Doom and gloom flavored, overwhelming, heavy and cinematic simultaneously, Aoria merging frozen Nordic melancholy with the strength of modern (post) Metal, building bridges between The Cure, Sigur Rós and the raw power and energy of Tool. We’re entering a realm of shadows, haze and dark despair, but Aoria’s music will lead us through and at the end, possibly, there is a crack of light and hope.
In July 2011, after four years of silence, Erik Nilsson of A Swarm of the Sun – vocals and guitars; Robin Bergh of October Tide – drums and Niklas Sandin of Katatonia – bass; began recording Aoria’s debut album. The album will be released October 10th on LP and CD, and is distributed world-wide through Sound Pollution. The album is recorded at Garaget Studio and produced by band member Erik Nilsson. It is mixed at Studio Riddarborgen by Magnus Lindberg (Cult of Luna, Khoma) who, with his uncompromising sound, has intensified what has become “The Constant”. The result, six complex, epic, disturbing songs, a doorway into a still fully unexplored, scary, but simultaneously tempting, hypnotizing world. Read more Aoria – The Constant (2012)
alternative metal
Between the Buried and Me – The Parallax II, Future Sequence (2012)
This is definitively “Future Metal” with some very “alien” perfumed “Scifi” taste. These guys eventually are form out of space. Offspring s of some killer breed.
After five albums, for for Victory, the debut for Lifeforce, BTBAM singed in 2011 to Metal Blade and shortly after released an EP entitled ” The Parallax: Hypersleep Dialogues”. Set to release on October 9, 2012, originally planned to be another EP, “The Parallax II, Future Sequence” consist of 11 tracks, an extremely contorted, but colorful, spectacular journey over the edge, behind the explored territories of the conventional Metal and the “comfort zone” of most of the people. Think of a musical blender where you can throw in King Crimson, Pink Floyd, Rush and Yes with VoiVod, Pantera, Metallica and Earth Crisis, but came out with an extremely compact, consolidated musical result. Although, they have some extremely biting Metal riffs and intense, brutal grindings, they shifting quite smoothly from extreme, Death flavored Metal to Jazz, Progressive Rock or simple, quiet, acoustic moments. Read more Between the Buried and Me – The Parallax II, Future Sequence (2012)
Steve Harris – British Lion (2012)
“This is a big hearted and ferocious triumph” – declared Dom Lawson of Metal Hammer, while Nick Ruskell of Kerrang! go even further and proclaim: “British Lion is a brilliant album”. Well, it have its moments, but far not so brilliant as the media (and EMI) try to sell it to us. I can understand and generally I appreciate the British proud and the unconditional support for their own artists, and if not Steve Harris, the former and leader of one of the most famous and influential Heavy Metal bands of all time – talking about Iron Maiden, obviously – then don’t know who else might be called a “Rock icon”, but still, these 10 tracks are not so thundering and lightning Metal masterpieces as they are advertised. Actually singer Richard Taylor is another pale and weak copy of Ian Gillan mixed up with Bruce Dickinson, fortunately 100 better then poor Blaze Bayley, but not even close to the almighty Dickinson. This album with Dickinson, well, then, maybe, this could come closer to the praises. But Richard Taylor’s voice is smooth, but completely powerless.
On the other hand David Hawkins and Grahame Leslie delivered some excellent guitar parts while Steve Harris, surprisingly, managed to play his bass more colorful as he regularly does it in Maiden. Worth to highlight it, there are a couple of actually brilliant guitar solos on the album.
And strangely, the album here and there reminds me more of some Dickinson’s solo work from the 90’s, rather then sounding as a 2012 Metal album. And for God’s sake, the lyrics, who was interested in another song about Judas??! Read more Steve Harris – British Lion (2012)
Bang Ur Head (Byzant At Sunset)
Bang Ur Head [Take One] by byzantatsunset
Byzant At Sunset are back with a brand new track. In a world where the zeros and ones replaced the words and emoticons replaced the human touch, we’re kind of Read more Bang Ur Head (Byzant At Sunset)
Slunq – Spoiled Portion (2012)
The music of Slunq is so genreless and quite post-everything that it is impossible to stick a label on it; to force it into one of the “casual” drawers of the “music industry/business”. But, against the general trends, this is music and not just “food for our iPods”, not just background noise to fill up our ears – and brains – and cut off any possible contact with the people we may crash into on our way back and forth between home and job.
The much anticipated debut album, “Spoiled Portion”, is a post-modern journey into some gloomy music with very different flavours including Post-Grunge and Post-Industrial. Think of Jerry Cantrell (Alice In Chains) on a heavy Trent Reznor (Nine Inch Nails, How to Destroy Angels) diet, but adding an obvious, typical English flavour to it and although lots of influences are there, you can’t really pinpoint anything – the guys managed to twist everything into their own style and deliver genuine material for our listening pleasure.
The result of 2 years effort, the 11 tracks of “Spoiled Portion” paint not the present, but the future sound of Rock. Read more Slunq – Spoiled Portion (2012)
Bone Dance – Self-Titled (2012)
Morgan Mechling – vocals, Phillip Davis – guitars and vocals, Kasey Richardson – guitars, Bryce Kresge – bass and visuals, and Patrick Santana – drums are here to unleash the Hell of fury and contorted, merciless Metal. Forging genres, melting into one Black Metal and (Post) Hardcore, Sludge and Doom, technical and extreme Metal, Bone Dance is not “just” a band, but an attitude, a state of spirit and mind, and they delivering not “only” music, but their work is a manifest. Back in the days, Rollins Band had this kind of attitude and energy, although Bone Dance speeding up wildly, just like you put a 33⅓ r.p.m. spinning vinyl record up on 45 while Morgan Mechling keep on howling bloody deadly.
Grinding the tooth of chaotic Hardcore/Metal, Bone Dance enforce the balance and sharpness, clarity in their music, find the equilibrium between rage and conscience, despair and revolt, gloom and grooves. And throughout this extremely consistent 10 tracks, Bone Dance manage to merge the extremes: slowly grinding moments with brutally fast overtakes; contorted and gloomy riffs with cutting to the bone sharp ones; truly distorted, twisted passages with groovy, powerful build-ups. This wild, but fluid approach keeps the listener attention sharp throughout this massacre. Give up all hopes and push play!! Read more Bone Dance – Self-Titled (2012)
Kabul Golf Club – Le Bal Du Rat Mort, EP (2012)
Contorted and dissonant, with roots back to Steve Albini’s Big Black and Shellac, reminding me of some pioneering bands such as Cop Shoot Cop, Cardiacs and H.P. Zinker, and being similarly psycho and sick such as some contemporaries like The Dillinger Escape Plan and Blood Brothers, Kabul Golf Club are the brand new monster children of Limburg, Belgium. Merging Noise Rock rawness with Post-Hardcore resonances, KGC might seems a quite unfriendly band, for the comfortable, “decent” listener eventually even not listenable, but this is so fresh, so wild, so honest, so uncompromising, that is hard not to admire their effort for genuine self-expression. This kind of rebellious, twisted Metal have a long and fruitful history already, “Minus 45” for instance could find its place easily on VoiVod’s legendary “Nothingface” album, but this whole aggressive raging incorporates the fury of a brand new generation which must be heard. KGC proves creativity and talent, all their dissonances and noises, all that madness and chaos perfectly reflect the world we are living in, on the other hand, at the end everything fits in and makes perfect sense in their compositions. Read more Kabul Golf Club – Le Bal Du Rat Mort, EP (2012)
Le Minus – Make My Day (2012)
At first instinct it seems handy to label Le Minus as a Primus follower and probably this French trio would not even consider themselves insulted, but listening throughout “Make My Day”, beside the obvious Les Claypool influences, Le Minus incorporates in their vivid musical universe elements which lead back to bands such as Mordred, Infectious Grooves, Fishbone, Living Colour and Rush. Sometimes getting wickeder and more Metal fueled (“Playing With Echoes”, “One Parachute”), the band forged some furious heavy riffs to combine them with some twisted funky grooves and crazy rhythmic structures finding the perfect balance between heaviness and fluidity, precision and wildness, complexity and efficiency.
Lord Murray, sing and play the bass pretty close in Les Claypool’s manner; Captain’ Yo have those Primus flavored crazy solos, but also deliver some serious riffs while drummer MOX is responsible for the solid structural and rhythmical bases of the trio. 9 tracks, a wild, colorful incursion in the experimental/avant-garde outer limits of Rock/Metal, an explosive fusion of energy and power, colors and flavors, murderous grooves, perfectly suitable for the fans of Claypool and Primus, but not only, more conventional/conservator listeners, fans of Rush for instance, may find this pretty exciting. Read more Le Minus – Make My Day (2012)
Aphrodite’s Baby – 90, EP (2012)
My French is rusty ( 😆 ), so, their bio in French really did not helped me too much, but this 4 track EP is definitively pretty convincing. Aphrodite’s Baby reminds me of an unleashed Rollins Band, they managed to merged together the Punk attitude, the Hardcore rawness and the intensity and grooves of the modern Metal and delivered an ass-kicker material.
But this “90” it’s also a fun concept. Danny Madigan, played by Austin O’Brien, was the kid in the “Last Action Hero” movie, (1993) the big fan of Jack Slater, a larger-than-life action hero played by Arnold Schwarzenegger. Axel Stone is one of the main character of the “Streets of Rage” series video game beside Adam Hunter and Blaze Fielding. And far as I found out, “Hocus Locust” is a skill from the “Dragon Quest” series and this skill reduces the MP of one enemy. I’m still in trouble and digging for Larry Kubiac who might be Francis Lawrence “Larry” Kubiac III played by Abraham Benrubi in the American teen sitcom, entitled “Parker Lewis Can’t Lose” which originally aired on FOX from September 1990 to June 1993, but I’m really not sure about this…. 😆
So, the music is Read more Aphrodite’s Baby – 90, EP (2012)
Vajra – Pleroma (2012)
If you were thinking how a melange of Dead Can Dance with Tool would sound like, don’t dig further, Vajra is the most perfect possible match for it. Singer, composer, producer, writer, and keyboard player Annamaria Pinna formed Vajra during her self-imposed exile in India and “Pleroma” is kind of a collection of 10 “sonic postcards” which painting up by sounds this mystic journey to self-conscience filled with hypnotic mysticism and some explosive sonic hurricanes.
The opening “Inside The Flame” have that ancient driven power which made magic the debut Tool album and it’s a perfect attention grabber. “Almost One” have the touch of Godsmack, it’s a mixture of gloom and groove with Rock strength, hypnotic, but simultaneously kicking. “India” is a meditation/reflection, a subtle cinematic prayer which lead us directly into “Blind”, another Post-Grunge and Dark Rock filled anthem with pulsing guitar riffs and pounding drums, evoking Godsmack’s “Voodoo”, but adding a further Oriental and mystic tone, color to it. “Intuition” it’s like shattered from a dream, a slippery trip down to labyrinth of subconscious where shadows and lights are dancing together and melting into one. Read more Vajra – Pleroma (2012)
