Antenna Trash – Ded Comes for Ded (2011)

Free stuffs are good stuffs. Worth to give a try, listen to, download for free from their Bandcamp page.
Antenna Trash merged Glitch-Wave with Post Punk, noisy garage Rock guitars with electronic layers and textures, Punk energy with Disco beats and the result is something between Devo and Joy Division, eventually between TV On The Radio and Victorian Halls.
Named themselves after a song of the German experimental electropop band Lali Puna, Sebastiano Meneghini – vocals, guitar, percussion; Marco Menegazzi – bass, vocals; Alessandro Monaco – synthesizer, groovebox, vocals, noises and Alberto Casagrande – drums, percussion, vocals introduce themselves and their music with this four track release. Enjoy it!
Read more Antenna Trash – Ded Comes for Ded (2011)

Sneaker Pimps – Becoming X (1996)

23 consecutive weeks on the US Billboard 200, “Becoming X”, the debut effort by the project Sneaker Pimps released on August 19, 1996, still, after 15 years, sounds fresh and percussive. Hits like “6 Underground”, “Spin Spin Sugar” or “Tesko Suicide” have some particular charm, their vibe still breathing. Chris Corner and Liam Howe find a particular blending of Downtempo and Dub, Trip-Hop and Electronica, mysterious textures and bursting Rock explosions, combined hard beats and glitching samples with cutting Rock guitars, smooth Jazz pianos and floating girl vocals. Sometimes Gothic, other times gloomy, slow, but alive and dynamic, quite hypnotic, but striking, Sneaker Pimps and their debut album is another mandatory piece to collect. This is a trip, take care who you’ll become. Read more Sneaker Pimps – Becoming X (1996)

Victorian Halls – Charlatan (2011)

This isn’t Metal, but I love its vibe and it’s noisy enough. But if you ask me, “Burn Me Up Like a Wax-Kissed Letter” it’s heavier than most of the so-called “alternative metal anthems” the media try so hard to sell us day after day. And when a band labeled “Pop” becomes heavier than bands labeled “Metal”, it’s something very wrong with this world we’re pissing on.
Juggling between Noisecore and Power/Dance Pop, this Chicago four-piece band find an exciting crack on the music pallet to breaking through at and “Charlatan”, the band’s debut album comes crushing like a hurricane with songs as “A Crush Is A Crush”, the retro dizziness of “Lucky 16” or the bursting energy of “It All Started In The Hall” and won’t let you (sit) down for a second, leave no space to take even a breath.
This is the future sound of the dancefloor and it’s definitively makes you jump off your shoes and do some crazy things. Read more Victorian Halls – Charlatan (2011)

Garbage – Garbage (1995)

Today I’m gonna take you back only 16 years. 😀
The self-titled debut album by Garbage released on August 15, 1995 was considered innovative for its fusion of Pop melodies with Alternative Rock, Trip-Hop and Electronica genres and its use of loops and sampling. 6 songs out of 12 became successful singles. “Garbage” spent over a year on both the US and UK charts, reaching the top 20 on charts worldwide and receiving multi-platinum certification in numerous territories. The album’s success was helped by the band promoting it on a year-long tour, including playing on the European festival circuit and supporting the Smashing Pumpkins throughout 1996, as well as by a run of increasingly successful singles culminating with “Stupid Girl” which in 1997 was nominated for Grammy Awards for Best Rock Song and Best Rock Performance by a Duo or Group. Read more Garbage – Garbage (1995)

Malakwa – Street Preacher (2011)

As a new member of the Alfa-Matrix family, Malakwa strikes with their angry, psychotic EBM/industrial, cyber punk from Marseille, South of France. After the tempestuous “Feed the Machine” released in 2008, their second installment, “Street Preacher” erupt more intensely and electrifying.
This version comes as a carton box limited edition of “Street Preacher” and holds a bonus disc with 2 exclusive songs – “Too Young to Die” and “Gimme Danger” – and 9 remixes of “Monster” by label mates: Kant Kino, Implant, Amgod, Psy’Aviah, Ambassador 21, Essence Of Mind, Leg Lifters, Temple Of Nemesys and ESB.
Read more Malakwa – Street Preacher (2011)

Starscream – Future, Towards the Edge of Forever (2011)

8-bit fans and lovers will really enjoy this one. Damon Hardjowirogo and George Stroud – the two core members of this project founded back in 2007 – are delivering an exciting mixture of 8-bit electronic textures and live drums. After several EPs and featuring on compilations, “Future, Towards the Edge of Forever” is their debut full-length album of 8 steps walk into the future space of inner search. New York never sounds so out of space before.
Starscream is about vibes, grooves and feelings flowing through machines. The murderous 8-bit sound and the powerful live drums merging into one is quite innovating and gives kind of forth dimension to this music. Read more Starscream – Future, Towards the Edge of Forever (2011)

My TV is Dead – Freedomatic (2009)

One more exciting band from Belgium after Thot , I, the Phoenix , Black Spires , Nox etc. And well, all these bands – and few others – are interesting in different ways, they are all “digging” in different directions.
The duo consist of Amaury Massion – vocals and guitar, and Joel Grignard – guitar, bass and keyboards start the project at Berlin during a week of performances at the famous Tacheles and by this debut album entitled “Freedomatic” they taking the world one by one, country by country, front by front, releasing it till now in Belgium, Holland, Switzerland and France. Read more My TV is Dead – Freedomatic (2009)

Taken By Cars – Dualist (2011)

Taken by Cars is a Filipino indie band and “Dualist” is their soft-more second full length album.
43 minutes, 11 tracks, a tasteful, indie pop, alternative dance mixture delivered by Sarah Marco on vocals, Bryce Zialcita on lead guitar, Derek “Siopao” Chua on rhythm guitar, Isa Garcia on bass guitar, and Bryan Kong on drums and sampler.
Founded in 2006, Taken by Cars made waves with their underground demo “A Weeknight Memoir (In High Definition)” which attracted attention and hit number one on a local rock radio station in Manila. They singed to the local indie label Party Bear Records and they released their debut album, “Endings of a New Kind,” under Warner Music distribution in early 2008. Read more Taken By Cars – Dualist (2011)

NaRick – Suburban Industrial Landscape (2011)

Stumbled into at Absetzer by mistake or luck, “Suburban Industrial Landscape” is a quite contorted release balancing between powernoise grindings and trance themes, rhythm noise and industrial butcheries.
Eight tracks of intense aggression, no mercy. Interesting, good mixture of noisy elements and the more musical textures. In a club this rip off your head and still, it’s quite danceable.
This seems to be the third album from Russian one man band NaRick – Nariman Kagermanov -, including tracks written between 2009 and 2010.
Read more NaRick – Suburban Industrial Landscape (2011)

Nitin Sawhney – Last Days Of Meaning (2011)

Nitin Sawhney made 9 studio albums, for which he has been nominated for a Mercury Music prize, won a MOBO, 2 BBC Radio 3 awards and a Southbank show award, amongst 15 others. He has scored over 40 films for cinema and television, with an Ivor Novello nomination for best score leading to his recent much acclaimed Orchestral music to the BAFTA nominated BBC series “The Human Planet”, Mira Nair’s recent film “The Namesake”, two film scores for live performance by the London Symphony Orchestra and a biopic about Jean Charles De Menezes. He worked with Sting, Cirque Du Soleil, Shakira, Paul McCartney, Jeff Beck, Taio Cruz, Imogen Heap, Anoushka Shankar and many others and he also has been a regular Dj with London club “Fabric”. He’s quite a busy guy. Read more Nitin Sawhney – Last Days Of Meaning (2011)