I never was an Anathema fan, not back in 1990 when they started as a Death/Doom Metal band, not later when they slowly transitioned to Progressive Rock. But I admit, even if I did not follow them closely, I like some of their creation, they managed to deliver something of their own, music filtered through their personal touch. “Weather Systems” their upcoming ninth studio album have the same Pink Floyd after-taste as many of their previous creations since their 1996’s “Eternity” merged with atmospheric, dark, sometimes classic orchestral elements.
Describing their new album Daniel Cavanagh stated: “This is not background music for parties. The music is written to deeply move the listener, to uplift or take the listener to the coldest depths of the soul”. Definitively not. Parties – far as I know – are happy and energy full events, while Anathema always delivered more music suitable for burials and “Weather Systems” makes no difference, even if the lights seems to get through, in its depth this is quite dark and sad music. Read more Anathema – Weather Systems (2012)
experimental
Devianz – A Corps Interrompus (2012)
Formed in 2004, in Paris (France), Devianz, this five piece band, now delivering their long awaited second full-length album, “A Corps Interrompus” (With Interrupted Bodies). 13 tracks, one bonus and one top collaboration with Vincent Cavanagh of Anathema on the song called “Ton corps n’est qu’atome” (You’re Body is Nothing But Atoms), revels a wild, willing and extremely capable band which managed to blending sensitive, acoustic rooted European Rock with the energy, explosion and rawness of the American Indie and Post-Hardcore. But more further than another perfect sonic experiment, Guyom Pavesi, Benoît Blin, Pierre Labarbe, Vincent Rémon, and Charles-Vincent Lefèvre write and recorded 14 songs. Read more Devianz – A Corps Interrompus (2012)
Janis Joplin – Pearl Sessions and Move Forward RMX
Three months after she died on October 4, 1970, on January 11, 1971, Columbia Records released “Pearl”, the only album Joplin ever recorded with the Full Tilt Boogie Band, the touring ensemble that had backed her on the Festival Express. Peaking at #1 on the Billboard 200, a position it held for nine weeks, Pearl included some of Janis’s most familiar and best-loved performances including her cover of Kris Kristofferson’s “Me and Bobby McGee” and her off-the-cuff a cappella “Mercedes Benz.”
The Janis Joplin’s 69th Birthday is honored by Legacy Recordings with the releasing of “The Pearl Sessions”, a two-CD set of Joplin’s final studio recordings.
The Pearl Sessions brings together, for the first time in one package, the original mono versions of the album’s 45s alongside the original LP tracks as well as the revelatory newly-discovered alternate versions, outtakes and vocal takes of Pearl’s classic tracks. The recording were discovered when researchers were putting together material for a 40th anniversary edition of “Pearl”, and find a previously uncatalogued audio tapes from the album’s sessions, produced by Paul Rothschild. Read more Janis Joplin – Pearl Sessions and Move Forward RMX
The Prestige – Black Mouths (2012)
Back at the beginning of the 90s with all that Alternative/Indie/Grunge wave, I discovered several huge bands among all the trash praised by the media and pushed by the record labels and agencies. One of them was the obscure H.P. Zinker from New York founded by Hans Platzgumer. Their last album, “Mountains of Madness” released in 1995 and its cover design by Stefan Sagmeister won several design awards and it was also nominated for Grammy. “Black Mouths” strangely, but unrelated, reminds me of that record. This Parisian quartet featuring Alex – vocals & guitars, Raphael – guitars, Thibaut – drums, and Julien – bass, delivering a same kind of colorful post-punk/hardcore, adrenaline fueled music merged with lots of colorful, experimental moments and deviations.
Can grab for free “The Truth”, the opening track of their upcoming full-length debut album. Read more The Prestige – Black Mouths (2012)
OSI – Fire Make Thunder (2012)
Office of Strategic Influence – eventually Office of Strange Influences nowadays 🙂 – is a project started originally by Fates Warning (Arch/Matheos, John Arch, Gordian Knot) guitarist Jim Matheos in 2002 and the only other constant full-time member is keyboardist Kevin Moore (Chroma Key, ex-Majesty, ex-Dream Theater, ex-Fates Warning). Although, the band’s name is a reference to the Office of Strategic Influence, a short-lived American government agency formed in 2001 to support the War on Terror through propaganda.
Jim Matheos originally intended to create a progressive metal supergroup while Fates Warning went on hiatus. He recruited then-Dream Theater drummer Mike Portnoy to work on the project. Matheos then asked Chroma Key and ex-Dream Theater keyboardist Kevin Moore to contribute by adding keyboard arrangements to the music he had written. Moore instead heavily edited the music, changing the song structures and adding vocals. Matheos decided to pursue this new, more electronic direction. The members and contributors write and track most of their material independently, sharing and developing tracks long-distance, only coming together at the end of the process for mixing and additional tracking. Read more OSI – Fire Make Thunder (2012)
Killing Joke – MMXII (2012)
If Ian Curtis wouldn’t committed suicide on 18 May 1980 and Joy Division would be still around and playing, “In Cythera”, the leading single of the fifteenth studio album by Killing Joke uploaded to the YouTube on 6 March it’s exactly the kind of music we are probably expected of Curtis. Although, this is a classic Killing Joke album with classic sound, and with the classic line-up: Jaz Coleman on vocals, Kevin “Geordie” Walker on guitar, Martin “Youth” Glover on bass, and Paul Ferguson on drums.
Out on April 2nd via Spinefarm/Universal, “MMXII” consist of 10 tracks which will definitively rock your world. Read more Killing Joke – MMXII (2012)
Front Line Assembly – Plasticity (2012)
After leaving Skinny Puppy, Bill Leeb in 1986 formed Front Line Assembly (FLA) and influenced by early electronic and (Post-)industrial acts such as Cabaret Voltaire, Portion Control, D.A.F., Test Dept, SPK, and Severed Heads, FLA has developed its own unique sound while combining elements of EBM and Industrial (Metal).
The band’s membership has rotated through several members over the years, including Rhys Fulber and Michael Balch, while the current official line-up of the band consists of: Bill Leeb, Chris Peterson, Jeremy Inkel and Jared Slingerland. Read more Front Line Assembly – Plasticity (2012)
Meshuggah – Koloss (2012)
Simultaneously avant-garde and extreme, Meshuggah not only rocked our world, but tear it down to pieces. Formed in 1987, in Umeå, Sweden, they became world wide famous with the 1995 release “Destroy Erase Improve” and for its fusion of brutal, fast-tempo Death Metal, contorted Thrash Metal and Dark, Progressive Metal, and Industrial build-ups with Jazz Fusion elements. They were labeled as one of the ten most important hard and heavy bands by Rolling Stone and as the most important band in metal by Alternative Press. They 2002’s album “Nothing” and the albums that followed have all charted on the Billboard 200, although Meshuggah has found little mainstream success, but staying a significant and influential act in extreme underground music. Meshuggah’s most commercially successful album, the previous 2008’s “obZen”, peaked at No. 59 and sold 11,400 copies in the first week and 50,000 copies six months after its release in the United States. In Sweden, the album entered the official album chart at number 16, and in the UK at number 151.
“Koloss”, the upcoming seventh album is set to be released on March 23, 2012 in Germany, on March 26 in the rest of Europe, and March 27 in North America via Nuclear Blast. We’ve got 54 minutes of sonic slaughter and as drummer Tomas Haake stated: “best avoided by the faint of heart!” Read more Meshuggah – Koloss (2012)
M. Fallan – Contagious (2011)
This is the debut album by Parisian M. Fallan. His music reminds me of Sigur Rós, but also some veterans as Tuxedomoon. Taking off from gentle acoustic up to noise explosions right in your face, M. Fallen delivering a tumultuous, contorted trip, still subtle and beautifully layered.
It’s the kind of music which hypnotize you slowly, tie you down and eventually never release you again.
10 tracks, a joyful and gentle, but simultaneously dark and sometimes furiously raging search for answers, feelings, for light, for escape and not at least for ourselves. If you like pianos and screaming guitars, minimalist arrangement, acoustic moments, but also noisy eruptions and contorted grooves, M. Fallan will deliver all his feelings and thoughts merged into this collection of colorful songs and definitively will charm you. This is quite…. contagious. Read more M. Fallan – Contagious (2011)
Elizabeth – Where Vultures Land, EP (2012) – free download!
This is the debut EP of this brutally brilliant Swiss band delivered – once again – in its digital format and even FOR FREE by Throatruinner Records and its fully devoted “driver”, Matthias Jungbluth. He’s fan-friendly approach, he’s support of those bands deserves our support and every and each penny counts!
Elizabeth reminds me of Celtic Frost in the best possible sense, actually sounds pretty as a modern, and even future Celtic Frost incorporating along the traditional Black and Thrash Metal heritage all the post-scremo, post-hardcore, post-punk, and post (modern) whatevers, everything what can make the music more louder, more stronger, more extreme. And Elizabeth seems to find just the right path of merging past and future into their own cutting edge Metal. Read more Elizabeth – Where Vultures Land, EP (2012) – free download!
