I have a new song stuck in my head: “Clap like Ozzy! Clap like Ozzy! Clap like Ozzy! Clap like a beast!” Hilarious! (see video below!)
Cyco Miko and his suicidal maniacs crew are back and they are wicked!
This is a brand new crew and an absolutely fabulous line-up. Behind the drum kit is a killer machine: Dave Lombardo (ex-Slayer, ex-Grip Inc., ex-Fantômas, ex-Philm, ex-Testament and still active member of Dead Cross and Misfits). Guitaris Dean Pleasants is still here (since 1996), and we’ve also got two other new talented musicians, guitarist Jeff Pogan and bass player Ra Díaz. Read more Suicidal Tendencies – World Gone Mad (2016)
Actually the full title is “Radical Action To Unseat The Hold Of Monkey Mind” and features a comprehensive account of the 2015 live performance in Japan of the ever evolving creative entity that is commonly known as King Crimson.
From Flint, Michigan, formed in 2007, King 810 – formerly known as simply King – are back with their second full length album. Entitled “La Petite Mort Or A Conversation With God”, it’s darker and more disturbing then the 
For Fans Of KMFDM, Ministry, and “Mechanical Animals” era Marilyn Manson, the Italian trio Army Of The Universe delivers a fancy cocktail of industrial rock riffs, modern electronica, analog synths sounds and overwhelming dance beats. Pure entertainment.
Released on June 17, 2016, “A Heritage” is the second album by the South Korean band Jambinai, the first on Bella Union. It’s a cliche already to state that Jambinai it’s not a band, but a force of nature.
Atomik Clocks it’s a jazzcore band from Firenze, Italy. They are pushing the so-called envelope over the edge to widens the unexplored borders of music.
Skid Row made their entrance on the rock scene with a bang back in 1989. Their self-titled debut album contains a couple of Top 10 singles, “18 and Life” and “I Remember You”, and memorable anthems like “Youth Gone Wild”. The album peaked at number six on the Billboard 200 and was certified 5× platinum by the Recording Industry Association of America (RIAA) in 1995 for shipping five million copies in the United States.
The one, the only, the Jekyll, the Hyde and the Zombie, the U.F.O. pilot, the rock god, the freak out of leash is back! Hide your kids away or he will eat their heart out and steal their souls. Because if Rock’N’Roll has its own little wicked demon, he’s name is Rob Zombie now.
The essence of what exactly Zardonic sounds like it’s expressed by this simple description: Skrillex meets Slayer. But, the Bass Metal of Zardonic it’s much more then a simple mixture of genres and sounds or the sonic expression of pure aggression. Zardonic is the voice of a new generation tired of labels, sick of boxes, a generation which will bring down all the walls and borders build up by the previous generations. And – honestly – there is no easy or smooth way to doing it, but being loud and brutal. Zardonic it’s at the top of this game and the blending of metal heaviness with the massive wall of sound of modern and aggressive electronic music never came together so well before.
I started listening this material totally blind. Did not have a clue who these guys are and what kind of experimental/progressive rock they will deliver. The cover art work kind of make me think of Tool (the videos for “Sober” and “Prison Sex” from their brilliantly wicked 93’s “Undertow” album) – but in a bad way. I almost skip the album because this horrible cover. Glad I didn’t!
