Boris – Attention Please (2011)

“Attention Please” is the seventeenth studio album by Boris, released simultaneously with “Heavy Rocks” and it shows the darker, more emotional side of the band. Four tracks, “Party Boy”, “Hope”, “Les Paul Custom ’86” and “Spoon” are different versions of songs from “New Album”, while “Aileron” are a short cut version from “Heavy Rocks”. Also a version of “Tokyo Wonder Land” was previously released on the “Golden Dance Classics” split release with 9dw.
“Attention Please” is the first album on which all vocals are sung by lead guitarist, Wata and features her intimate, multifaceted vocal style. While Boris are widely known for their ability to breach styles and stretch sonic boundaries of all that is heavy, psychedelic and drone music, “Attention Please” are more airy, ambiental-like, cinematic, unexpectedly clean and sparking, but still pretty dark and exploring. Read more Boris – Attention Please (2011)

Boris – Heavy Rocks (2011)

After “New Album” released on March 16, 2011, Boris are back with the promised two new records, “Heavy Rocks” and “Attention Please”. “Riot Sugar”  kick off heavily as it we probably expected while Boris declared that they try to redefine “heavy” and the new “Heavy Rocks” has the same name and cover style as their album released in 2002, although the cover now is purple instead of orange. “Leak -Truth, yesnoyesnoye” sounds a little bit more mysterious and liquid, although the guitar remains heavy and some cutting edge riffs maintain the pulse and once again Boris managed to merged into one their rock and their experimental sides. “GALAXIANS”  explode like a punk-rock anthem to twist into some noisy garage rock tune with some heavy metal riffs. It’s (another) crazy stuff, so it’s absolutely Boris. Read more Boris – Heavy Rocks (2011)

Tera Melos – Echo On The Hills Of Knebworth (2011)

Let’s say this from the beginning: this is not “something” easy to digest to the Billboard like music consumers. Actually, Tera Melos after finished tracking for “Patagonian Rats”, they previous record released in 2010, at the hangar in Sacramento, had some additional studio time and decided to record a live, improvised piece for… fun. “Echo On The Hills Of Knebworth” is a 51 minutes track, a stream of conscious, weird, messed up playing, freakout, improvised piece.
Tera Melos have developed a cult-like fan base around the United States. The band was formed in 2004 in Sacramento, California, after the breakup of Nick Reinhart and Nathan Latona’s former band No Regard. They teamed up with Jeff Worms and Vince Rogers. Jeff Worms, left the band in 2007 and as a trio they embarked on their first national tour with The Fall of Troy, Portugal. The Man and Damiera. Read more Tera Melos – Echo On The Hills Of Knebworth (2011)

16Volt – Beating Dead Horses (2011)

I stumbled into a handful of incredible industrial bands at the beginning of the 90s thanks to Cleopatra Records and two of their compilations, collections of cover songs, I guess it was an AC/DC tribute and another one with The Cure songs. Later I had listen also some nice Smashing Pumpkins, Siouxsie and the Banshees, New Order, The Sisters of Mercy, Pink Floyd, Guns N’ Roses, Dead Can Dance  and Skinny Puppy tribute/cover albums. Well, through that records I discovered bands such 16Volt, Razed in Black, Spahn Ranch, Sheep on Drugs, Electric Hellfire Club and so on.
16Volt reminded me of Ministry and it’s the project created by Eric Powell and Mike Peoples in 1988 and “Beating Dead Horses” is the eight studio album of the band. There is still few reminiscences of the Ministry sound like EBM/industrial sound, but 16Volt developed their own sound and unique approach. “Beating Dead Horses” is actually an absolutely beautiful album. Read more 16Volt – Beating Dead Horses (2011)