Hopefully this will be a “lucky 13” – although this is quite a dark and heavy one. Scheduled to be released on 23 April 2012, the upcoming 13th studio album by Paradise Lost is 101% classic Metal with strong roots back to Doom and Gothic and eventually since their 1991’s second album, “Gothic”, the band did not delivered something like this. Just like two decades ago the album was written by Nick Holmes and Gregor Mackintosh, drummer Matthew Archer left the band in 1994 and after several rotations, behind the drum kit since 2009 is Adrian Erlandsson, but although, the band seems totally unchanged. In a good sense. We know, the road back here was not so smooth and flawless as it might seem, but what’s matter it’s we are here now. Well, I’m aware, the journey might be much more significant then the final destination, but this is quite a different philosophical issue. So, I love “Tragic Idol” as it is, I loved it as I saw the cover for the first time. Read more Paradise Lost – Tragic Idol (2012)




As I previously said not only once, I’m not an expert in Jazz, but honestly, I’m so-so-so-so bored in most of the Rock/Metal, eventually so-called Rock/Metal (mandatory “core”) bands, that Jazz sometimes offers me the only reliable refugee.
Merging the sound and approach of bands such as Guano Apes and Skunk Anansie, Exilia incorporated more Industrial elements and Nu Metal grooves and delivered a strong fifth full-length album.
The ovation (Latin: ovatio) was a lower form of the Roman triumph. Ovations were granted, when war was not declared between enemies on the level of states, when an enemy was considered basely inferior – slaves for instannce – or when the general conflict was resolved with little to no bloodshed or danger to the army itself.
Formed in 2004, in Paris (France), Devianz, this five piece band, now delivering their long awaited second full-length album, “A Corps Interrompus” (With Interrupted Bodies). 13 tracks, one bonus and one top collaboration with Vincent Cavanagh of Anathema on the song called “Ton corps n’est qu’atome” (You’re Body is Nothing But Atoms), revels a wild, willing and extremely capable band which managed to blending sensitive, acoustic rooted European Rock with the energy, explosion and rawness of the American Indie and Post-Hardcore. But more further than another perfect sonic experiment, Guyom Pavesi, Benoît Blin, Pierre Labarbe, Vincent Rémon, and Charles-Vincent Lefèvre write and recorded 14 songs. 






