspired by artists such as Don Caballero, Battles or bands like From Monument To Masses. Read more Ed Wood Jr – Ruban de Mobius (2010)
Alienation Mental – Self Titled (2011)
From Prague, Czech Republic, since 1998 delivering ravishing mixture of grind/death and sometimes quite experimental metal. Oleg “mrtvola” Kamenetski – vocals, Pavel “hjalli” Kuchař – guitar and bass, Tomáš “lesik” Mleziva – guitar and Jarda “mental” Haž – drums, throw in their sick-minded music blender elements from classic monsters such as Napalm Death till twisted turns of Korn and the result is quite impressive. “Nonsense” have grindings, have Korn like dark riffings and screams, but also jazzy cut-downs. It’s a killer track. And well, Alienation Mental have lot of surprises, they do not grinding from the beginning till the end, they knew to colour they music with exciting switches, inspired twists and turns, changing of tempos and approaches from grinding to slow cutting riffs, industrial colours and noise massacres, have some inspired riffs, wrote some good themes and actually have a few very good songs (“Nonsense”, “Indifference”,”Emotions of People 53 Seconds Before the End of the World”, “Follow the Perfecitizen”) not exclusively butchering. Read more Alienation Mental – Self Titled (2011)
Pariso – Sooner Insignificant Better (2011)
Not Betty, but only Pariso, still pretty musculus. Based primarially in London, Pariso formed early in 2009 under the moniker of Betty Pariso, released a split 7″ with the now defunct Manuscripts same year in July. Still going by the name Betty Pariso the band played a whole string of shows and it wasn’t long before another recording session was under their belts – a split cassette with We’ll Die Smiling. Drummer Tom decided in Easter 2010 that he was going to leave the band to concentrate on his now successful clothing line King Noir. Following Tom’s departure and a couple of months off, the band halved their name and found Alisdair whose drumming style solidified Pariso’s sound. A few old un-recorded tracks and some new ones written with Alisdair found their way onto the “Sooner Insignificant Better” 7″ which was released in January 2011 and is the first under the new name: Pariso. With half their former name and twice as hard, Pariso delivered another doze of fast and grinding hardcore. Read more Pariso – Sooner Insignificant Better (2011)
Department Of Correction – Lecole du Gout (2011)
“L’école du Goût” is 10 minutes and 29 seconds of grindfuckingcore and consist of 13 tracks, “Nasum Browka” is almost an epic one with its 1 minute and 25 seconds, while the closing “Merci Bonsoir!” including also a silent intro, gets over 2 minutes. This is pure butchery, but still, they delivered a few good riffs, impossible fast grindings and obviously, vomitory vocals.
Four tracks – “Riz cantonnais”, “Spa”, “Josephine Roadster” and “Las Vegan” – tied together, are available for free download on their Bandcamp page.
Deparment of Correction is only about violent sound and nothing about hate, religion, politics, sexism or whatever.
And well, this is a band from Paris, France, not to be mistaken with the similarly named punk band form Sydney, Australia. Read more Department Of Correction – Lecole du Gout (2011)
