The first track I heard was “Paper Waves” and honestly it was not too convincing while it’s kind of dissolving in the air, but fortunately, the almost 8 minutes of “Meltdown” incorporates everything what makes Magic The Gathering and washes away the Pop-like, but almost tasteless, ultimately a filling felt of “Paper Waves”.
So, the Dutch Alternative Rock driven force, The Gathering are back with their tenth studio album, “Disclosure”, the follow up of the 2009’s “The West Pole” which also marked the debut of their new vocalist Silje Wergeland (previous front woman of Octavia Sperati). Meanwhile, we had a free download on their Bandcamp page, originally released on May 16th, 2011, and still available, “Heroes For Ghosts”, a more darker melange of (Progressive/Alernative) Rock roots and Trip-Hop flavored cinematic moments. And the whole album it’s a journey through smoothly colored, subtly layered and gently flowing soundscapes, The Gathering merging in their own style every musical genre and style their previously explored from explosive and symphonic taste-like Rock to Trip-Hop with blowing Jazz and Electronic flavor. Not even the sky is the limit, not for The Gathering anyway – anymore. And “Disclosure” is a very glossy, joyful journey. Read more The Gathering – Disclosure (2012)
experimental
Vajra – Pleroma (2012)
If you were thinking how a melange of Dead Can Dance with Tool would sound like, don’t dig further, Vajra is the most perfect possible match for it. Singer, composer, producer, writer, and keyboard player Annamaria Pinna formed Vajra during her self-imposed exile in India and “Pleroma” is kind of a collection of 10 “sonic postcards” which painting up by sounds this mystic journey to self-conscience filled with hypnotic mysticism and some explosive sonic hurricanes.
The opening “Inside The Flame” have that ancient driven power which made magic the debut Tool album and it’s a perfect attention grabber. “Almost One” have the touch of Godsmack, it’s a mixture of gloom and groove with Rock strength, hypnotic, but simultaneously kicking. “India” is a meditation/reflection, a subtle cinematic prayer which lead us directly into “Blind”, another Post-Grunge and Dark Rock filled anthem with pulsing guitar riffs and pounding drums, evoking Godsmack’s “Voodoo”, but adding a further Oriental and mystic tone, color to it. “Intuition” it’s like shattered from a dream, a slippery trip down to labyrinth of subconscious where shadows and lights are dancing together and melting into one. Read more Vajra – Pleroma (2012)
kafabindunya – Obi (2012)
According to kafabindünya, ordinary songs with lyrics limit the story that the listener imagines, by the content of the lyrics That’s why kafabindünya composes instrumental music and they want people to build their own stories and use their music as the soundtrack of their own fiction, only influenced by the song’s name. Denying the so called moody and repetitive harmonic structures used by most of the Post-Rock bands, kafabindünya focuses on composition and express feelings through music.
Formed at Istanbul, Turkey in the early 2000s, kafabindünya shared the stage with bands like Mogwai, Caspian, Kokomo, Arms and Sleepers and alike, in 2012, they finally released their debut album “obi” through Peyote Music. Merging heavy, intense moments with fluid and gloomy, smoothly layered cinematic moments and Oriental tests with Western sounds, kafabindünya creating their own flavored universe. One of my favorites it’s the explosive “When We Were Young” and the tumultuous closing act, “Yapılabilecek Bir Şey Yoktu”, but “Obi” it’s a 11 stationed, vividly colored, flawless journey gently adorned with surprises and exciting twists. Read more kafabindunya – Obi (2012)
Topsy The Great – STEFFALD (2012)
This is genuine, noisy, garage taste like, Avant-garde Rock band, somewhere between Big Black, Sonic Youth and H.P. Zinker. Topsy The Great’s debut album will be out on vinyl in September on fromSCRATCH Records. We’ve got 12 grinding, contorted, noisy Rock tracks, delivered by this Italian trio consist of guitarist Emanuele Ravalli, bass player Alessandro Gambassi and drummer Lorenzo “Bob” Coppini. They call their own style “Tesla-Core”, which is actually pretty clever and appropriate, while among their influences they name bands such as Black Sabbath, Black Flag, Big Black, Sonic Youth, Lightning Bolt, Fugazi, Oshinoko Bunker Orchestra and Melvins. This is a quite intense mixture of Punk rooted Garage Rock with Hardcore intensity and experimental/Avant-garde taste like (truly Progressive) Post-Rock. Got to listen this to feel it, understand it, but once you will got the taste of it, once when everything came through, you will love it and finally you will scream for more. Although, the recording is pretty raw sounding – bet it was recorded live -, the material is enjoyable and the trip is exhaustive, but worth every single minute of it. Read more Topsy The Great – STEFFALD (2012)
Uglyhead – The Garden (2012)
If there is a missing link between Joy Division and Ministry, that must be Uglyhead. But Uglyhead incorporates several other different reminiscences from Syd Barrett smell like Psychedelic Rock to The Sisters Of Mercy trademarked Dark mechanics and from Field Of the Nephilim perfumed mysticism to contorted Garage Rock noisiness. This isn’t a walk through on a Sunday noon through the sunny park, “The Garden” is more like a secret dark place wit 10 alleys (paths) or 10 growing trees, branching around, exploring the mysteries of this world and our hidden inner universe. Merging different sonar elements, genres and styles, Uglyhead revels its own genre and style, delivering an atmospheric, highly textured journey and painting-up a tale of transformation, consumption and devastation.
Uglyhead is an experimental Rock band originally from Seattle, Uglyhead now operates primarily out of San Francisco, and the project is headed by musician/producer Jake Alejo. Read more Uglyhead – The Garden (2012)
Steve Vai – The Story Of Light (2012)
Mr. Steven Siro Vai started his apprenticeship in the court of (the king) Frank Zappa, going on his first tour with Zappa in the autumn of 1980 after he did some guitar overdubs for Zappa’s album “You Are What You Is” and previously transcribe a number of Zappa’s guitar solos, including some on the “Joe’s Garage” album and the “Shut Up ‘n’ Play Yer Guitar” series.
But Vai actually began playing guitar in 1973, at the age of 13, one year later he took guitar lessons from guitarist Joe Satriani, and attended the Berklee College of Music. Zappa referred to Vai as his “little Italian virtuoso” and listed him in the liner notes as performing “stunt guitar” “strat abuse” and “impossible guitar parts”. Vai featuring on over 20 Zappa’s records, but also on several David Lee Roth, Alcatrazz, G3 and contributed to one Whitesnake and one Public Image Ltd. album. I admit, I’m not an unconditional fan of his work, but have my preferences, I really love his Zappa fueled “Flex-Able” debut album and “Flex-Able Leftovers” EP, I was pretty excited about “Sex & Religion”, and, of course, the infamous “Album” by P.I.L. is one of my favorites. But, on the other hand, he pretty fucked up the 89’s Whitesnake “Slip of the Tongue” album where he definitively over-played the guitar and his virtuoso style really do not fit it in.
He’s eighth studio album, “The Story Of Light” which was released on August 14, 2012 on Favored Nations, somehow take us back to the “Flex-Able” feel and vibe, but incorporating smartly all the other Vai’s achievements collected along the way from 1984 till now and building a smooth musical bridge from “Flex-Able” to his 2005’s “Real Illusions: Reflections”. Read more Steve Vai – The Story Of Light (2012)
Step Between Shadows – Understanding Your Reflection, EP (2012)
Mandatory if you’re a Trent Reznor/Nine Inch Nails fan, eventually you’re into Gary Numan’s music and the latest soundtracks delivered by Trent Reznor and Atticus Ross, Step Between Shadows are the very next artist to listen too and get your hands on his recently released debut EP available now on iTunes, Amazon, Spotify, etc or download it for only $2 USD via Bandcamp. The EP was mastered by Tom Baker at Precision Mastering, Hollywood, CA (Nine Inch Nails, How To Destroy Angels, Marilyn Manson), so, it’s really sound huge!!
Matt John Ryan aka. Step Between Shadows is an artist from Toronto, Ontario, Canada, and his debut EP consist of four solid tracks. This is a post-industrial journey into the world previously explored by Trent Reznor and Atticus Ross, first on the 2010’s score for David Fincher’s “The Social Network” which won the Golden Globe Award for Best Original Score and the Academy Award for Original Score; and on the score for Fincher’s adaptation of “The Girl with the Dragon Tattoo”, which also were announced as nominees for the 2012 Golden Globe Award for Best Original Score. “Understanding Your Reflection” definitively deserves a movie and eventually some nominees for Best Original Score!! Read more Step Between Shadows – Understanding Your Reflection, EP (2012)
Ghosts – Judge (2012)
Two Dublin (Ireland) based producers, Paudie Bob and Kevin Gleeson, merging elements of Dark Ambient, Garage, 2 Step and Dubstep.
This is a nice trip into the dark side of electronic emotions and mechanical grooves, manipulated vocals, smartly layered synths and pulsing noises. Mysterious, still catchy and colorful, Ghosts find a nice path between Deep House, Techno, 2 Step, Garage, Dubstep, Dark Ambient and blend them all together into their own.
To date they have two independently released two EP’s, “Doxology” and “NIGHT”, and several official remixes for the likes of CLU, Simon Bird and Monto. Their new EP, “Judge”, was released on June 18th by the online digital label, Bad Panda Records.
And most of all, can get it for FREE legally/officially!! Read more Ghosts – Judge (2012)
Noh Mercy – Noh Mercy (2012)
“No answering machines. No computers. No internet. No cordless phones (much less cell phones). No color Xerox. Only DayGlo colored paper for posters. Graphics meticulously cut and pasted out of magazines, newspapers, or clear plastic rub-on letters. All Super 8 movies on film or the new ‘video’ were very expensive to process and you needed to be rich or have access to a school to use the equipment. All photography was either Polaroid or else you needed to have access to a darkroom.
We communicated with posters on telephone poles, sympathetic radio stations, and word of mouth. We visited each other’s homes to draw, paint, and listen to records. We wrote and received letters sent through the mail. We discussed politics, art, music, and philosophy in person.” – confessed Esmerelda, the singer half of the band Noh Mercy.
Meanwhile we are totally alienated and disorientated. And full of Caucasian guilt. Read more Noh Mercy – Noh Mercy (2012)
Jet Plane – All The Static Stars (2012)
“Disappearance At Sea” starting with the sound of breaking waves at the sea-side and the smoothly glowing instruments creates a mood which slowly suck you in, imprisoning you.
Max – guitar, Serge – guitar, Dima – drums, and Kostya -bass are from Bryansk, Russia and they formed Jet Plane back in 2009, while “All The Static Stars” it’s their third installment so far, selling on the sonar seas of bands such as Mogwai, Sigur Rós, Rain Tongue, dEUS, Sonic Youth, Malkovic, Jeniferever, Explosions In The Sky, etc. Minimalist, stripped-down to the bone sound, but filled with emotions instead of convenience, colored with soul-flare instead predictability and burning creativity instead fancy cliches, Jet Plane delivering quality (Post) Rock with gentle, but edge cutting experimental taste, focusing on expression of feelings and reveling of emotions by sound, rather then delivering 3 minute long Pop emptiness. Read more Jet Plane – All The Static Stars (2012)
