Believe it or not, but “Disquiet” is the fourteenth studio album by Therapy?. “Teethgrinder” it’s still ringing in my ears like it was yesterday and their 94’s “Troublegum” it’s probably one of the best punk-rock albums ever. Between their fourth and fourteenth album lot of things was going on, but the only thing it’s really matter is that Therapy? are still alive and kicking.
Co-founder drummer Fyfe Ewing left the band in 1996 and he was replaced by Graham Hopkins. Hopkins left the band in 2001 and was replaced next year with Neil Cooper. Although they never delivered a “Troublegum 2” type of success album, Therapy? had a couple of great songs and some really good albums in between. Just for the record, their previous album, the 2012’s “A Brief Crack of Light” it’s a solid, modern rock album. But there’s one thing that kept the band going: the love and the support of their fans.
“Disquiet” it’s definitively a perfect gift for them. And another killer album from a quite under-rated band! Read more Therapy? – Disquiet (2015)
Gallows it’s the perfect mixture of the Aleister Crowley originated mysticism and healthy, punk rooted hardcore. Definitively one of the most interesting and solid Brit acts of the last decade and a band with the power and talent to deliver further exciting releases.
Klayton is back again and we’ve got the third installment of his quite ambitious project, “End of an Empire”.
The album begins quoting George Carlin: “The reason they call it the American Dream is because you have to be asleep to believe it” which synthesize perfectly the state of facts and the perception of America today. We might consider it a joke, but it’s a deadly serious issue.
There are a couple of albums expected to be released this year (2015) I am anxious to listen to. One of them it’s the upcoming Agnostic Front album, the upcoming Limp Bizkit album, the debut album of Black Futures (ex-Subsource) and not at least the 6th The Prodigy album.
Some stories are too good to be true. Imagine a hobo, a man with no past, future, nor present who eventually end up making a blues album and bringing in John Paul Jones of Led Zeppelin to play the bass only because he do not knew anybody else playing that instrument. So, yes, I mean no, this could not happen.
If you’re nostalgic for the 1989–1991 type of, “The Real Thing” era Faith No More, Waltari definitively it’s your type of band and you will devour their 14th studio album released on February 27, 2015.
Venom is definitively one of the most influential metal bands of all times and they were genre founders with their first two albums, “Welcome to Hell” (1981) and “Black Metal” (1982). Their third album, “At War with Satan” (1984) left some serious marks on me too with it’s 20 minutes long title track. it was a semi-concept album that tells the story of a war between Heaven and Hell where the latter side wins. Cronos – bass guitar, vocals; Mantas – guitar and Abaddon – drums had major influence on the development of heavy metal and contributed to the creation of other sub-genres such as thrash, speed, death and power metal.
When everything it’s obsessively boring and irreversible predictable, Ghospoet find his way and manage to deliver – once again – something fresh and genuinely enjoyable. Where conformity ends there Ghospoet kicks in!
The York-based alternative electronic production duo Haxby Swango was formed in 2014 from the ashes of the progressive rock act Astrae with that band’s founding members vocalist Hutchy Swango and keyboardist Jack Swango.
