Coerce was formed in late 1999 in Deal, Kent, UK by Adam Smart – Vocals, James Wells – Guitars, Chris Williams – Bass and Liam Foy – drums and hey registered the name Coerce with The Worldwide Band Name Registry, still, there’s a band using the same name from Australia… a band split between Adelaide and Melbourne formed in 2008 by Mike Deslandes, Matt Adey, Karl Roberts and Justin Bond. The Brits declare on their MySpace page that they are playing Alternative / Hardcore / Metal while the Australians defined them self playing Big Beat/German pop/Tropical…
While there’s quite much confusion – an lack of information – on both bands pages and once again, somebody chosen a name before checking out if the name is available, I take no responsibilities for any further misunderstanding.
“Ethereal Surrogate Saviour” it’s quite off of Tropical/Big Beat, actually its bring to the surface a contorted, crushy and sometimes quite chaotic and gloomy post/experimental metal with roots back to hardcore but flavored with psychedelic and progressive spices being inspired by different bands from King Crimson to Tool and Pantera. find an unique path between progressive rock and metal and the noisy, stoner/doom infiltrated post-hardcore and merging these different styles into one they came up with something quite special and exciting.
It’s not an easy listening, but life it ain’t easy and in times when almost everybody is nothing but “a copy of an imitation”, Coerce sounds absolutely refreshing, they comes like a salvation against monotony and uniformity. Read more Coerce – Ethereal Surrogate Saviour (2011)
“Kinetik” is the second full length album by this four piece Croatian band and they melt down dark, epic metal into the Rammstain masterd, so-called Neue Deutsche Härte industrial metal while the band is fronted by female singer Mya Mortensen. Her band-mates are Malice Rime – Guitars and Synthesizers, Zoltan Harpax – Bass and Torsten Nihill – Drums, Percussion. The band was formed in 2007 in Umag, and is signed to Drakkar Entertainment, a part of Sony BMG.
Being quite skeptical ’bout everything labeled lately “metalcore”, songs such as “Internal Cannon”, “Cutting the Ties”, “Carpe Diem” and “Salt & Light” from the fourth studio album by American band August Burns Red, convinced me to give them another chance. State that they have been inspired and influenced by bands such as Between the Buried and Me, Misery Signals and Hopesfall, their powerful, technical, filled with heavy breakdowns and groovy riffs and not at least some nice, acoustic or slow passages which offering release and an exotic flavor, is quite the essence of what actually metalcore means now days. Merging some almost traditional heavy metal riffings with intense modern metal with roots back to death metal and adding raw, extreme vocals, August Burns Red comes crushing and this combination of melodious themes with blowing brutality, I had to admit, it’s quite efficient and have some charm. Still, when a million plus one bands are begun doing the same kind of thing, using the same schemes and cliches, don’t really matter how intense they doing it, all the excitement is gone and the thing becomes pretty boring. Some Pantera lyrics came back haunting: “be yourself, by yourself…”
This is an ambitious project gathering together
In my list of 


Marcus Miller once said: “that one of the problems with making contemporary music is that you never know how it will be judged in the futureâ€. That’s true, but still, I believe it really doesn’t matter what anybody think about it, who and how judge it. I’m conscious that I disappointed most of my fans from the 90’s, but I always felt like I have to move on and I’m kind of pathologically scared not to repeat myself. Under the moniker “Mr.Pan[k]sament” I’m exploring extremely different areas of musical expressions from electronica to metal and from punk to jazz, it might be confusing, I’m aware of it, but this is who I am. Writing recently about 






