Yo! I’m gonna be deadly honest: never was a Linkin Park fan, even further, I kind of consider them the (more or less) Rock version of New Kids On The Block, or any other prefabricated boy band. Now, Rick Florino of Artistdirect called it the band’s “best record and a landmark for rock as a whole”, which, we have to admit, set our expectations probably excessively high. And once again, it’s not the case. Don’t have to be a musicologist to figure it out, Linkin Park are not Faith No More, NIN, Ministry, Nirvana or name any other genre founder and envelope pusher, edge cutter band, but a smartly managed and marketed and generally pretty over-produced band. Don’t misunderstand me, the famous Rick Rubin and vocalist Mike Shinoda on their third collaboration of co-producing a Linkin Park album were done – again – an excellent job, but the sharp production and the bombastic sound can not cover the mediocrity and shapelessness beneath the surface. And once again, Linkin Park collected a million different sounds and musical approaches and blended them into their own spiced “thing”, but that still do not actually make it their own. Linkin Park might be the perfect prototype of a fully functional machine without its own soul which each time borrowing one. Imagine Mona Lisa (La Gioconda or La Joconde) without her mouth – and mysterious smile. Read more Linkin Park – Living Things (2012)