Having a deep and dark Depeche Mode after-taste, the Americans from She Wants Revenge are back with their third studio album after a four years gap. “Valleyheart” with its ten brand new songs holds the same Depeche Mode marks, it’s a gloomy, minimalist, but vibrating material with a typical/traditional British taste. “Must Be the One”, the leading single it’s available for free download on the band’s Facebook page. Justin Warfield – vocals, guitar, keyboards and Adam Bravin (aka Adam 12) – bass guitar, keyboards, guitar, drum machine, percussion, programming, vocals get their musical roots and inspiration in bands such Joy Division, but also Depeche Mode, New Order, Bauhaus, Danse Society and the darker areas explored by The Sisters of Mercy. They have been compared to Interpol and My Bloody Valentine. Read more She Wants Revenge – Valleyheart (2011)
2011
Owl City – All Things Bright and Beautiful (2011)
I love Owl City. It’s something familiar, friendly and warm about them music, it’s just feels good. It’s bright and beautiful. Adam Young, formed Owl City in 2007 in Owatonna, Minnesota and he writes, composes, performs, and produces all of Owl City’s recorded music as Young also produces music under a wide variety of other projects, which include Port Blue, Seagull Orchestra, Sky Sailing and Swimming with Dolphins.
Young created the project while experimenting with music in his parents’ basement. Owl City developed a following on Myspace in the late 2000s before signing with Universal Republic in 2008. After two independent albums – “Of June” (2007) and “Maybe I’m Dreaming” (2008) -, Owl City gained mainstream popularity with the 2009 major label debut album “Ocean Eyes”, which spawned the hit triple platinum single “Fireflies” and also the album was certified Platinum in the United States in April 2010. Read more Owl City – All Things Bright and Beautiful (2011)
Seether – Holding On To Strings Better Left To Fray (2011)
“Fur Cue” kick off exploding with raw riffs, pumping energy like a furious Godsmack track and it sounds like any promising nu metal anthem. But in the very neck song, “No Resolution”, Seether settle down to some Stone Temple Pilots after-taste-like area and the rest of the album balancing between this (post) Pearl Jam and Stained marked genre of indie/alternative rock. “Tonight” sounds quite pop while “Country Song” brings some Southern tastes. Read more Seether – Holding On To Strings Better Left To Fray (2011)
Lady GaGa – Born This Way (2011)
Why we should buy an album? Obviously for the music. Unfortunately the “normal” answer is not quite the right one. As music becomes part of the entertainment industry and artist becomes brands, just like with the clothing, we pay for and buy the brand. Stefani Joanne Angelina Germanotta aka Lady GaGa conquered the world after releasing her debut “The Fame” in 2008 with some catchy songs, singable choruses, “Poker Face”, “Paparazzi” and later “Bad Romance” from “The Fame Monsters” (2009) were strike at first, easy to memorize, singable, catchy songs. Sledge hammering dance beats, plodding keyboard patterns, pumping drums are not necessarily everything, not without melodies. “Born This Way” seems to be written for performances as part of the show where music mainly becomes secondary and much more matters the costumes, the scenography, the dancers, the lights and lasers and well, for the singer it becomes difficult to focus on singing while she have a main role in the show and have to dance as well, so complicated or consumptive vocal scores are not quite recommended. Lady GaGa becomes part of a pop cabaret, a traveling circus and her music is only an accessory of the whole picture. And that brings be back to the beginning. In that case, if this is “only” a soundtrack, part of a bigger production, why we should buy the album? Read more Lady GaGa – Born This Way (2011)
Arctic Monkeys – Suck It And See (2011)
Their debut album “Whatever People Say I Am, That’s What I’m Not” released in 2006, became the fastest-selling debut album in British music history, surpassing Oasis “Definitely Maybe” and remains the fastest-selling debut album for a band in the UK since. Formed in 2002 in High Green, a suburb of Sheffield, Arctic Monkeys are one of the first acts to come to the public attention via the Internet and receiving attention from the British tabloid press.
In 2005 the band played a critically acclaimed performance at the Carling Stage of the Reading and Leeds Festivals, reserved for less known or unsigned bands. Their appearance was hyped by much of the music press and the band was watched by an unusually large crowd.
They refused to change their songs to suit the industry and resisted signing to a record label and their cynicism towards the industry was such that record company scouts were refused guaranteed guest list entry for their gigs. The success of the strategy was illustrated with a series of sell-out gigs across the UK and Ireland.
But as any fairly tale got to an end, finally they signed to Domino in June 2005. The band said they were attracted to the “DIY ethic” of the label, but the UK’s Daily Star reported that following the record deal, Arctic Monkeys singed also a £1 million publishing deal with EMI and a £725,000 contract with Epic Records for the United States. Eventually the band denied this on their website, dubbing the newspaper “The Daily Stir”. Read more Arctic Monkeys – Suck It And See (2011)
Blindside – With Shivering Hearts We Wait (2011)
I’m not quite a fan of the so-called christian rock or white metal. Jesus and rock are not such a nice couple and actually I’m not a fan of JC, further I don’t accept the idea that somebody else did or should pay for my sins and I didn’t met him yesterday at the corner as many lost souls claimed they does. Well, perhaps I’m gonna rot in hell, but let me worry about this by myself, don’t fucking try to convince me and if I can’t save myself, nobody else dose. My favorite line comes from Trent Reznor (Nine Inch Nails), it’s quite Nietzsche inspired, but it says all: “Your God is dead and no one cares, if there is a hell I’ll see you there.” (Heresy) Practice what you preach, but don’t preach what you practice. Faith should be private as sex. But well, once again, I’m just a fucked-up guy.
But leaving aside all my prejudices, Blindside rocks. Read more Blindside – With Shivering Hearts We Wait (2011)
I Spy Strangers – The Kind Of Dirty You Cant Wash Off (2011)
The term stranger is the traditional way of referring to someone physically present in the Palace of Westminster who is neither a member of parliament nor a parliamentary official. Nowadays, strangers – visitors – can watch debates, and can sit in the Stranger’s Gallery. Historically, visitors were not allowed in at all. Parliament still has the right to debate in private, and any visitor causing a disturbance can be ejected, or even taken into custody by the Serjeant at Arms.Attempts to exclude visitors are usually employed simply to disrupt or delay the House’s proceedings, a kind of filibustering. An MP wishing to interrupt used to shout “I spy strangers”.
This kind of so-called post-hardcore few years back would be labeled without a blinking of an eye emo. Read more I Spy Strangers – The Kind Of Dirty You Cant Wash Off (2011)
Like Rats From A Sinking Ship – We Get Along Like A House On Fire (2011)
Like Rats From A Sinking Ship blow out of blue and burst onto the Norwegian hardcore scene back in 2008 with their debut EP entitled “SXY SXY GSW”. The trio became soon one of the most popular underground act of Norway, so, the album “We Got Along Like A House On Fire” is highly expected and raise high expectations.
LRFASS spent the autumn of 2010 in the studio with producer Alex Newport who put his signature on the products of bands such At The Drive-in, Melvins, System Of A Down, Sepultura, The Mars Volta, Death Cab For Cutie, The Locust, Two Gallants, 65daysofstatic, etc, and the new album sounds as it should. This is a contorted blending of hardcore and experimental, post metal, technical, fast and noisy passages are twisted into gloomy and spacy turns or grinding, doom-like moments. The sound it’s raw, unpolished and crushing, it keeps an alive breathing, live approach. Read more Like Rats From A Sinking Ship – We Get Along Like A House On Fire (2011)
Centox – Centox (2011)
Reminds me mainly of Korn, Centox new album is build of quality and traditional nu metal songs. They are not actually re-invent anything, but this is a nice collection of cutting edge guitar riffs, twisted vocals, pumping rhythms, in few words, they put together that makes nu metal rocks. On the other hand, while Korn seems to lost their direction, “Centox” is a nice piece of traditional, full of energy and screamable choruses album.
Centox came together in the spring of 2006 when founding members Cesar “237” – guitars/vocals and Steve Hart began to write songs at a local studio in their hometown of San Pedro, CA. The two hired Daniel Gomez for guitar duties, and Glenn Ellis on bass, both of whom had been in bands with the founding members prior to the formation of Centox. Rene Araujo was put to the microphone and in 2006 the band recorded a 6 track EP followed by the debut album “”Above Them All”. Read more Centox – Centox (2011)
Decree – Fateless (2011)
Leading us back to the dark and noisy sound of Godflesh, Decree deliver us “Fateless”, an expression of anger and kind of discomfort. Chris Peterson is probably best known for anyone that is familiar with industrial genre for stepping in to fill the void left in Front Line Assembly and Delerium every time Rhys Fulber leaves to concentrate on some other project and as well, Peterson is known as producer for acts such Noise Unit and Unit 187. But Decree have nothing to do with FLA or Delirium, Peterson with Decree going down on a darker, heavier path, exploring noisy and crushing sounds, mechanical cadence and dissonant layers are flow throughout the songs marked by cutting riffs and raw, filtered vocals. It’s quite unfriendly, but extremely intense. Read more Decree – Fateless (2011)
