In February 2011, Cathedral announced that they will disband after one more album, entitled “The Last Spire”, which will be released in April 2013. Even further, they even played their official final show on December 3rd 2011.
Back then vocalist Lee Dorrian explained, “It’s simply time for us to bow out. Twenty one years is a very long time and it’s almost a miracle that we managed to come this far!.”
Honestly, I never was a huge doom metal supporter, nor Napalm Death fan back in their furious grindcore days. When Lee Dorrian left Napalm death in 1989 to form Cathedral with Mark ‘Griff’ Griffiths (a Carcass roadie) and Garry ‘Gaz’ Jennings (formerly of thrash metal upstarts Acid Reign), I wasn’t really interested. But I have to admit it, their 1991 debut album, “Forest of Equilibrium”, it’s one of its kind, something disturbing, extremely dark and uniquely heavy. Now, nine albums later, I hope that Lee Dorrian will have second thoughts and “The Last Spire” will be only a station, and not the final destination in the journey of Cathedral. Read more Cathedral – The Last Spire (2013)
Depeche Mode are back. Strangely, “Sounds of the Universe” feels like a million years away, although it was released in 2009, so, only four years ago. This is the final piece of the trilogy of records that Depeche Mode were doing with producer Ben Hillier. And the thirteenth studio album of the band, the first for their new label, Columbia Records, scheduled for release on 22 March 2013.
Josh Money took his first piano lesson at age 5 and later studied classical composition, guitar, and piano at Macon State. After hearing the music of producer BT, he learned that his true passion was producing behind a computer. With indie film and video game scoring already under his belt thanks to programs at Full Sail University and an audio engineer position at EA Games, Josh began producing full-time in 2010 out of his home studio in Orlando. Focusing on a darker, heavier side of electronic music, Josh experimented with elements of dubstep, metal, and advanced classical theory. This newer sound caught the ear of veteran UK producer Deekline, who immediately signed Josh’s first dubstep release to Sludge Records. Josh took the EDM world by storm with his single “Let Go With You”, which dominated Beatport’s Dubstep chart, staying at the #2 slot for 6 weeks. After remixing Celldweller’s “I Can’t Wait”, Josh Money has joined Celldweller’s FiXT label to continue his attack on the charts. “The Petrine Cross” is a sick, contorted, noisy, dubstep fueled EBM track.
Hippies are back and they seems furious. Punk-like furious. White Stripes fans will gonna love it.
This feels and sounds pretty much like a dark, modern, minimalist, but soulful Pink Floyd album. Maybe with a healthy addition of King Crimson taste. It has something from that glowing, thirsty 70’s spirit, but sound fatter, feels like nowadays. “The Terror” is the thirteenth studio album by The Flaming Lips, and it’s to be released the April 1st 2013 worldwide and April 2nd, after a four year gap.
Switzerland’s Archers and Arrows on their debut album entitled “Arrows Alone Together” delivering a tumultous, but gentle mixture of hardcore rooted energy and indie flavoured melodies. Sometimes feels and sounds like Sigur Rós playing dEUS songs, or Bullet for My Valentines start playing Mogwai covers. Sometimes quite gloomy, but very smartly build-up and gently soulful, Sebastien, Nicolas, Bunty and Yves created a world of their own and now they share it with us.
Céline Bonacina plays baritone, alto and soprano saxophone, she’s a composer and leader of her own trio.
EarthBound, known in Japan as Mother, is a role-playing video game series created by Shigesato Itoi for Nintendo. The series started in 1989 with the Japan-only release of Mother (planned to be released in North America as “Earth Bound”) for the Famicom, and was then followed up by a sequel, released in North America as EarthBound for the Super NES in 1995, and followed up again 12 years later with the Japan only release of Mother 3 for the Game Boy Advance in 2006. Itoi stated in an interview that the name “Mother” was greatly influenced by the John Lennon song “Mother”.
Although Hendrix died pretty young, at age 27, on September 18, 1970) and he only released three studio albums (the 1967’s “Are You Experienced”, the 1967’s “Axis: Bold as Love” and his seminal 1968’s “Electric Ladyland”), he managed the unequalable performance to release 12 posthumous albums. Not bad for a dead guy and those who are still earning big bucks by exploited his inheritance.
From Västerås, Sweden, I Used To Be A Sparrow are back with their second full-length album and they gonna take you in their clear-obscure dream world made up of indie rock shreddings, shoegazer flavoured epic and bitter-sweet escapades and dream-pop hooks. Scandinavian quality, hypnotic and melodious, simple and smart, soulful, but simultaneously efficient.





