It’s not so hard to figure out: Wu-Tang Clan vs. Fugazi = Wugazi and the result is this “13 Chambers”, obviously 13 tracks available for free download at the official site . Actually, Wugazi is a labor of love by Cecil Otter & Swiss Andy. A year’s worth of cutting up every imaginable Fugazi record and trying out every Wu-Tang acapella they could get their hands on, resulted in this record. Now I had my own little problem with it: I saw a few years back Wu-Tang Clan at a festival, it wasn’t my choice to listen them, I was interested in Marilyn Manson who performed after them, but honestly, don’t matter how open-minded I might be, it was the worst live shit I ever had the bad luck to bear. Too many black guys with too many microphones rapping over a boring loop of four beats for one too long hour about how bad is to be black and how hard is their life in America. I really don’t give a shit about it and well, if life sucks in America, Africa is still on large, isn’t it? (Just like lefties can emigrate to Cuba anytime…)
On the other hand, Fugazi, formed in Washington, D.C. in 1987 and being on hiatus since 2003, is one of the leading bands of the post-hardcore movement, band formed by Ian MacKaye after legendary Minor Threat was dissolved in 1983.
So, kind of bitter-sweet, bad-good mixture of “stuffs” – exclusively from my point of view. Read more Wugazi – 13 Chambers (2011)
experimental
Matthew Shipp – Art of the Improviser (2011)
Free improvisation, as a style of music, developed in the U.S. and Europe in the mid and late 1960s, largely as an outgrowth of free jazz and modern classical musics. Pioneers including saxophonists Evan Parker, Anthony Braxton and Peter Bratzmann, guitarist Derek Bailey, and the improvising group AMM. Free jazz is most strongly associated with the 1950s innovations of Ornette Coleman and Cecil Taylor and the later works of saxophonist John Coltrane. Other important pioneers included Charles Mingus, Eric Dolphy, Albert Ayler, Archie Shepp, Joe Maneri and Sun Ra. Although today “free jazz” is the generally-used term, many other terms were used to describe the loosely-defined movement, including “avant-garde”, “energy music” and “The New Thing”.
Matthew Shipp began playing piano at six years old. He was strongly attracted to jazz, but also played in rock groups while in high school. Shipp has been very active since the early 1990s, appearing on dozens of albums as a leader, sideman or producer. He was initially most active in free jazz, but has since branched out, notably exploring music that touches on contemporary classical, hip hop and electronica. He has been a long member of saxophonist David S. Ware’s quartet, but also recorded or performed with many musicians, including William Parker, DJ Spooky, Joe Morris, Daniel Carter, Roscoe Mitchell, Mat Maneri, High Priest and Beans of Antipop Consortium, and El-P. His dense, percussive style is often compared to Cecil Taylor by some critics. Read more Matthew Shipp – Art of the Improviser (2011)
Awake in Sleep – Awake in Sleep (2011)
Free release (name your price), available for download on their Bandcamp page, “Awake In Sleep” is a gloomy, turbulent sludge/post-rock/post-metal release in the classic vain of Neurosis, Isis, Cult of Luna, etc from a young band from Nantes, France.
Andrey Kalinovsky Рguitar and vocals, Fran̤ois Cl̩zio Рguitar, David Roger Рbass and backing vocals and drummer Maxime Guerreiro delivered an EP filled with four epic, dark and noise compositions, coloured with noises, creepy textures, cutting edge riffs and raw vocals. Contorted, dirty and heavy moments are interrelated with smoother, quite moments, nice musical contemplations, this material is pretty intense, but also interesting and nicely balanced between heaviness and musicality. Excellent debut, looking further for more! Read more Awake in Sleep РAwake in Sleep (2011)
Verneri Pohjola – Aurora (2011)
Finnish trumpeter/composer Verneri Pohjola seems to be a huge Miles Davis fan and the spirit of the “Dark Magus” is all over “Aurora”, more, its include also an exciting re-work of Rodrigo’s “Concierto de Aranjuez”, not in the manner of Davis and Gil Evans on “Sketches of Spain”, but adding to it another – his own – perspective.
Pohjola was born in 1977, the son of bassist Pekka Pohjola, a legend of Finnish jazz and a player with an international reputation. He writes music and performs with several renowned groups in the fields of jazz, soul and rock. His main work include the jazz foursome Ilmiliekki Quartet and the indie/art rock band Silvio in which he plays Rhodes-piano and drums. Pohjola also contributes to groups such as Quintessence, Q-Continuum and Warp!, to name only a few. In 2008 he released an experimental sound collage, Michelin Star, only namely to be dubbed as jazz with drummer Joonas Riippa.
Released by Texicalli Records in February 2009, “Aurora” was re-released this year by German label Act Music. Read more Verneri Pohjola – Aurora (2011)
Dirge – Elysian Magnetic Fields (2011)
Dark and atmospheric, slow and fearful, heavy and mysterious, Dirge comes on a long way of explorations and experiments, started from industrial roots they grow into the sludge/doom area of experimental/avant-garde metal, incorporate both classic rock instruments and samplers/machines into their own flavored dark metal fulfilled with progressive rock and cinematic elements.
If something actually is dark and heavy, definitively Dirge is. Merging classic approaches with modern structures, sounds and elements, they delivering their own epic, tortured and contorted metal, absolutely heavy and dark as a starless night. Still, their music contains melodies, quite musical themes which gave them a mysterious sparkling. Gave to the guys from Crowbar some old Pink Floyd themes to jam with and you’re almost there where Dirge starts their path of exploration and creation. Read more Dirge – Elysian Magnetic Fields (2011)
6h33 – Orphan of Good Manners (2011)
The way out is through… together in sickness and filth… as long as somebody can really explain me what “weirdo” means, what is actually sick or filthy. It’s quite small chances to let myself tied up as it’s just don’t seems an option to torture somebody for my own pleasure, but that really don’t make me healthier as those who doing this kind of “kinky” stuffs are not by default sicker then me. Still, there’s always a first time for everything and… never say never because as a joke of life, when you refuse something it will comes down on you crushing. Differences make us unique, and right or wrong is just a matter of perception.
And 6:33 is quite an unique and intense blending of music including metal rawness, electro/jazz/funk vibe, industrial shapes, darkwave and pop like melodies and… maladies and… lot of healthy sickness. So, where did you put those handcuffs and that whip? Read more 6h33 – Orphan of Good Manners (2011)
Hidden Number – Human_Error (2011)
I’m an idiot and well, I’m the first to admit it, but do you ever think of yourself as a Pavlov’s dog? Work from 9 to 6 – quite a slavery -, been attracted by a particular type of man or woman, eat the same type of shit and drink the same kind of beer – or whatever, watch the same TV channels and listen the same kind of music… If this is not the case of conditioning, I don’t know what it is. And our world getting grayer and grayer each and every day by eliminate the alternatives and everything comes down to be black or white. Or zeros and ones. Fucking spooky. But we’re tired and bored because we don’t see the third option. And well, talking bout numbers, there’s always a third option. And a forth, and so on. Hidden numbers…
And human errors.
Dean Swanson and his Hidden Number is a good opportunity to break the chain and listening something else which will do not fit in the boxes, you can stick labels to it. Well, only if there’s something human still left in you and you didn’t become completely a Pavlov’s dog… Read more Hidden Number – Human_Error (2011)
Tangled Thoughts Of Leaving – Deaden The Fields (2011)
This one comes from Australia and it’s a creative, breathing mixture of rock/post-rock elements with progressive and space-rock music and avant-garde jazz experiments while the space between is filled up with noises, intelligently built in electronica and cinematic soundscapes. Very fresh, unpredictable, colourful, flowing and ever changing.
“TToL emerged from the shadows of the Australian live scene with the release of their 2008 EP,Tiny Fragments and 2009 split EP with Sydney’s sleepmakeswaves. While their EPs attracted attention from
reviewers and punters alike, it’s as an intense and fiercely engaging live act that TToL have built their reputation in Australia. Through dozens of local headline shows,and supporting touring acts such as Australian prog heavywieghts Karnivool and Canadian doom lords Nadja in 2010, TToL have demanded attention and amassed a loyal following. Read more Tangled Thoughts Of Leaving – Deaden The Fields (2011)
John Zorn – Enigmata (2011)
Pour les connaisseurs. Strictly. Madness in pure essence, in small, but deadly doses. Under the moniker of John Zorn, Trevor Dunn – Electric 5-string bass (Mr. Bungle, Fantomas, Trevor Dunn’s Trio-Convulsant, Secret Chiefs 3, The Rob Price Quartet, Shelley Burgon, Zorn, etc) and Marc Ribot – electric guitar (impossible to enumerate… Tom Waits, John Zorn, David Sylvian, Jack McDuff, Wilson Pickett, The Lounge Lizards, Arto Lindsay, T-Bone Burnett, Medeski, Martin and Wood, Cibo Matto, Elysian Fields, Sam Phillips, Elvis Costello, David Poe, Allen Ginsberg, Foetus, Robert Plant & Alison Krauss, Susana Baca, The Black Keys, Stan Ridgway, Vinicio Capossela, Alain Bashung, Lyenn, Hector Zazou, McCoy Tyner, Elton John, Madeline Peyroux, Marianne Faithfull, Leonid Fedorov, Tonio K, Andres Calamaro and many others, but also involved in a couple of projects as well) take us down on the path of compositions versus improvisations, in a tenebrous and tumultuous world of avant-garde (jazz) music. Read more John Zorn – Enigmata (2011)
Intensus – Intensus (2011)
This is the one-man project from Knife the Glitter/Burden/Normal Love/Inzinzac/Gun Muffs/(and a few more), drummer Eli Litwin, but featuring some brilliant guest stars: Between The Buried And Me’s Tommy Rogers, Chris Alfano of East Of The Wall/Postman Syndrome, Robert Meadows of A Life Once Lost, Jesse Korman of The Number Twelve Looks Like You, Jerry Jones of Trophy Scars, Travis Weinand of Burden/Tetsuo, Evan Moore of Gypsy Wig/Birth Screams and Ruston Grosse.
Eli Litwin was born in 1983 in Morristown, NJ. He began playing drums at the age of 9 and started his first rock band at age 11. Through high school he continued to play in a variety of rock bands as well as the high school jazz band. Eli chose to attend the Esther Boyer College of Music at Temple University where he studied drum set with Erik Johnson. Since graduating with his Bachelors of Music in Jazz Performance, Eli has remained in Philadelphia to pursue music on both the performing and teaching ends. Though his area of expertise began largely in metal, Eli has gained significant experience playing in jazz, rock & avant-garde idioms as well. Read more Intensus – Intensus (2011)
