Crazy, spooky thing. Experimental electronic. Noisy but still soft and abstract. He is best known for his use of sampling, where a small section of a previous recording is manipulated to produce a new sound. It’s a mixture of sounds, noises he’s blending different styles from IDM to drum and bass and from breakbeat to trip hop.
Amon Tobin – Amon Adonai Santos de Araújo Tobin – is a Brazilian musician, DJ, and producer of electronic music. In 2005, he created the musical score to Ubisoft’s critically acclaimed and successful video game “Tom Clancy’s Splinter Cell: Chaos Theory” as well as Sucker Punch’s game “Infamous”. His music has been used in numerous major motion pictures including “The Italian Job” and “21”. Tobin has created songs for several independent films, including the 2006 Hungarian film “Taxidermia”. He is also noted for his entirely field-recorded album “Foley Room” released in 2007 and he has released seven major studio albums since 1996 under the London-based Ninja Tune record label. Read more Amon Tobin – Isam (2011)
experimental
Prefuse 73 – The Only She Chapters (2011)
Strange, but nice, kind of mysterious is this brand new album by Prefuse 73. Trip Hop textures, distant and soft noises, kind of familiar obscurity floating around through this 18 tracks that been tied together by the words “The Only…” which at the beginning of every title from the songs. Sometimes it reminds me of Dead Can Dance, but Prefuse 73 strip down everything to the bone, they are much more electronic and minimalist. Their spacy and atmospheric music have something warm, friendly, intimate, peaceful. And it’s quit charming. It’s kind of release or even caress. On the other hand there’s always some hidden tension in the background which keep our attention focused. It may be a tricky game, but Prefuse 73 play it well. You can leave this one on repeat and it will flows and floats around like the smoke. And once again, this is nice. Read more Prefuse 73 – The Only She Chapters (2011)
Kodjabashia And Foltin – Penelope X (2011)
Nikola Kodjabashia is a London based Macedonian composer, audio artist, producer, electronic wizard, conductor, pianist and virtual instrumentalist. He studied with Sir Harrison Birtwistle, Anatol Vieru, György Kurtág, and Rolf Gehlhaar and he’s the composer of two critically acclaimed albums “The Most of Now” from 2008 and “Reveries of the Solitary Walker” released in 2004. He has scored and conducted music for numerous plays, TV productions & films, and he is a Musical Director and co-founder of The Diesel Orchestra and Meta4 ensemble. Foltin, far as I know, is one of the most important Macedonian bands. Additional contribution for this release comes from the drummer Goce Stevkovsk. Well, “Penelope X” is an exciting, colorful material where jazz and ethno (world) elements grows together and blooming into a powerful, expressive musical experience. Macedonian, gypsy and Klezmer reflexions are merged into jazz and contemporary music constructions, the result once again something particular and very alive. Read more Kodjabashia And Foltin – Penelope X (2011)
John Zorn – Nova Express (2011)
Zorn’s first release for 2011, another piece of the puzzle from his colorful, restless, dynamic and sometimes moody musical world. “Nova Express” is a very intense work where most of Zorn’s previous explorations comes to unite. It contains the depths of the Interzone conspiracy, the lyricism of Zorn’s classical works, the clear-obscure notes of Naked City and the virtuosity showed on the Masada songbooks. It’s an avant-garde journey where jazz and contemporary music collide in the most intense and vibrating way its possible. Dark, gloomy passages are nicely colored with subtle jazz interventions or expressive explosions of improvisations. “Nova Express” is a groovy and exciting collection of modern chamber music filled with beautiful details and dramatic passions, another borderless intercourse in the mystical and vibrating world of Zorn where every single note is worth at least a picture and together opens the window to another universe of deep shadows and bright lights, its the pure dancing poetry of a forgotten ancient world or just the shapes of things to come. This record have an incredible groove, the abstract trips and the sharp cuts of intense passages are overlapping and shifting each other incredibly fluently in a perfect balance and tempo. Read more John Zorn – Nova Express (2011)
Triptych – Physical Fitness for Better Tyranny (2011)
Best things in life comes for free! At least that’s what a buddy of mine used to say. And the best beer I ever drink was for free, the best whiskey was also for free, not to mention the best fuck. Well, sometimes free means that somebody else pay for it, that’s quit true, but what the hell?! life is full of shit enough to get lost in that kind of small details! 😀 “Physical Fitness for Better Tyranny” actually it’s for free for real. And it’s quit a nice piece of work. Well, definitively it doesn’t sound like a super sophisticated production, but it sounds very alive, absolutely honest and their music is balancing fluently from post rock experiments to jazz like solutions and turns, heavy and noise moments followed by jazzy improvisations or quiet breathes, their music swimming around in nice and colorful circles, raving and pumping without any annoying barriers. Complex and exciting journey into a very alive music.
I didn’t manage to dig out anything about this band, probably from San Antonio, Texas, but listening their 5 track material was a really nice surprise. Read more Triptych – Physical Fitness for Better Tyranny (2011)
Battles – Gloss Drops (2011)
Imagine the living room of a mental hospital where some guys left from the seventies high on some unknown substances are jamming with some drunk, but friendly aliens. Or anyway, something like that. It’s spooky, but controversially, it’s kind of exciting. And quit surprisingly, the guys from the band called Battles managed to control all that crazy sound battles. This is an experiment which sometimes sounds like the Nintendo games, but somehow simultaneously it’s goddamn serious. The band’s current line-up comprises guitarists and keyboard player Ian Williams (formerly of Don Caballero and Storm & Stress), bassist and guitarist Dave Konopka (formerly of Lynx), and drummer John Stanier (formerly of Helmet), and their benefit from the guest featuring of Matias Aguayo, Gary Numan, Kazu Makino and Yamantaka Eye. I think a permanent vocalist would do no harm, their music is kind of dense and more singing may bring some release and add a human touch. Read more Battles – Gloss Drops (2011)
The Dark Sides of the Moon
“The Dark Side of the Moon” was a milestone, not only in the career of Pink Floyd, but in the history of the music and not at least, source for inspiration for many musicians since its release. There’s many tribute, cover and reinterpretations of “The Dark Side of the Moon” and I gathered here a few of the most intriguing and interesting of these releases.
Released on 10 March 1973, “The Dark Side of the Moon” is the eighth studio album by Pink Floyd and it was the record that moved, back or forward – it’s a matter of point of view – the English band from the closed circle of fans to the mainstream. “The Dark Side of the Moon” is a concept album that explore the themes of conflict, greed, the passage of time and mental illness, the latter partly inspired by Syd Barrett’s deteriorating mental state, but it lacks the extended instrumental excursions that characterized their work following the departure in 1968 of founding member, principal composer and lyricist Barrett. The album was recorded in two sessions in 1972 and 1973 at the legendary Abbey Road Studios in London. The group used some of the most advanced recording techniques of the time, including multitrack recording and tape loops. Analogue synthesizers were given prominence in several tracks, and a series of recorded interviews with staff and band personnel provided the source material for a range of philosophical quotations used throughout. Engineer Alan Parsons was directly responsible for some of the most notable sonic aspects of the album, including the non-lexical performance of Clare Torry. Read more The Dark Sides of the Moon
The Black Dots Of Death – Ever Since We Were Children (2011)
Michael Shawn “Clown” Crahan, also known by his number #6 in Slipknot, is an American musician, music producer, and artist, he also is interested in photography and painting. He is best known as one of the two custom percussionists of Slipknot, but also the drummer of To My Surprise and Dirty Little Rabbits. The Black Dots Of Death is the project he’s involved most recently and this “Ever Since We Were Children” is their sick, but convincing debut album. Hard to label very explicitly this material, The Black Dots Of Death twisting around the borders of rock from its roots to the post rock, horror rock and industrial area, but they include also post grunge tunes and trip hop elements and surprisingly they are heavy without being noisy at all, they are absolutely sick, but still kind of… beautiful. Well, maybe I’m sick and pervert as well, but I really like this shit. “I’m sorry that I failed you, I’m sorry I wasn’t there, I’m sorry to disappoint you, but I really don’t fucking care!” Say that again! 😆 Read more The Black Dots Of Death – Ever Since We Were Children (2011)
A Swarm Of The Sun – Zenith (2010)
I actually miss this one last year, but thanks to Erik Nilsson, I had the pleasure to listen this Swedish duo’s full-length debut album now. A Swarm of the Sun was formed in 2007 in Stockholm by Erik Nilsson and Jakob Berglund and they released the EP “The King of Everything†in the same year on Erik’s independent record-label Version Studio. “Zenith” was released on August 30, 2010 and their influences including a number of different genres from post rock and indie rock to assorted electronics and film score like music. It’s a gloomy, but colorful blending, their music shifting from slow glowing textures and spacy dimensions to powerful rock explosions, it’s flowing and floating, warm and cold moments, elements are melting down or sometimes frozen into a strange, touching soundscape. Read more A Swarm Of The Sun – Zenith (2010)
The Residents – Lonely Teenager (2011)
The Residents are for a quit long time around and since the end of the 60s they explore the experimental/avant-garde area of the music releasing over 40 albums, but also they explored the multimedia area. Pioneers in exploring the potential of CD-ROM and similar technologies, The Residents have won several awards for their multimedia projects, and Ralph Records, a record label focusing on avant-garde music, was started by them. Actually they are more an art collective than a classic band. The Residents – as they declare – are “four people who dabble in the arts, they make music, videos, perform, and generally have a pretty good time.” Well, “Lonely Teenager” is pretty dark, but still colorful, surprising and exciting material. Mostly navigating on some strangely colored space rock/psychedelic fields, “Lonely Teenager” is a trip into a dark labyrinth of conscience. Read more The Residents – Lonely Teenager (2011)
