Three months after she died on October 4, 1970, on January 11, 1971, Columbia Records released “Pearl”, the only album Joplin ever recorded with the Full Tilt Boogie Band, the touring ensemble that had backed her on the Festival Express. Peaking at #1 on the Billboard 200, a position it held for nine weeks, Pearl included some of Janis’s most familiar and best-loved performances including her cover of Kris Kristofferson’s “Me and Bobby McGee” and her off-the-cuff a cappella “Mercedes Benz.”
The Janis Joplin’s 69th Birthday is honored by Legacy Recordings with the releasing of “The Pearl Sessions”, a two-CD set of Joplin’s final studio recordings.
The Pearl Sessions brings together, for the first time in one package, the original mono versions of the album’s 45s alongside the original LP tracks as well as the revelatory newly-discovered alternate versions, outtakes and vocal takes of Pearl’s classic tracks. The recording were discovered when researchers were putting together material for a 40th anniversary edition of “Pearl”, and find a previously uncatalogued audio tapes from the album’s sessions, produced by Paul Rothschild. Read more Janis Joplin – Pearl Sessions and Move Forward RMX
brushvox
Robert Glasper Experiment – Black Radio (2012) and remix contest!
“Real music is crash protected,” state the liner notes of “Black Radio”, the newest album by the Robert Glasper Experiment that boldly stakes out new musical territory and transcends any notion of genre, drawing from jazz, hip-hop, R&B and rock, but refusing to be pinned down by any one tag. And pushing further the experiment, “Move Love” featuring the soul trio KING, drummer Chris Dave, bassist Derrick Hodge, multi-instrumentalist Casey Benjamin, was set for remix at Indaba Music.
I bring up my noisy, dubstep flavored synths, some tensioned jazz bass and severe cellos, asked a favor to a brilliant drummer, Thomas O’Brien, and delivered a quite different version of this song working exclusively with Robert Glasper piano track and the vocal track. I’m quite pleased by the result, this is definitively a genre-defying remix. Read more Robert Glasper Experiment – Black Radio (2012) and remix contest!
Field Frequency
Yesterday, Friday 13, was a quite odd day. But after all I managed to get over it. Just to face another task today. 😀
The Weekly Brief is an on-going program to source specific, high-quality music for Indaba‘s non-exclusive licensing catalog.
In this inaugural edition of their weekly commissions, they’re reaching out to the artists of Indaba to compose an adrenaline-fueled score for this snowboarding footage. I delivered a quick, noisy one for this one, kind of clash between Black Sabbath and Ministry… Check it out, hope you enjoy it. 😉 Read more Field Frequency
Mr. Pan[k]sament – Mashed, Scratched, Trashed (2011)
Free download, but this isn’t a regular album, rather a collection of remixes, but featuring two original songs and the cover of Nine Inch Nails’s “Hurt”.
Regarding my remixes, as a fellow producer noticed, I do some creative work, actually I re-write, re-perform most of the instruments, not only “remixing” the songs, so this might be an exciting listening mainly for those who know the originals, but not exclusively for them. I twisted off, smashed and mashed, scratched and trashed songs by Nine Inch Nails, Ghostland Observatory, Paper Diamond, Archnemesis, Lloyd Banks, Peter Gabriel, Jane’s Addiction, She Wants Revenge, Jessie and the Toy Boys, WormZ and Family Force 5.
Download, have fun, Happy Holidays Everybody! Read more Mr. Pan[k]sament – Mashed, Scratched, Trashed (2011)
Free releases. Mr. Pan[k]sament
I have in mind lots of shit such as: “Money, money, money, must be funny in the rich man’s world”, “Now look at them yo-yo’s that’s the way you do it, you play the guitar on the MTV, that ain’t workin’ that’s the way you do it, money for nothin’ and chicks for free”, “Money don’t matter tonight, it sure didn’t matter yesterday, just when you think you’ve got more than enough, that’s when it all up and flies away” or “Money – it’s a gas, grab that cash with both hands and make a stash, new car, caviar, four star daydream, think I’ll buy me a football team”… Get the point, don’t ya?
As I said and repeat not for once, everybody sings, nobody listen anymore. And well, with this downfall of the global markets and this over-saturated music scene, actually nobody gives a shit anymore about anybody. So, all my releases are available for free download. Read more Free releases. Mr. Pan[k]sament
Mr. Pan[k]sament – The Ghost of the Absent Father (2011)
Marcus Miller once said: “that one of the problems with making contemporary music is that you never know how it will be judged in the futureâ€. That’s true, but still, I believe it really doesn’t matter what anybody think about it, who and how judge it. I’m conscious that I disappointed most of my fans from the 90’s, but I always felt like I have to move on and I’m kind of pathologically scared not to repeat myself. Under the moniker “Mr.Pan[k]sament” I’m exploring extremely different areas of musical expressions from electronica to metal and from punk to jazz, it might be confusing, I’m aware of it, but this is who I am. Writing recently about Queensrÿche and reading some of the fans comments about their latest release I was thinking about one more aspect: a band should play what their fans demand or what they actually feel? Some great artists such as David Bowie with each release moved on in some other direction while bands like AC/DC played the same riff for decades but both are just great exactly for what they did. So, it’s no “right” or “wrong” answer. On the other hand, thinking about music exclusively in genres, I think it’s definitively wrong and leave us with a very narrow horizon… Read more Mr. Pan[k]sament – The Ghost of the Absent Father (2011)
Garage Days
Today it’s a nice, smiling Sunday. And I felt like I have to smile back. 🙂 So, I dig out some tracks that were send to me by Grigore (Oedip Piaf) with one of them songs: “Detentie” (Detention) , and I cut off Serban’s guitar track, I used some parts of it and other parts were re-sampled and I write a brand new theme for them, give life to a new song. 😀
It’s always exciting to work on something and re-arrange it to become something totally different, to give birth to another thing. That’s the reason why I – still – insist on my collaboration without frontiers idea. And the doors for it are still wide open.
“Garage Dayz” is kind of dirty, dusty blues rock song, I’m not actually into blues at all, but this one feels alright. 🙂 Read more Garage Days
The Last Elephant
Yesterday was the last time when I released a new song, here we go again, I’ve got another one: The Last Elephant. Maybe I’m not a creative genius, but still, I’m at least productive. 😀 Written for the same album, “The Ghost of the Absent Father”, this is a more darker song with kind of aggrotech/EBM resonances, industrial textures. It has a slow-grinding passage colored nicely with a gentle piano and a string orchestra, but still, this is pretty intense I guess. Not too sophisticated, straight and pumping. Read more The Last Elephant
Father’s Day
It’s been a while since I managed to wrote something for this album. While I successfully managed to smash my photo camera, I returned to some old habits: my colors and brushes. And well, keeping this site running, eat up quite much of my time as well. On the other hand, actually I wrote a few themes and songs lately but none of them did fit right in the “concept” of this album – among others obviously – I’m working on. Well, I’m kind of busy guy, carefully I always keep my own agenda full. Being my own boss enforced full and merciless tyranny over myself. Still, no results for this ruthless exploitation, but the future – always – is wide open and really I don’t have any other choices.
Anyway, this one is quite simple, smooth – I guess -, well balanced and sort of happy, careless. I wish I could write more of this kind. Read more Father’s Day
themuztard seedz
I try to convince others to collaborate, create together. It seems harder than I thought, people mostly are preoccupied with their own shit. I can’t blame anybody, the world today is a pretty fucked-up place, and well, the worst is still to come I guess. Last year I put together a set of recordings with the core of the band Oedip Piaf and some contribution from Mr. Winteller from London, that was “Badtime Stories” (you can grab it for free, by the way), a noisy, gloomy, kind of experimental album which shifting between different genres from punk to free jazz and back to rock through psychedelic whatever.
The experiment still running, I write themes, song structures and I send the tracks around, anybody interested to participate, are welcome. I wrote this theme called “The Mustard Seeds”, Mr. Winteller and the guys from Oedip Piaf have their fun with it and send me back their tracks and I mixed them into one. This is the result: Read more themuztard seedz
