You’ve seen the movie “Branded” (IMDb)? The basic idea was simple and pretty cool: the public is manipulated to follow the brands and trends, not the brands follows the public taste. The consumer it’s modeled to satisfy the need of the products and not the products are build and developed to satisfy the consumers needs. Sick idea in twisted and sick world! But true!!
We can say now, 2012 was the year of the definitive death of MySpace. DeadSpace would be a more proper name for that mammoth cemetery. On the other hand, Facefuckingbook reached a total world domination, most of the people not even leave those pages anymore, but eventually giving likes there – mainly by default and completely uninvolved. We’re getting stupider? Yes we do! Because… yes we can! 😆 And because the cancer of the crises which will eat up the whole world while we were sold out to the world finances, Obama – not really surprisingly – was re-elected. We’re f*cked! Hard! Who thought that a democrat president will be even worst then John Bush Jr.?!! Anyway, while he won in advance a Noble price for peace, I’m looking forward to see what stupid excuse he will deliver to start the war on Iran!! al-Qaeda my ass! Argo (IMDb), the film directed by Ben Affleck might be the clue: Iranians are evil! The greedy bankers are the real terrorists while the politicians are only the marionettes in their hand!! Zeros are the poster heroes nowadays. Praise the TV! Praise the radio! Praise the internet! Praise the almighty goddamn Dollar!!
Musically, 2012 was the year of Read more Best releases of 2012
“The Moment You Realize You’re Going To Fall”, the sophmore album by the Wes Borland leaded and fronted Black Light Burns sounds sweat and dark in a quite David Bowish manner. It’s impossible to stick any label to this music, it’s impossible to squeeze it into any defined genre of style, this is post “something” without being typically finicky and selfishly obscure and pointlessly exclusivist, it’s simultaneously Rock, mainly noisy and garage taste-like, but sometimes Jazzy, and Industrial in a quite classic sense and approach, but avoiding all the cliches and mandatory conformity. It’s arty, but not abstract and it’s trippy without becoming shapeless. Wes Borland definitively founded a fascinating, very own flavored path here and delivered a pretty exciting material.





