Encouraging free download, releasing classic vinyls and spreading real underground metal and alternatives for the mainstream crap, Throatruiner Records from France seems to be a nowadays Don Quijote of the music industry. One of these days I was thinking about my old record collection, I really miss now the scratches and the warm sound of the vinyls, I miss the big covers and the touch of the paper, I miss the good times they represent at least symbolically. The good times of the music when music was more about music and less about business and industry. I fucking hate the plastic cases, the cellophane coating as I hate the folders on my hard drive and the mp3s. Everything is so plastic and so tasteless.
What I’m saying is that the effort of Throatruiner Records and other-likes worth some respect and recognition. Their new 3-Way split is once again available to listen, free download or buy at their Bandcamp page, but I think both – bands and label – deserves some remuneration. Read more As We Draw, Euglena, Hexis – 3​-Way Split (2011)
experimental
XMRV – Disimmunized (2011)
Absolutely sick! Lasting only one minute, “Noodles” clarify at least this aspect. Xenotropic murine leukemia virus (XMRV) – is a gammaretrovirus that was first described in 2006. Initial reports linked the virus to prostate cancer, and later to chronic fatigue syndrome (CFS), but these were followed by a large number of studies in which no association was found. It has not been established that XMRV can infect humans, nor has it been demonstrated that XMRV is associated with or causes human disease. Numerous researchers have suggested that XMRV detection may result from contamination of clinical specimens and laboratory reagents with mouse retroviruses or related nucleic acids. I told you it’s sick!
A clash of nationalities, cultures, quite different tastes and musical influences and backgrounds, XMRV blending through their own creative filter hardcore, thrash metal, grunge, noise, punk, jazz, Latin music and delivering a killer sonic cocktail which will definitively knock you down. Are you ready for a punch directly in your immune system? Read more XMRV – Disimmunized (2011)
Bjork – Biophilia (2011)
Björk’s eighth full-length studio album will be released after a four years gap and the expected released date of September 27 has been pushed back to October 10, 2011. As it’s announced, “Biophilia” will be the world’s “first app album” in collaboration with Apple while the album is “partly recorded” on an iPad and will be released in the form of a series of apps.
I’m only wondering – and worried: what was first, the music or the apps? So, the central part of “Biophilia” is a series of interactive iPad apps made by leading programmers and designers, one app for each of the 10 songs on the new album. Bjork discussed how the apps would represent the scientific and natural ideas within the songs and enable people to play and understand the songs and ideas in different ways, such as “Virus”, a love song between a virus and a cell, in which the “Virus” app will stop playing the song if you are successful in stopping the destructive relationship. Two of the apps, “Crystalline” and “Cosmogony”, were released on July 19, along with a music video for “Crystalline”, directed by Michel Gondry. However, the album will be released in usual form as a series of 10 music tracks as well, including a CD release. Read more Bjork – Biophilia (2011)
Tanzwut – White Nights (2011)
What results from the mixture of bagpipes, medieval and folk elements and industrial metal? Tanzwut. Originated as a sideproject of Corvus Corax-members, a German band playing Neo-Medieval music using an abundance of authentic instruments which often uses bagpipes as the solo instrument, and in 1996 they released the EP “Tanzwut” which combined the elements of metal music with their brand sound of bagpipes. The CD turned out to be a commercially successful experiment and the band decided to continue the tradition of that album in a separate musical project called Tanzwut and became part of the Neue Deutsche Härte movement. In few words: Rammstein with bagpipes.
“Weiße Nächte” is the project’s fifth studio album released on 16th September 2011. Read more Tanzwut – White Nights (2011)
Noisuf-X – Dead End District (2011)
Noisuf-X, the side-project of X-Fusion – German musician, producer & DJ, Jan L. – build an apocalyptic world of out harsh distorted beats, experimental sounds and sequences upon simple, linear, even near-monotony tempos and construction alike many other German electro outfits since the pioneer Kraftwerk up to nowadays Atari Teenage Riot.
In 1988, Jan L. began producing music on a Commodore 64 combining electronic sounds with organ-sequences and vinyl-elements. Constantly he upgraded to better equipment and technology evolution, releasing more improved and better productions as technology evolved.
While under the moniker of X-Fusion he’s style of music evolved in the direction of Techno/Acid/House, with Noisuf-X get down on the path of EBM to get to power noise and aggrotech including some breakcore and technoid influences. Read more Noisuf-X – Dead End District (2011)
Pop Will Eat Itself – Dos Dedos Mis Amigos (1994)
Released on 19th September 1994, the fifth album by The Poppies, also known as PWEI, “Dos Dedos Mis Amigos” bring to the surface a more industrial face of the band. Also, PWEI’s political stance became more explicit with the release of the single “Ich Bin Ein Auslander”, a collaboration with Asian group Fun-Da-Mental, song which was based on the uprise of racial tension throughout Britain during 1994 and reached the UK Top 30.
The album peaked at #11 in the UK Albums Chart and the single “Everything’s Cool” became the band’s ninth Top 30 UK hit.
PWEI found some new popularity after signing with Trent Reznor’s Nothing Records in the US, and touring with Nine Inch Nails, as well as having their songs used on the PlayStation game Loaded. In the same year they featured on The Prodigy’s album “Music for the Jilted Generation”, on the song “Their Law”. Read more Pop Will Eat Itself – Dos Dedos Mis Amigos (1994)
Tori Amos – Night Of Hunters (2011)
Twisted and dark, Tori Amos is back. Hard or impossible to describe her gloomy universe, “Night Of Hunters” pays tribute to such renowned composers as Bach, Chopin, Debussy, Granados, Satie and Schubert and taking inspiration from their original compositions to create a new, independent work. She revealed that the work on the album began after Deutsche Grammophon approached her to write a 21st Century song cycle under the condition that it be centered around classical music themes. Regarding the album’s concept, she has described it as the exploration of “the hunter and the hunted and how both exist within us” through the story of “a woman who finds herself in the dying embers of a relationship.”
Beautiful and troubled, Tori Amos returned to her darker roots and delivered a dense and thrilling opera. Read more Tori Amos – Night Of Hunters (2011)
Bad Brains – Quickness (1989)
Although “Quickness” is the fourth studio album by Bad Brains, it was the first I had listen at the beginning of the 90’s and several songs from it still echoing in my mind. “The Messengers”, “Sheba”, “No Conditions”, “Silent Tears”, “The Prophet’s Eye” are only a few of the 11 (plus outro) killer tracks of the album.
“Quickness” is 34 minutes of pure essence of Bad Brains delivering the best of their unique hybrid of raggae-punk and hardcore-funk. Released on 14th September, 1989, 22 years ago, these songs sounds still fresh and… quickening. Who said white man can’t jump and black guys can’t rock? Read more Bad Brains – Quickness (1989)
Tom Waits – Bone Machine (1992)
“Are you still jumping out of windows in expensive clothes?”
Actually the future seems even darker now than back in ’92 while “Bone Machine” and it’s hypnotic textures, noisy percussion and experimental glows are still sounds fresh and its rich lyrics are still very actual.
“What does it matter, a dream of love / Or a dream of lies / We’re all gonna be the same place / When we die”…
What Tom Waits, Keith Richards, Les Claypool and David Hidalgo have in common? The bone machine. Several songs from the album were covered by several artists: “I Don’t Wanna Grow Up” was covered by The Ramones for their last album, “Adios Amigos”, but also by Petra Haden and Bill Frisell on their album collaboration “Petra Haden & Bill Frisell” (2003), by Hayes Carll on “Trouble In Mind” (2008), and by Scarlett Johansson on her debut album, “Anywhere I Lay My Head” (2008). “Goin’ Out West” has been covered by Queens of the Stone Age, Gomez, Widespread Panic, Gov’t Mule, the Blacks and Australian blues guitarist Ash Grunwald. This song also is featured in the 1999 film “Fight Club”, while “Earth Died Screaming” is featured in the 1995 film “Twelve Monkeys”, and “Jesus Gonna Be Here” is featured in the 2005 film “Domino”, in which Waits appears. Read more Tom Waits – Bone Machine (1992)
Dead Can Dance – Spleen and Ideal (1986)
There are bands and there are myths, legends. There are bands playing music and bands creating music, inventing new approaches, discovering new dimensions, tear down walls and open brand new highways. There are bands with one or two best records and bands with all their records being best ones. Some says, in the existence of the band the second album is the most important and it proves if the band have or haven’t potential. “Spleen and Ideal”, released on 1st September 1986 (in Australia), was Dead Can Dance’s second album and the band consist of Gerrard and Perry decided to abandon guitars in favor of classic symphonic instruments such as cello, trombones and timpani. A serious decision and one which probably change the course of the band’s history, but not only. Read more Dead Can Dance – Spleen and Ideal (1986)
