I admit it: I wasn’t a Sepultura fan, but things have changed 18 years ago with their fifth studio album, “Chaos A.D.”. Released on 2nd September 1993, with this album Sepultura transcend from their previous death/thrash metal style into raw hardcore punk, a mixture of metal with industrial music and spiced with traditional Brazilian-styled percussion which eventually become one of the founding pillars of the groove metal subgenre along Pantera’s “Vulgar Display of Power”. “Chaos A.D.” established new direction, a new approach, a new standard for brutality, and not at least a new subgenre of metal. It seems in 1993 everything came together for Sepultura. Read more Sepultura – Chaos A.D. (1993)
Monthly Archives: September 2011
Anathema – Falling Deeper (2011)
Scheduled be released on September 5 2011, “Falling Deeper” is an upcoming compilation album in which the band recorded different versions of their past songs, a follow-up to 2008’s acoustic compilation “Hindsight”.
The album was produced by guitarist and main composer of the band Daniel Cavanagh, while the orchestral arrangements are from Dave Stewart who worked so successfully with Anathema on “We’re Here Because We’re Here”. Dutch singer Anneke van Giersbergen sings on “Everwake”. The album was recorded and mixed by Andrea Wright at the legendary Parr Street Studios in Liverpool. Read more Anathema – Falling Deeper (2011)
Dead Can Dance – Spleen and Ideal (1986)
There are bands and there are myths, legends. There are bands playing music and bands creating music, inventing new approaches, discovering new dimensions, tear down walls and open brand new highways. There are bands with one or two best records and bands with all their records being best ones. Some says, in the existence of the band the second album is the most important and it proves if the band have or haven’t potential. “Spleen and Ideal”, released on 1st September 1986 (in Australia), was Dead Can Dance’s second album and the band consist of Gerrard and Perry decided to abandon guitars in favor of classic symphonic instruments such as cello, trombones and timpani. A serious decision and one which probably change the course of the band’s history, but not only. Read more Dead Can Dance – Spleen and Ideal (1986)
