Scientism is a belief in the universal applicability of the scientific method and approach, and the view that empirical science constitutes the most authoritative worldview or most valuable part of human learning to the exclusion of other viewpoints. The term frequently implies a critique of the more extreme expressions of logical positivism and has been used by social scientists such as Friedrich Hayek, philosophers of science such as Karl Popper, and philosophers such as Hilary Putnam to describe the dogmatic endorsement of scientific methodology and the reduction of all knowledge to only that which is measurable. Scientism may refer to science applied “in excess” and the term is often used in pejorative senses.
Neosis is an acronym which literally means New Evolution Of Society Influenced by Scientism. It’s a conceptualized vision of a futuristic society in which humanity is scientifically organized. A society within which scientific methods take the place of social sciences and humanities, going as far as becoming the substitute for philosophy in order to solve ethical or moral issues. In this civilization, science holds the key to all the ills that mankind suffers from, whether they are economical, political or social.
After several musical events linked to the international scene and media, Greg (guitars/samples/production), Did (bass/samples), Tom (vocals) and Anthony (drums) formed the band called Neosis. Read more Neosis – Neosis (2012)
post metal
Anathema – Weather Systems (2012)
I never was an Anathema fan, not back in 1990 when they started as a Death/Doom Metal band, not later when they slowly transitioned to Progressive Rock. But I admit, even if I did not follow them closely, I like some of their creation, they managed to deliver something of their own, music filtered through their personal touch. “Weather Systems” their upcoming ninth studio album have the same Pink Floyd after-taste as many of their previous creations since their 1996’s “Eternity” merged with atmospheric, dark, sometimes classic orchestral elements.
Describing their new album Daniel Cavanagh stated: “This is not background music for parties. The music is written to deeply move the listener, to uplift or take the listener to the coldest depths of the soul”. Definitively not. Parties – far as I know – are happy and energy full events, while Anathema always delivered more music suitable for burials and “Weather Systems” makes no difference, even if the lights seems to get through, in its depth this is quite dark and sad music. Read more Anathema – Weather Systems (2012)
Nihil Quest – Splendid Isolation (2011)
Quality Metal – for FREE. Reminds me mainly of Annihilator crashed into Alice In Chains, Nihil Quest delivered their debut full-length album with 11 groovy, but classic Metal tracks.
Nihil Quest was formed in the summer of 2006. The main idea was to play music inspired in first place by hard rock and metal classics (such as Black Sabbath, AC/DC, Slayer), but also they merging different influences and sounds from Blues to Industrial Rock.
Their first release was a three song EP entitled “0.9” and it was issued in late 2009. Two years later, a full-length, 11-tracks record was released. It was titled “1.1 Splendid Isolation” (released on 11.11.2011).
The band was not interested in cooperation with any record labels, as this would mean restrictions to the way the material is being distributed. The album was published via iTunes, Amazon MP3 store and other digital outlets. However it was also made available for free on Jamendo under Creative Commons license. This kind of licensing allows for playing the music without any fees and for non-commercial use in movies, computer games etc. Read more Nihil Quest – Splendid Isolation (2011)
Exilia – Decode (2012)
Merging the sound and approach of bands such as Guano Apes and Skunk Anansie, Exilia incorporated more Industrial elements and Nu Metal grooves and delivered a strong fifth full-length album.
Formed in 1993 in the classic city of fashion, Milan, (Italy) when singer Masha met guitarist Elio Alien, Exilia debuted with the album “Rightside Up” in 2000 and their following “Unleashed” which much heavier and more aggressive sound, released in May 2004, made to the Top 40 in the German charts.
The band’s biggest hit so far has been “Can’t Break me Down” released as CD single in 2005. They have played gigs with Oomph!, Guano Apes, H-Blockx, Clawfinger, HIM, Therapy?, In Extremo, Rammstein, God Forbid, Sanctorum and Ill Niño and singed to GUN Records, division of Sony BMG. Read more Exilia – Decode (2012)
Devianz – A Corps Interrompus (2012)
Formed in 2004, in Paris (France), Devianz, this five piece band, now delivering their long awaited second full-length album, “A Corps Interrompus” (With Interrupted Bodies). 13 tracks, one bonus and one top collaboration with Vincent Cavanagh of Anathema on the song called “Ton corps n’est qu’atome” (You’re Body is Nothing But Atoms), revels a wild, willing and extremely capable band which managed to blending sensitive, acoustic rooted European Rock with the energy, explosion and rawness of the American Indie and Post-Hardcore. But more further than another perfect sonic experiment, Guyom Pavesi, Benoît Blin, Pierre Labarbe, Vincent Rémon, and Charles-Vincent Lefèvre write and recorded 14 songs. Read more Devianz – A Corps Interrompus (2012)
The Prestige – Black Mouths (2012)
Back at the beginning of the 90s with all that Alternative/Indie/Grunge wave, I discovered several huge bands among all the trash praised by the media and pushed by the record labels and agencies. One of them was the obscure H.P. Zinker from New York founded by Hans Platzgumer. Their last album, “Mountains of Madness” released in 1995 and its cover design by Stefan Sagmeister won several design awards and it was also nominated for Grammy. “Black Mouths” strangely, but unrelated, reminds me of that record. This Parisian quartet featuring Alex – vocals & guitars, Raphael – guitars, Thibaut – drums, and Julien – bass, delivering a same kind of colorful post-punk/hardcore, adrenaline fueled music merged with lots of colorful, experimental moments and deviations.
Can grab for free “The Truth”, the opening track of their upcoming full-length debut album. Read more The Prestige – Black Mouths (2012)
OSI – Fire Make Thunder (2012)
Office of Strategic Influence – eventually Office of Strange Influences nowadays 
– is a project started originally by Fates Warning (Arch/Matheos, John Arch, Gordian Knot) guitarist Jim Matheos in 2002 and the only other constant full-time member is keyboardist Kevin Moore (Chroma Key, ex-Majesty, ex-Dream Theater, ex-Fates Warning). Although, the band’s name is a reference to the Office of Strategic Influence, a short-lived American government agency formed in 2001 to support the War on Terror through propaganda.
Jim Matheos originally intended to create a progressive metal supergroup while Fates Warning went on hiatus. He recruited then-Dream Theater drummer Mike Portnoy to work on the project. Matheos then asked Chroma Key and ex-Dream Theater keyboardist Kevin Moore to contribute by adding keyboard arrangements to the music he had written. Moore instead heavily edited the music, changing the song structures and adding vocals. Matheos decided to pursue this new, more electronic direction. The members and contributors write and track most of their material independently, sharing and developing tracks long-distance, only coming together at the end of the process for mixing and additional tracking. Read more OSI – Fire Make Thunder (2012)
Killing Joke – MMXII (2012)
If Ian Curtis wouldn’t committed suicide on 18 May 1980 and Joy Division would be still around and playing, “In Cythera”, the leading single of the fifteenth studio album by Killing Joke uploaded to the YouTube on 6 March it’s exactly the kind of music we are probably expected of Curtis. Although, this is a classic Killing Joke album with classic sound, and with the classic line-up: Jaz Coleman on vocals, Kevin “Geordie” Walker on guitar, Martin “Youth” Glover on bass, and Paul Ferguson on drums.
Out on April 2nd via Spinefarm/Universal, “MMXII” consist of 10 tracks which will definitively rock your world. Read more Killing Joke – MMXII (2012)
Black Light Discipline – Against Each Other (2012)
Merging Scandinavian Pop and Glam Metal (H.I.M.) with the Rammstein trademarked Neue Deutsche Härte, using both cutting guitar riffs and trance-like synth layers, the Finish Black Light Discipline are back with 10 brand new songs on their second album.
Founded in 2005 on the idea to make captivating, synth-based grooves by mixing Metal and electro genres, BLD are pushing the envelope of music. They released their full length debut album, “Empire”, in 2008 where featured as guest artists Dj Proteus and MC Raaka P. Toni Valha – vocals, Janne Kankkunen – synths, Joonas Pulkkinen– guitar, Veikka Jokela – drums, and Jani Rissanen – bass are striking again. Read more Black Light Discipline – Against Each Other (2012)
Meshuggah – Koloss (2012)
Simultaneously avant-garde and extreme, Meshuggah not only rocked our world, but tear it down to pieces. Formed in 1987, in Umeå, Sweden, they became world wide famous with the 1995 release “Destroy Erase Improve” and for its fusion of brutal, fast-tempo Death Metal, contorted Thrash Metal and Dark, Progressive Metal, and Industrial build-ups with Jazz Fusion elements. They were labeled as one of the ten most important hard and heavy bands by Rolling Stone and as the most important band in metal by Alternative Press. They 2002’s album “Nothing” and the albums that followed have all charted on the Billboard 200, although Meshuggah has found little mainstream success, but staying a significant and influential act in extreme underground music. Meshuggah’s most commercially successful album, the previous 2008’s “obZen”, peaked at No. 59 and sold 11,400 copies in the first week and 50,000 copies six months after its release in the United States. In Sweden, the album entered the official album chart at number 16, and in the UK at number 151.
“Koloss”, the upcoming seventh album is set to be released on March 23, 2012 in Germany, on March 26 in the rest of Europe, and March 27 in North America via Nuclear Blast. We’ve got 54 minutes of sonic slaughter and as drummer Tomas Haake stated: “best avoided by the faint of heart!” Read more Meshuggah – Koloss (2012)
