Indie is a shortform of “independence”. Someway, independence means to be yourself as well.
Music of any genre can be labeled “indie” considering that is independent of major producers and record labels. Indie rock – for instance – is extremely diverse, with sub-genres that include lo-fi, post-rock, math rock, indie pop, dream pop, noise rock, space rock, sadcore, grunge, riot grrl, emo,shoegaze, etc, being a sub-genre of alternative rock. Looking back to the bands originally labeled alternative rock we find artist such as R.E.M., The Cure, Jane’s Addiction, Nirvana, The Smashing Pumpkins, Radiohead, The White Stripes, Muse, etc, bands with their own style, sound and character. Even if we’re looking back to the dawn of the grunge era, the first bands of breakthrough – Nirvana, Pearl Jam, Alice In Chains and Soundgarden – were totally different. Nowadays, unfortunately, indie became synonym with faceless, tasteless, undefined, radio-friendly music. Music? Well, I don’t think so… On the other hand I strongly believe: everybody singing, nobody listening (care and buy). The major labels try to exploit every cash-in possibilities, and while the market visibly restraining, they still over bidding with dumping politics. A Dead Kennedys lyrics from 1985 still haunting me: “The joy and hope of an alternative / Have become its own cliche / A hairstyle’s not a lifestyle / Imagine Sid Vicious at 35 / Who needs a scene / Scared to love and to feel / Judging everything / By loud fast rules appeal / Who played last night? / “I don’t know, I forgot. / But diving off the stage Was a lot of fun.” – and the conclusion is obvious: :”Harder core than thou for a year or two / Then it’s time to get a real job”… Read more Splinn – Becoming Ourselves (2011)





![Tangled Thoughts Of Leaving – Deaden The Fields [2011]](https://brushvox.com/wp-content/uploads/2011/07/Tangled-Thoughts-Of-Leaving-–-Deaden-The-Fields-20111-150x150.jpg)

Pour les connaisseurs. Strictly. Madness in pure essence, in small, but deadly doses. Under the moniker of John Zorn, Trevor Dunn – Electric 5-string bass (Mr. Bungle, Fantomas, Trevor Dunn’s Trio-Convulsant, Secret Chiefs 3, The Rob Price Quartet, Shelley Burgon, Zorn, etc) and Marc Ribot – electric guitar (impossible to enumerate… Tom Waits, John Zorn, David Sylvian, Jack McDuff, Wilson Pickett, The Lounge Lizards, Arto Lindsay, T-Bone Burnett, Medeski, Martin and Wood, Cibo Matto, Elysian Fields, Sam Phillips, Elvis Costello, David Poe, Allen Ginsberg, Foetus, Robert Plant & Alison Krauss, Susana Baca, The Black Keys, Stan Ridgway, Vinicio Capossela, Alain Bashung, Lyenn, Hector Zazou, McCoy Tyner, Elton John, Madeline Peyroux, Marianne Faithfull, Leonid Fedorov, Tonio K, Andres Calamaro and many others, but also involved in a couple of projects as well) take us down on the path of compositions versus improvisations, in a tenebrous and tumultuous world of avant-garde (jazz) music. 







